Tag Archives: metal

Accessible Entrance

Accessible Entrance
A metal door with an accessibility sign

Accessible Entrance. Brooklyn, New York City. December 21, 2015. © Copyright 2016 G Dan Mitchell – all rights reserved.

A metal door with an accessibility sign

OK, how to explain a photograph like this one? On the first full day of our recent visit to New York City we were out walking around in the Williamsburg vicinity in Brooklyn, and I was taking in the combination of very old stuff, very new stuff, and some very worn and dilapidated stuff. Even for a photographer used to photographing street subjects in San Francisco, many New York neighborhoods are, as they say, photographically “target rich environments,” with lots of things to see.

If I recall correctly, we had walked down a street toward the East River waterfront, passing though an area of older industrial buildings that seems to be converting to modern tech and commercial space. All I remember of the making of this photograph is that I made it more or less while passing by. I was attracted by the wild color and by the seemingly odd placement of the accessibility sign on what looked like a rather unfriendly entrance door.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Staggering Couple

Staggering Couple
A couple staggers past a closed business along a San Francisco sidewalk.

Staggering Couple. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A couple staggers past a closed business along a San Francisco sidewalk.

To me, this photograph has a sort of strange and somewhat perverse quality — like a scene from some bizarre circus or suggesting a madhouse or a dream. It is, admittedly, something of a construction — a construction by means of limiting what is shown of the surroundings and by means of a shutter speed slow enough to blur details and create a fantastical quality. It didn’t hurt that the postures of the couple are somewhat awkward and strange.

As is so often the case for me when photographing in places like this, my attention first went to the architecture and the wild colors and patterns painted on the closed shutters of this shop. That would be somewhat interesting, but hard to make work as a photograph on its own, especially when shooting handheld. And then this couple appeared, walking (sort of) along the sidewalk, hanging onto each other. Set against this incongruous background, they become something quite different from what they actually were.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Fence and Metal Wall

Fence and Metal Wall
“Fence and Metal Wall” — The patterns of a fence and metal wall

In some ways there is not much to say about this photograph and in some ways there should be much to say about it. But that’s never stopped me before… While I could say more about the subject and the circumstances of the photograph, I don’t think it is that important to do so. I’ll limit myself to saying that I made the photograph while walking through part of San Francisco and that it lies somewhere between being a “quick snap” (which it isn’t) and an image I completely understood at the moment I made it (it isn’t quite that either).

I’ve recently read some (occasionally odd) online discussions of minimalism in photography — what it is and what it isn’t. My ideas about minimalism are only partially based on visual concepts of the “ism,” and more based on my experience with musical minimalism, which I’ve known about for quite a long time. In a sense there are two threads that may ultimately arrive at a similar place. One simply tries to create an image (or other sound/visual object) from as little content as possible. Another may include denser content but rather the representing real things in an objective way it presents patterns or processes to the viewer/listener. (Composer Steve Reich’s concept comes to mind: “Music as a gradual process.”) In both cases I think the object encourages the viewer listener to look past the (often minimal) surface content of the work and into the material and structure of the thing. How it works might be more important than what it is.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

Gate Latch and Padlock

Gate Latch and Padlock
Gate Latch and Padlock

Gate Latch and Padlock. Pasadena, California. November 28, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Late afternoon sun on a fence with a gate latch and lock

We were in Southern California on a family holiday vacation in late November, and on the day after Thanksgiving we decided to “go do something” other than sitting around and digesting the previous day’s dinner. We planned a get-together with family/friends way up in Pasadena and the Southern Californians suggested the Huntington Library (and gardens and museums), which we had not visited before — so off we went.

We did not know what to expect from this place, but soon realized what a large and diverse and interesting facility it is. There are a number of museums on the huge grounds of the former Huntington estate, a few of which we visited (including one housing an intriguing Caponigro/Davidson exhibit), places to eat and drink, and many gardens — Chinese, Japanese, desert, and more. We walked through the Japanese garden that the start of the beautiful light time of the afternoon, when the late season sun was low in the sky and producing soft, warm light as it shone through trees and bushes on this small gate.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.