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Marsh Grasses and Fog, Dawn

Marsh Grasses and Fog, Dawn
Marsh Grasses and Fog, Dawn

Marsh Grasses and Fog, Dawn. Central Valley, California. November 24, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Golden dawn light illuminates autumn fog drifting above marshland grasses in California’s Central Valley.

I went to this place to photograph birds – at least that was my excuse. In the past few years I have become quite passionate about photographing the migratory birds that may be found all over the Great Central Valley of California between late fall and early spring – geese, cranes, herons, ibises, and more. I think that once you hear the cries of these birds as thousands of them flock together on the ground or in water or, better yet, as they fly overhead, they get in your blood. In the fall I anticipate their return and watch for early signs. A few weeks ago we managed to find cranes further up the valley, and I knew that the geese wouldn’t be far behind – so this trip was, literally, a “wild goose chase.”

But the truth is a bit more involved. As much as I love the birds, I think that I’m at least as attracted to landscapes where they are found at this time of year, and to the weather conditions of this season. You might think that a bird photographer would want clear skies and bright light, but I look forward more to fog, clouds, and mist and other kinds of interesting atmosphere. In fact, at times it occurs to me that the birds may at least partially be my excuse for being in this landscape. On this morning I was expecting that it might be clear, so I was happy (strange photographer!) when I drove into thick fog a few miles from my destination. I arrived just before dawn as the sky was somewhere in that color range between blue and purple and pink, but just barely visible though the murk. I made a few true sunrise photographs that included a barely visible sun behind fog and clouds, then moved on along a gravel road to see if I could see the cranes that I could hear. As I came to a right angle turn on this road, the fog stretched beyond the nearby grasses and straight toward the low sun in front of me, thick enough that all details in the distance disappeared (with the exception of a few barely visible birds) into a luminous glow that was too bright to look at.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Yellow-Headed Blackbird

This bird was a bit of a surprise. Some large cottonwood trees packed full with a flock of tai-colored blackbirds caught my attention. I pulled over and got out the long lens and began to photograph dense groups of those birds. But as I looked through the telephoto I realized that not all of the birds were the same. Two in particular didn’t quite fit — this yellow-headed blackbird and a nearby European starling.

While the tri-colored blackbirds were clumped closely together in a wildly-singing flock, this bird perched just a bit to the side. It was close enough to initially look like part of the boisterous group, but just far enough away to make a case that “I’m not one of those loud birds!”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.