Tag Archives: merced

Spring Dogwood, Water

Spring Dogwood, Water
Branches of spring dogwood trees, against a backdrop of the Merced River

Spring Dogwood, Water. © Copyright 2018 G Dan Mitchell – all rights reserved.

Branches of spring dogwood trees, against a backdrop of the Merced River

Dogwood trees are a spring phenomenon everywhere, but they are a special attraction in the low and middle elevations of the Sierra Nevada every spring. Near the end of April these trees leaf out with flower-like “bracts” soon appearing, and their white or near-white color stands out against the green foliage, especially in low light and shadows.

As so many Yosemite photographers do — it is nearly impossible to resist! — I photographed these branches, leaves, and flowers against the backdrop of the Merced River, its spring flow reflecting the colors of the sunlight on nearby cliffs. I made the photograph at the very beginning of dogwood season, in late April, and a month later I was still able to find trees full of the white flowers in other locations within the park.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Clearing Clouds, Merced River Canyon

Clearing Clouds, Merced River Canyon
Morning light on clearing clouds, Merced River Canyon and Lower Yosemite Valley

Clearing Clouds, Merced River Canyon. © Copyright 2018 G Dan Mitchell – all rights reserved.

Morning light on clearing clouds, Merced River Canyon and Lower Yosemite Valley

Yes, another photograph in the “Bierstadt morning” series, as I’ve come to think of it. (Albert Bierstadt was a renowned 19th-century landscape painter whose work in Yosemite is famous. His paintings, while true to the subjective experience of the place, relied on enhanced effects of color, light, perspective, and atmosphere.) As I have written, this morning started cloudy and gray but quickly transformed into a marvel of clouds, mists, and light that continued well into the mid-morning hours.

I began photographing in a location overlooking the main valley, but then decided to head up to this area, where I was thinking of several possible subjects. As I watched the play of light and atmosphere I decided to forego some of the intimate landscape opportunities and intend go for this large-scale scene looking up the valley of the Merced River. Working from one of the more obvious spots in the park, I set up and spent an hour or so watching the constant transformations of the scene as clouds opened, light appeared and moved across the scene, fog came and went, and more.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Clearing Clouds, Merced River Canyon

Clearing Clouds, Merced River Canyon
The morning sun breaks through clearing clouds above Merced Canyon

Clearing Clouds, Merced River Canyon. © Copyright 2018 G Dan Mitchell – all rights reserved.

The morning sun breaks through clearing clouds above Merced Canyon

If I had to choose my favorite conditions of atmosphere and light, something like this morning would be on my short list. The light was a surprise that emerged after I had almost written off the potential as being bland and gray. Since the clouds were in motion, the light was constantly changing — at moments it actually was not that interesting, but suddenly the clouds would shift and light would emerge, frequently moving across the scene and providing more than one opportunity. There were multiple levels and types of clouds. A thick overcast lay high above, though it was occasionally broken. Other clouds occasionally formed directly on the peaks, and others drifted below me, often low enough to count as fog. This show actually continued for several hours.

The location here is a fairly iconic spot that many who have visited Yosemite will immediately recognize. (However, as I discovered as visitors new to the park stopped and asked questions, to many this is a wholly unfamiliar view, which probably makes in even more spectacular to them.) If you look closely you will likely recognize the famous feature that provides a point of focus. The vantage point gives a view looking up the canyon of the Merced River and into the lower end of Yosemite Valley. This section has more of the v-shape of a river gorge, but the classic glacial u-shape begins under the brightest section of the lower clouds and then tracks to the left. Those light beams are real, and as I photographed they were traversing the scene from right to left.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Looking West

Looking West
Looking across Sierra Nevada foothills toward California’s Central Valley at dusk

Looking West. © Copyright 2018 G Dan Mitchell – all rights reserved.

Looking across Sierra Nevada foothills toward California’s Central Valley at dusk

I didn’t intend the photograph to be such, but it could be at least a bit metaphorical. I made in near the end of my period as a Yosemite Renaissance artist-in-residence, at opportunity that provided me with a total of about two weeks to photograph in the park, mostly in the Valley. (More of the photography from this work will be seen in an exhibit opening at Gallery 5 in Oakhurst in June — stay tuned for the details!) Hence the metaphorical “sunset” on the photography for this project (unless I manage to squeeze in one more quick visit next week!) and “looking west” toward my home in the San Francisco Bay Area, from which I post this image.

I suppose this photograph is also a bit more evidence — as if it were needed! — that Yosemite is far more than just the Valley, as incomparable as that area of the park is. I made the photograph on my evening “commute” between the Valley and my lodging elsewhere in the park, and by this evening I had already selected the location as a likely prospect. Often when I’m in the park my orientation is to the highest peaks lying on its eastern boundary along the Sierra crest. But on this evening I was looking the other way, towards layers of foothills descending toward California’s Great Central Valley to the west.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.