Tag Archives: migratory

Crane in Sunrise Light

Sandhill Crane in Sunrise Light
“Crane in Sunrise Light” — A lesser sandhill crane flies into the sunrise light, Central Valley.

Several things had to come together for this photograph of a lesser sandhill crane to work. Obviously, the bird had to fly above me at a relatively low height. That’s not as simple as it sounds, as cranes usually divert to avoid flying over people. The light was also special — it was the warmly colored light just after sunrise, when the sun is low enough to illuminate the underside of the bird. On top of that, the bird was flying toward the sun, so the light hits it almost head-on, while appears as side light from the camera position.

Cranes can be quite beautiful birds in flight. In contrast to some of the geese and ducks found in the Central Valley of California, they tend to move their wings more slowly and often simply glide. They are big, impressive birds, too — they stand several feed tall when on the ground.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.

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Sandhill Crane Flying Low

Sandhill Crane Flying Low
“Sandhill Crane Flying Low” — A lesser sandhill crane flies low above a Central Valley field.

I had been trying to find the right time to head to California’s Central Valley to photograph migratory birds again. I was last there around New Year’s Day, but since then various things have kept me away — mostly that the times I ‘ve been free were the times when my favorite foggy conditions were not in place. I finally gave up on waiting and went on a sunny day. After all, many of the migratory birds will only be there for a few more weeks!

Late in the winter bird season it always seems like the “bird action” picks up out there. At the beginning of the season much of that happens at the morning/evening fly-ins and fly-outs, with a lot of quiet time between. But by February the birds seem to be more active during the day. On this early-February visit both cranes and geese around all day long. I made this photograph in the early afternoon as a flock of nearby cranes began to gradually move from one spot to another.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.

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Birds, Rising Sun

Birds,Rising Sun, Fog
“Birds, Rising Sun” — Passing geese and cranes fly in front ot the rising sun on a foggy morning in Central Valley wetlands.

A photograph like this isn’t always possible and is never easy. Obviously, the sun is extremely bright, and this presents some major exposure challenges. At the same time, the sides of the birds and plants facing the camera is in the darkest possible shadow, being on the opposite side of the sun. But on this morning several factors haled out. the high clouds interfered with the sun just a bit, and closer to the ground a bit of tule fog was still hanging on.

Early morning may be the most compelling time in these wetlands. (Though I’ll hear you out if you want to argue for evening.) After arriving in darkness, the sky begins to glow and the light slowly increases. Fog may mute the light and add a sense of mystery. And the birds are coming to life, warming their wings in the first sunlight and then flying out for the day’s activities.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.

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Migratory Geese, Wetlands

“Migratory Geese, Wetlands”  Migratory geese (likely snow, Ross’s, and white-fronted) in Central California wetlands.

Our little band of photographers gathered once again on New Year’s Day to greet the new year together and photograph migratory birds and the often-foggy Central Valley landscape. This photograph holds what I think of as the main elements of this winter landscape: birds, a bit of fog, sky, trees, and grasses. (OK, cattle and crops are part of the scene, but not in this photograph.)

There are various natural cycles to observe when photographing these birds. The most obvious is annual — they return from the arctic every autumn and around the start of spring. There’s a cycle during that period, too. At first they are often harder to find, settling into remote areas of the valley and being more uneasy around humans. As the season goes on they seem to be a bit easier to locate as they collect in gigantic flocks, and the become extremely active in the final month before their departure for points north.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.