Tag Archives: mono

Aspen Groves, Afternoon Light

Aspen Groves, Afternoon Light
Aspen Groves, Afternoon Light

Aspen Groves, Afternoon Light. Conway Summit, California. October 16, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Late afternoon sun backlights the brilliant fall colors of aspen groves along the eastern slope of the Sierra Nevada near Conway Summit.

This is one of what is likely to be a series of very gaudy and colorful photographs of autumn aspen color, much of it photographed at Conway Summit along highway 395 just north of Lee Vining and Mono Lake. Keep your sunglasses handy!

If you happen to arrive at the Conway Summit area at the right point in the fall color season, you can be treated to an astonishingly large and brilliant show of aspen color. (It isn’t a sure bet though. Some years it is not nearly as spectacular. ) This year the trees seemed to turn quite suddenly. A week earlier there had been a lot of very green trees at this elevation along the east side of the Sierra, and many of us expected that the most striking colors would not come until as much as a week later. But nature wasn’t listening, and one week after I had seen so much green, the aspens all along the eastern escarpment of the range were turning golden and many other shade, frequently all the way down to the level of Owens Valley.

After shooting in the early morning out in Owens Vally and then hiking up to Parsons Lake in the middle of the day, I finally made my way up north to Conway Summit just before what I regard as the ideal time to photograph aspen color here, namely during the last hour or so before the sun drops below the peaks of the Sierra to the west. During this period the trees are back- and side-lit in very dramatic ways. While shooting almost directly into the sun can be tricky, the backlit trees really light up. At first I was a bit concerned when I arrived since clouds over the crest threatened to end the light show early, and they actually did interfere at times. But they also broke up the light a bit and provided a combination of ever-changing light and shadow patterns. One moment the light would strike one area and I would shoot in that direction. A moment later that light was gone, but shortly it would appear in another spot – and I’d swivel the camera around and work that subject for a moment.

This little pair of groves is one that I’ve watched and photographed for several years. I like the way that it stands apart from the much larger main groves and has the plain grass and sagebrush covered hills as background. I made a series of exposures of this subject, and in this one the light crossing from left to right not only struck the colorful trees but also lit up some of the gentle ridges of the slopes beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Sierra Wave Clouds Above Owens Valley, Dawn

Sierra Wave Clouds Above Owens Valley, Dawn
Sierra Wave Clouds Above Owens Valley, Dawn

Sierra Wave Clouds Above Owens Valley, Dawn. Owens Valley, California. October 16, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Sierra wave clouds building at dawn are reflected in the waters of an Owens Valley lake.

On this morning I was up well before dawn – I checked out of my motel in Bishop, California and was on the road while it was still dark, with a semi-plan of photographing aspen trees around dawn up in the northern portion of the June Lakes Loop. As I headed north out of Bishop and through Round Valley, the very first light arrived and I saw the dim outlines of Sierra wave clouds forming over and just east of the crest. Now, this was an interesting development!

As I continued north and the light increased, the clouds began to interest me more than the possibility of photographing more aspens – I could do that later, but such clouds are unpredictable and transitory. I could see that subtle color was beginning to appear along the edges of the clouds even though it was not yet sunrise, and I decided that I needed to find some landscape feature – almost any would do! – that could serve as a foil to these clouds so that I could photograph them as they began to pick up sunrise color.

A week earlier I had photographed at some small lakes out in Owens Valley, and it occurred to me that if I could get there in time that they might reflect the clouds nicely, though I was a bit concerned about how the lake and the mountains and the clouds would actually align. But not having any better ideas and having very little time, I decided to make the lake my goal and without much further thought took the turnoff, parked my car near the largest lake, grabbed my gear, and headed across the sage brush landscape to the shore of the lake. My initial thought that I might be able to include the Sierra range in the image with the clouds clearly wasn’t going to work due to their relative positions, so I circled a bit further around the shore of the lake and instead composed a scene that excluded all but the tiniest bit of the peaks of the Sierra.

