The sandhill cranes are still my favorites among the migratory birds that I photograph every winter. They aren’t quite as abundant, as noisy, or as active as the geese, but they have other attractions. Their characteristic cry is often the first one I hear when I arrive in the field, and their morning take-off often starts my days of photography… and their twilight return concludes it. Their flight patterns are a bit more sedate than those of geese and are characterized by a slower pace of wing motion.
Photographing a group like this can be a bit challenging, and a lot of pieces have to fall into place to make it work. In my experience, flying cranes often tend to divert from their trajectory rather than fly over a photographer, often breaking to one side or the other at the last minute. They also tend to not pay a whole lot of attention to photographic considerations such as orienting themselves ideally to the sun’s light. And when groups do fly overhead they often block one another from view. This little group, however, did everything just right! The flew almost into the early morning light, diverting just enough to put a bit more light on the side facing the camera, and they managed to do so while lining up so that all of their heads were visible!
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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