Tag Archives: merced

Flock of Cranes, Marsh

Flock of Cranes, Marsh
Flock of Cranes, Marsh

Flock of Cranes, Marsh. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A large flock of sandhill cranes gathers in a shallow San Joaquin Valley marsh

This large group of sandhill cranes was most cooperative with us during our mid-February visit to their habitat out in California’s San Joaquin Valley. While there are places in the valley where it is reasonably simple to get quite close to them, at this place they often hang out a good distance from the areas accessible to visitors—and many times the photography is therefore limited to very long shots or to birds passing overhead.

In general this was a somewhat different day as far as birds were concerned. The common mid-day lull in their activity was less pronounced, and for almost the entire day they tended to be quite active. Large groups of many different kinds of geese flew in and out, often collecting in large flocks in empty fields. Earlier a group of cranes had stood close to the access road near the larger group of geese. And a bit later in the day, a very large group of cranes settled in on this shallow pond and was willing to remain there as we photographed.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Fog, Tree, Marsh, Morning Sky

Fog, Tree, Marsh, Morning Sky
Fog, Tree, Marsh, Morning Sky

Fog, Tree, Marsh, Morning Sky. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Winter morning fog in bright morning light above a San Joaquin Valley marsh

I made this photograph, rendered here as a high key black and white image, in a wetland area of California’s San Joaquin Valley. Photography began on this morning before dawn, in very foggy conditions. Here, nearly two hours later, we had worked our way around to a different location where shallow ponds stretched into the distance, reflecting trees in the thinning fog that was brightly lit by the morning sun, and with high clouds above.

At the time when I looked across this water I was struck by how little of substance there was in the scene. Above was misty and faintly blue sky with thin clouds. Below there was water, but the water served primary to reflect that same sky. The only solid material in the scene is the faint trees, a few birds, some bits of grass, and a couple of thin strips of levee. Everything else is sky or fog or reflection of sky and fog. The photograph is one of a series that I have tucked away, yet to work on at the appropriate time, and in need of further thought: Do I work with the high key luminosity of the scene, or do I work with the color version in which everything is shades of blue?

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Wetland Fog, Dawn

Wetland Fog, Dawn
Wetland Fog, Dawn

Wetland Fog, Dawn. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

First dawn light glows faintly through winter fog above a San Joaquin Valley wetland marsh

This was definitely shot during the morning blue hour, the pre-dawn light was here tinged with pink color from first sunlight striking high clouds far above the ground-hugging layer of thick fog. This is another photograph from my favorite Central Valley haunt, where I often go to photograph birds during the cool months of late-fall through very early spring.

The fog was thick but not deep, and as we drove to this area we were able to look up through it and see the predawn sky even though the murk was thick enough at ground level to force us to drive very slowly. Arriving at our destination, it was foggy and still, but as the first light of morning began to arrive, the pink color of high clouds illuminated the fog and created a glow of a somewhat unusual color. I had a few minutes along the edge of a pond to photograph in this fleeting light. The first photographs, like this one, were a combination of blue and faint pink/purple. A moment later the pink became even more intense, and then as the light increased the color faded and the fog became more transparent, allowing a view upwards through it to those higher clouds.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Seven Sandhill Cranes

Seven Sandhill Cranes
Seven Sandhill Cranes

Seven Sandhill Cranes. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Seven sandhill cranes in shallow water, San Joaquin Valley

This was an interesting and varied day out in the Central Valley wetlands, chasing birds, fog, and various landscape subjects. We started, as is pretty much the rule, before dawn. Actually, the drive to this place started way before dawn and in the darkness, so that we could arrive and be ready to photograph before the sun rose. Meeting up with friends who came with the same ideas, we began our watching and searching and photographing in pre-dawn light and thick, low fog. As the morning wore on the ground fog dissipated, leaving behind the common Central Valley haze and some thin high clouds.

We continued to “work” this area, moving from place to place looking for the best bird photography opportunities. To me, “bird photography” does not just mean birds, but also includes effects of light and atmosphere and the background landscape. You never know for sure what you’ll find out here, but on this mid-February day the birds seems, to me at least, to be surprisingly active. Sometimes you’ll mostly get action very early and very late in the day, but this time it seemed like there was almost always something going on. Large flocks of various sorts of geese would arrive and depart, often collecting in large groups on fallow fields. There was a large number of cranes, and this time they often showed up in places that were relatively accessible to us. Several times we found fairly large groups of them not far from the gravel road that we were on, sometimes in fields and, as in this photograph, standing in shallow ponds. This group was close enough that I could photograph from the vehicle, using it as a blind, and by using a long lens get close enough to focus on this group standing together and—for the moment at least—facing in the same direction.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.