Tag Archives: migratory

December Geese

December Geese
Migratory geese flock in Central Valley pastures on a foggy morning.

December Geese. © Copyright 2012 G Dan Mitchell – all rights reserved.

Migratory geese flock in Central Valley pastures on a foggy morning.

The experience of photographing winter’s migratory birds in California might be divided into several sorts of exercise. One is looking for the birds, often without finding them or perhaps spotting them too far away to photograph. Then there is the experience, after not finding them, of waiting for their hoped-for arrival, perhaps spending time doings something else entirely. When they do show up we then watch, often making a few hopeful initial photographs as they do the same things we’ve photographed before.

Sometimes we manage to get very close — occasionally because the geese, by some miracle, come to us, rather than due to our skills are finding them. The geese have work to do, and they seem almost oblivious to our presence as they feed. The flocks often move slowly across the landscape, producing a remarkable low, droning sound. If you have watched them long enough you know that eventually they will move, sometimes by leaving in groups that follow one after another, but sometimes in a sudden and virtually unpredictable eruption of flight that produces first a sort of “ripping” sound as thousands of pairs of wings flap and the flock becomes airborne.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Geese in Fog

Geese in Fog
Geese feed in a California Central Valley pasture on a foggy morning.

Geese in Fog. © Copyright 2012 G Dan Mitchell – all rights reserved.

Geese feed in a California Central Valley pasture on a foggy morning.

As I work my way through the raw file archives from past years — a wonderful exercise in this pandemic-limited times — I don’t just think about the images as photographs. I also recall the experiences of making them — the feelings of the locations, the people who were with me, the surrounding non-photographic activities. During the past few days I’ve been thinking about the overall experience of a full day of photographing a subject such as these migratory birds, and as I do so I’ve considered how different it is from what many folks might imagine.

When people think of bird photography I believe that they relate to the “hunt” aspect of it — searching for a subject and focusing in on some amazing specimen or specimens. Sounds pretty exciting, right? But the truth about this sort of photography (and, to be honest, lots of photography) is that it tends to involve a lot more “not photographing” than actual photographing. A typical day of photographing a subject like this one involves quite a bit of just being there with my eyes open, hoping I’m in the right place at the right time. It tends to be a slow and quiet activity, punctuated by occasional bouts of intense activity. I’ve been in the field with folks who weren’t used to this, and I can often sense their anxiety of slowing down enough as they wait for something to happen. Over time I have learned to love these slow, quiet periods — like the very quiet scene in this photography. I often think nostalgically about them more than about the brief, intense moments.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Geese, Dusk Sky

Geese, Dusk Sky
A group of geese departs into winter dusk sky above California’s Central Valley.

Geese, Dusk Sky. © Copyright 2012 G Dan Mitchell – all rights reserved.

A group of geese departs into winter dusk sky above California’s Central Valley.

The endings of these winter days out in the wetlands photographing birds and Central Valley landscapes can be as magical as their beginnings. The ideal morning begins with thick fog that gradually thins as the sun rises, and there is an excitement about the possibilities of the day ahead. The ideal evening extends until it is almost too dark to see, and hopefully features beautiful twilight color and, with luck, a few last opportunities to photograph birds. It is a time of winding down, of quiet, and perhaps some contemplation or a few final moments with friends before heading home.

On this evening we had very intense sky color to the west, most likely on a day when the air never did completely clear. We kept photographing as the sun set, and as it got darker I continued to make a few final photographs. A small group of geese lifted off from a nearby pond in the cold evening air, flying away against a backdrop of trees, hills, and twilight sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Taking to the Air

Taking to the Air
A flock of migratory geese takes flight on a foggy winter morning.

Taking to the Air. © Copyright 2012 G Dan Mitchell – all rights reserved.

A flock of migratory geese takes flight on a foggy winter morning.

This photograph comes from quite a few years back, so I may be manufacturing what seems like a reasonably clear memory of this morning. Perhaps I’ve experienced so many that they merge into a type rather than a specific day. But I recall it as one of those times when I arrived to find a large group of geese still settled in on a pond. Before long, they began departing in small groups — not a gigantic unified lift-off.

Judging from the camera information on photograph it was a very foggy morning. Although it was a couple hours after my pre-dawn arrival, the sky is still foggy, which suggests that the tule fog had been dense when I arrived. Such winter days, which begin in opaque atmosphere that lingers for hours, are my favorites in places like this.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.