Tag Archives: mnwr

Goose-Filled Sky, Dusk

Goose-Filled Sky, Dusk
Thousands of Ross’s geese fill the dusk sky above California’s San Joaquin Valley

Goose-Filled Sky, Dusk. San Joaquin Valley, California. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Thousands of Ross’s geese fill the dusk sky above California’s San Joaquin Valley

The light and the photographic subjects pass through a series of stages at the end of the day in these wetlands areas. The nondescript late afternoon light takes on a warmer tone as the sun drops toward the horizon and shadows lengthen, and often clouds in the distant west may momentarily mute the light. There is still plenty of light for traditional bird photography, as the direct sunlight has not yet disappeared. Before long comes the last bit of direct sun, golden in color on the bodies of white geese, and then it is twilight.

At this transitional moment all sort of light magic can happen. As flocks of birds wheel around in the night sky they take on different colors — the gold of reflected sunset, the blue of the eastern sky that is transitioning towards night, and sometimes they simply are black against the sky. And the sky shifts colors, too. Sometimes the effect is wild and gaudy, but more often it is subtle, with tones of pink and blue and purple and more. By the time I made this photograph the light was becoming quite dim, and it was dark enough that I could no longer maintain a shutter speed that would stop the motion of the birds. So I no longer tried! I use a longer shutter speed and pan, watching for the flocks to compose themselves in interesting ways, always in constant motion, and against the colors of the evening sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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In Flight, Dusk

In Flight, Dusk
Ross’s geese in flight above San Joaquin Valley wetlands in dusk light

In Flight, Dusk. San Joaquin Valley, California. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Ross’s geese in flight above San Joaquin Valley wetlands in dusk light

This was a beautiful mid-winter day in the San Joaquin Valley. It began with a two-hour pre-dawn drive from home, starting earlier than a month ago now that the days are beginning to lengthen again. I drove in clear weather and it remained so as the sky began to brighten as I entered the valley, but as I got closer to my destination I was pleased to encounter for — thin at first but within minutes so think that I had to slow and turn on fog lights. I arrived at my destination a half hour before sunrise, and began photographing, working all morning before finally taking a break for lunch.

My friends Claudia and Michael had dropped a hint in an email that they might be out that way later in the day, and I was pleased to find them there when I came back from my break. We greeted one another, took a quick trip around the area to scout the birds for evening photography, and then ended right back were we started. Big groups of sandhill cranes and geese (mostly Ross’s but with a few other interlopers mixed in) were active in newly turned fields nearby, so we found a good vantage point and watched as the evening light came on. Eventually the light became so dim that it was no longer really possible to make sharp stop-motion photographs of birds in flight. This is, in a way, one of my favorite times of day, when I switch over from a more typical kind of bird photography and begin to go with the darkness, using slow shutter speeds and panning along with the motion of flocks, and making photographs that work with the motion blur of low light and slower shutter speeds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Geese Rising

Geese Rising
A flock of geese takes to the air above San Joaquin Valley wetlands

Geese Rising. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A flock of geese takes to the air above San Joaquin Valley wetlands

Sometimes bad light turns out to be good light. Late in the day I made one last circuit of this location, hoping to find some birds to photograph in sunset light. However, the light was obscured by the clouds of an incoming weather system and much of the light at this location became rather flat and gray. (The light to the west was another story, and another photograph made within moments of this one includes a rather spectacular sky in the distance.) It was cloudy enough that most of the light had faded before sunset, and there wasn’t much left after that at all.

Yet… the flat light has its advantages. One of the challenges of photographing airborne birds is that when they rise against the sky they are often lit from above, and it can be difficult to get a photograph that isn’t simply a silhouette. But the soft light fills those shadows, and here there was also a bit of gentle light coming from the western sky through sunset clouds that had picked up a bit of color. As I stood around watching a large group of geese (mostly snow geese) settled in a pond, the suddenly erupted into flight en masse, in the typical wild show of fluttering wings and loud vocalization. The turned and passed right in front of me before continuing on to some unknown place far to the west.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Geese in Flight, Dusk

Geese in Flight, Dusk
Geese in Flight, Dusk

Geese in Flight, Dusk. San Joaquin Valley, California. January 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Flocks of Ross’s geese in flight in the winter evening sky above the San Joaquin Valley

It was near the end of a full late-January day of winter bird photography in California’s San Joaquin Valley. After seeing fewer birds (Ross’s geese, sandhill cranes, and more) than we expected earlier in the season, the new year had brought increased numbers that reminded me of previous years. We started this day before sunrise and kept at it almost all day, taking only a short break for a visit to a nearby area before returning to again photograph the birds in the late afternoon. As the afternoon wore on we began to look for a likely spot to photograph the birds at the end of the day. They could end up anywhere, but this time they congregated in an accessible spot along the edge of a gravel access road. Several of us parked along this road, positioning ourselves so that a large flock of Ross’s geese that had collected there would be between us and the sunset light on clouds.

The giant flock of Ross’s geese gradually edged to the east, and we moved several times in order to keep them positioned for best light and background. There was some continuous coming and going as birds flew off to other groups or flew in to join this one, but for the most part things were rather calm. Then, for no clear reason (an eagle flying overhead? Something else?) the entire flock lifted off suddenly right in front of us. This moment, which I have seen before, is unforgettable, not just for the huge clouds of birds turning and gradually spreading in the sky, but also for the sound — wild cries as the birds lift off, and the rushing noise of thousands of wings suddenly beating.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.