Tag Archives: mnwr

Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Central Valley Coyote

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Central Valley Coyote
A coyote pauses during an early evening hunt in California’s Central Valley.

Central Valley Coyote. © Copyright 2013 G Dan Mitchell – all rights reserved.

A coyote pauses during an early evening hunt in California’s Central Valley.

We know that coyotes are about in the locations where we photograph migratory birds in the autumn and winter. We often hear their cries in the evening, and occasionally we’ll catch sight of them in the distance as they trot across the grassland toward a tasty-looking flock of birds, no doubt encountering equally tasting small mammals along the way. However, seeing one this close in the daytime is a bit less typical.

It was the last hour before sunset, as you might guess from the warm and low-angle light, when this specimen appeared not far away from my position. It was most certainly aware of my presence, but it didn’t seem overly concerned as it passed, pausing occasionally to look around and even cast a glance in our direction.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Central California, Photographs: Fall, Photographs: Fall Color, Photographs: Nature

Thinning Tule Fog, Morning

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Thinning Tule Fog, Morning
Autumn trees begin to emerge from thinning morning tule fog, Central Valley.

Thinning Tule Fog, Morning. © Copyright 2012 G Dan Mitchell – all rights reserved.

Autumn trees begin to emerge from thinning morning tule fog, Central Valley.

As I post this photograph and text it is mid-September, although the post is being queued up for the first day of October. Most of you will see it on October 1. (If you see it earlier, use your imagination!) The onset of autumn in my part of California always seems to take longer than I expect, even after decades of experiencing it. For many years I subconsciously felt that it began when school started again “in the fall,” even though the start dates usually occurred while it was still late summer. This association with fall led me to expect to see fall weather in September, but September in most of California feels much more like summer. I still struggle with this seasonal displacement.

But if you are seeing this on October 1, it now actually is fall, and even though we typically have some warm days ahead of us — and usually the real rains are at least a month away — the change is now becoming more obvious. The nights last longer than the days, mornings are cool, the clouds from incoming Pacific systems start to pass overhead, and the aspens are turning in the Sierra Nevada. This is my favorite season — the time of soft light and clouds and autumn colors. This photograph comes from a late-autumn day in California’s Central Valley, as morning tule fog began to thin. (Note: This is a reworking of an image posted previously.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Geese in Fog

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Geese in Fog
Geese feed in a California Central Valley pasture on a foggy morning.

Geese in Fog. © Copyright 2012 G Dan Mitchell – all rights reserved.

Geese feed in a California Central Valley pasture on a foggy morning.

As I work my way through the raw file archives from past years — a wonderful exercise in this pandemic-limited times — I don’t just think about the images as photographs. I also recall the experiences of making them — the feelings of the locations, the people who were with me, the surrounding non-photographic activities. During the past few days I’ve been thinking about the overall experience of a full day of photographing a subject such as these migratory birds, and as I do so I’ve considered how different it is from what many folks might imagine.

When people think of bird photography I believe that they relate to the “hunt” aspect of it — searching for a subject and focusing in on some amazing specimen or specimens. Sounds pretty exciting, right? But the truth about this sort of photography (and, to be honest, lots of photography) is that it tends to involve a lot more “not photographing” than actual photographing. A typical day of photographing a subject like this one involves quite a bit of just being there with my eyes open, hoping I’m in the right place at the right time. It tends to be a slow and quiet activity, punctuated by occasional bouts of intense activity. I’ve been in the field with folks who weren’t used to this, and I can often sense their anxiety of slowing down enough as they wait for something to happen. Over time I have learned to love these slow, quiet periods — like the very quiet scene in this photography. I often think nostalgically about them more than about the brief, intense moments.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Abstract, Photographs: Birds, Photographs: Central California, Photographs: Flight, Photographs: Nature, Photographs: Wildlife

Sudden Flight

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Sudden Flight
A flock of Ross’s geese takes to the air at the end of the day.

Sudden Flight. © Copyright 2012 G Dan Mitchell – all rights reserved.

A flock of Ross’s geese takes to the air at the end of the day.

As an afternoon of migratory autumn/winter migratory bird photography runs on into sunset and then twilight, it is inevitable that there will eventually be too little light to photograph the way I might during the daytime. But I usually continue until it is virtually dark — to the point that I may need a headlamp to stow my equipment when I finish. During that final low-light period I often end the cycle of increasing ISO and pushing shutter speed, and instead I drop ISO down to the minimum and let the exposure times lengthen, allowing me to work with motion blur from birds in flight.

We had positioned ourselves near a large flock of geese in a pasture, and they were gradually become more restless, beginning to take off in small groups and depart for parts unknown. Groups tend to depart together, and as they do they rise, with little or no warning, en masse and take to the air. It is hard to say what makes a photograph “realistic,” but I often feel that these masses of blurry birds may suggest the quality of these departing flocks at least as truthfully as stop-motion photographs.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.