Tag Archives: migratory

Photographs: Birds, Photographs: Nature, Photographs: Wildlife

Two Geese in Flight

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Two Geese in Flight
A pair of snow geese in flight just above the ground.

Two Geese in Flight. © Copyright 2021 G Dan Mitchell – all rights reserved.

A pair of snow geese in flight just above the ground.

Snow geese and other types of geese can sometimes seem graceful, but they can also manage to put themselves into some quite awkward and even odd positions at times. This is often true then they are taking off or landing — perhaps less so when you look at them with your own eyes and more so when the camera halts the motion. The acts of landing and taking off require some brief and extraordinary efforts — especially the landings when the birds need to find a clear spot in the flock, slow their flight, and finally descend almost vertically with feet extended and nicks craned.

Frequently, photographs of creatures like these come from times of day with especially beautiful light and/or atmosphere — perhaps in fog or during the morning and evening golden hours. This is partly due to the appeal of those conditions but it is also because the birds tend to do more interesting things at the edges of the day. But in February, at least where I photograph them, the birds begin to be much more active and there may be no lull in the middle of the day.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Birds, Photographs: Nature, Photographs: Wildlife

The Cranes Dance

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The Cranes Dance
A group of “dancing” sandhill cranes in early morning light.

The Cranes Dance. © Copyright 2020 G Dan Mitchell – all rights reserved.

A group of “dancing” sandhill cranes in early morning light.

This photograph is a companion to another that I shared a couple of weeks ago of this same group. It was early on a morning of thin fog, and the first direct sunlight had not yet arrived. As I worked my way slowly along a levee the view of this group of cranes appeared as I passed by some tall reeds. I stopped to watch and photograph. Mostly the birds were quiet, but before long they became more active, eventually taking off and flying away.

For a few minutes before their departure they engaged enthusiastically in the ritual “crane dance.” A group of cranes will assemble and the rise briefly into the air with a flapping of wings and a little hop, and just as quickly land again. Several birds in the group were alternately bending their heads down low, as the crane at the right, and jumping up wards. A few moments later the group took to the air and departed.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Birds, Photographs: Nature, Photographs: Wildlife

Flock of Cranes in Flight

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Flock of Cranes in Flight
A flock of sandhill cranes in flight against clear blue sky.

Flock of Cranes in Flight. © Copyright 2020 G Dan Mitchell – all rights reserved.

A flock of sandhill cranes in flight against clear blue sky.

Today’s post gives me an excuse to explore a few technical (and aesthetic) considerations about photographing birds, so I’m sharing this photograph both as an image and as an illustration of a few things I’ll mention below. I made the photograph in the morning (contrary to a possibly erroneous bit of EXIF data in the file), when the rising sun was still low and the light was muted a bit by thin fog. I positioned myself in a spot that groups of cranes were crossing, and I simply waited for them to approach.

There’s a lot going on inside a dynamic flock like this one. Some things are at least partially subject to decisions by the photographer, while others must simply be accepted as “what is.” Even those that are subject to photographer decisions improve the odds rather than producing certainty. I identified a spot over which groups of birds were flying. I chose to position myself on the “sunny side” of that point so that passing birds would get some direct illumination. This is important, since backlit birds against a back sky are… challenging. The second issue has to do with the positions of the birds in the frame and relative to one another. With practice one can become better at framing the flying birds in desirable ways. More difficult is keeping track of how the birds interact with one another in flight. Ideally you probably want them close together, but you don’t want one bird obscuring the head of a nearby bird. The birds rarely understand this! But you can increase the odds by developing your ability to watch this positional interplay among the birds. You learnt to avoid triggering the shutter when the positions aren’t great and (to some extent) time your shots for when they are. In the end, as in this photograph, while all of these intentional acts help, there are still significant elements of chance in the result… and here it worked and not a single bird’s head is blocked by another in the group.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Fall, Photographs: Flight, Photographs: Nature, Photographs: Wildlife

Crane Departure, Morning

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Crane Departure, Morning
Sandhill cranes take to the air in morning light above Central Valley wetlands.

Crane Departure, Morning. © Copyright 2020 G Dan Mitchell – all rights reserved.

Sandhill cranes take to the air in morning light above Central Valley wetlands.

In my experience, bird photography often involves a whole lot of sitting around, thinking about where the birds might be, stopping and watching and hoping that they will engage in some interesting behavior. The actual picture making can take up a small percentage of the total time on task, with vast slow times in between. (And that’s not even counting the long drives — usually in the dark — to get there and back.)

My photographs of sandhill cranes on this autumn morning might be illustrative. I drove two hours in darkness to get here a half hour before dawn. I followed a levee road out into agricultural and wetland country, not seeing all that many birds, at least not of the sort I was looking for. Eventually, in a place where I was not necessarily expecting to find them, I came upon a large flock of sandhill cranes in a pond. It was still before sunrise when I decided to stop and see what developed here. I made a few quick images in the low light, but then I mostly just sat there and… watched. Eventually some of the birds became more active and a bit later the first semi-directional sunrise light came weakly through the fog. And a few minutes after that happened small groups of the birds began to depart. Then they were gone and… not much else happened until I left a few hours later.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.