G Dan Mitchell Photography
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Aspen Trees, Conway Summit, Fall

Aspen Trees, Conway Summit, Fall
Aspen Trees, Conway Summit, Fall

Aspen Trees, Conway Summit, Fall. Eastern Sierra Nevada, California. October 16, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Aspen trees in peak color at Conway Summit along highway 395 in the eastern Sierra Nevada.

I isolated this small bit of near-psychedelic color from the extensive aspen groves at Conway Summit, along highway 395 just north of Lee Vining and Mono Lake along the eastern edge of the Sierra Nevada range. When I visited the grove this past weekend the colors seemed to be essentially at their peak with alternating rows of red, orange, gold, and even a few lime green trees marching up the slopes toward the Dunderberg area high above.

If you hit it at the right moment, the aspen color at this location is second to none, and a bonus for many is that it is so accessible, being right alongside the highway. Brilliant colors can occur on both sides of the summit, but those on the north side seem to me to be more varied, and it is a bit easier and safer to find a place to stop alongside the road.

The lighting during my visit was “interesting” – which often means good but with some challenges. From my point of view, the best light at Conway Summit, at least when it comes to photographing aspen color, occurs fairly late in the afternoon when the sun gets low in the sky and can backlight the groves of trees. However, because of the backdrop of Sierra Nevada peaks the interval of good light can be short – and it is distinctly before actual sunset. The “interesting” element during this visit was that clouds were building over the crest. This produces some spectacular sky conditions at times, but it also cast shadows across the trees that dulled the colors and lowered contrast. Now a bit of this can be a good thing, and too much backlight can be a bit difficult to handle. By scoping out perhaps three of four possible compositions from my position, I could wait until the “good light” hit one or another of them, swing the camera around in that direction, and work quickly while the light lasted. For this detail shot of a colorful section of the aspen groves just below my position I had what can perhaps be the very best light for such subjects – a bit of directional light from behind filtered through clouds.

G Dan Mitchell Photography
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Ranch and Morning Fog, Owens Valley

Ranch and Morning Fog, Owens Valley
Ranch and Morning Fog, Owens Valley

Ranch and Morning Fog, Owens Valley. Owens Valley, California. October 9, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

As is often the case, there is a story behind this photograph – an image that I think is fairly atypical of my work, at least as to the subject.

A year ago, almost to the day, I was also in the eastern Sierra to photograph aspens. And on that day I got up very early at my lodging in Mammoth and headed out before sunrise, which it was still dark actually, without a fixed idea of where or what I was going to photograph. I reached highway 395 and headed south, with a vague idea of heading up one of the promising canyons such as that of McGee or perhaps Rock Creek. But very soon I saw fog out in Owens Valley above Crowley Lake and I started thinking of instead heading away from the Sierra and out into that Valley. I ended up at a small pond from which I photographed the light from the rising sun as it hit the eastern slopes of the Sierra.

That show was over fairly quickly, so I decided to explore a bit. I had noticed mist and fog in various places in the surrounding area. Some of it seemed to come from small hot springs while in other places it seemed to extensive for that. I picked, more or less randomly, some gravel roads that headed toward the foggy areas and ended up on Hot Creek, where I made several photographs of and through the fog rising from the water.

Fast forward to this year. The first day of aspen shooting was productive, but the colors were overall not really as spectacular as I had hoped. If the intended subject “isn’t happening,” I’ll often change course and look for something else. So, once again I woke up without an aspen photography plan, but with two other vague ideas in mind. One was to go up to Minaret Summit and photograph the first light on the Minarets and Ritter and Banner Peaks. The other was to drive south again on 395 to see what would happen. When I got in my car to head out I still literally did not know where I would go. I sat in the car a moment and then, for reasons that I can’t recall, picked the 395 option. (Later I realized that the other option could have been productive, too.) I headed south on 395 and was astonished to see – again! – the fog over Crowley and the mist rising out in Owens Valley. So I went to my little lake to shoot there first and then headed out to where I had shot Hot Creek last year, but this time I kept going. At one point I passed this small range while heading out but couldn’t see a shot. Later on my return trip I passed it again, and this time I saw the stock grazing in the frozen meadow next to this small creek, with mist and fog rising everywhere. I stopped.

(By the way, this is a color photograph…)

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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