Tag Archives: migratory

Two Cranes, Reflection

Sandhill cranes have the remarkable ability to look both comically clumsy (watch them land!) and remarkably graceful. This pair managed to produce the latter impression as they crossed paths in a shallow wetland pond. It helped that they were between me and the sun, placing their reflection in the water in front of them.

Sandhill cranes are remarkable birds and have become my favorites among the migratory birds I photograph . They are here between autumn and late winter in large numbers. Their characteristic cry is one of the defining features of my winter photography experience. One of the best moments comes when they return at dusk. I hear their cries before I see them, but soon hundreds arrive and land for the night.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Two Cranes, Morning Sky

If you follow my photographs, it is possible that you recall another photograph of these two cranes in morning sky a few weeks ago. Sometimes I use burst mode to photograph birds as they fly past. One advantage is that you have a better chance of getting that perfect moment when things happen quickly. However, a disadvantage is that you end up with a lot of photographs to review! When this pair flew over, out of perhaps a dozen frames there were two that I liked.

The photograph, and its near-twin, are slightly unusual for me. For one thing, I tend to include some landscape or foliage with the birds. But here it is just birds and sky, albeit with some lovely, fluffy clouds. The angle and color of the light were just about ideal. It was coming at a low angle from my right, where the sun was just over the horizon. As a result the warm, early light shone upwards onto the undersides of the birds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Final Approach

Snow geese and Ross’s geese were my first interest years ago when I began paying serious attention to photographing birds. I had been tuned into California’s natural world for decades, but somehow I had missed the annual bird migrations, so “discovering” them was a thrill. Eventually the geese didn’t like the only thing worth photographing, and I no longer chase after them reflexively. But they still can be compelling — and there’s nothing quite like the sight and sound of thousands of them taking to the sky at once!

I photographed this trio on a late-December day when the numbers of geese were steadily increasing. There are more things to attend to when photographing these birds than you might think. Exposure can be tricky, as their brilliant white plumage can blow out in bright light or turn gray against the sky. Light needs to shine on them from the right direction or their features get lost in shadows. And, of course, you hope that the geese aren’t facing away from you! For this photograph I was in just the right spot as the birds turned toward me and into the breeze to land.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Two Snow Geese Landing

Two Snow Geese Landing
“Two Snow Geese Landing” — Two snow geese in the final moments before landing in a Central Valley wetlands pond.

The larger migratory birds often are graceful or powerful in flight, individually or in flocks. But that tends to break down in some ways as they land. They approach the ground, slow to stalling speed, crane necks forward, extend feet downwards, orient their bodies more vertically… and sometimes look downright silly at the last moment. (An exception can be the angle-like uplifted winds of geese in descending groups.) This pair is just at that moment then they transition from flight to landing.

This is a challenging moment to photograph the birds, but knowing a few tings about their behavior can increase your odds. Like airplane pilots, they come around to land facing the wind. If you can position yourself upwind from their likely landing point you get bird faces instead of bird butts. Also, at the last moment they tend to appear in front of distracting backgrounds. Here a larger aperture can blur the background, and looking for backgrounds that don’t include things that you don’t want in your photo — automobiles, buildings, power lines, etc.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.