Tag Archives: monochrome

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Textures, Photographs: Urban/Street

Through the Scrim

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Through the Scrim
“Through the Scrim” — An urban scene viewed through a scrim

There is a small thread in my photograph of the interior spaces of buildings that looks through gauzy, diffused curtains, blinds, and scrims toward the world outside. For example, I have several in his line that I made at the Getty Museum in Southern California, and some things photographed in museums in New York that go in a similar direction. I made this photograph at the new SFMOMA museum in San Francisco during a members’ preview before the official opening last week.

I love the newly expanded and remodeled museum. One writer commented on the way that the new facility opens to the City. (The former building, as good as it was, was mostly closed off from San Francisco, with few places where the interior space opened to views of the surrounding area.) Now the new “back side” of the museum opens straight out over and into the urban environment, and there is quite a bit to see there — and the design creates a stronger link to this city. In this photograph, which was initially “about” the lines of the buildings in the upper part of the frame, the shapes and tones of the two foreground benches are beginning to interest me more.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Rocks, Wave, Horizon

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Rocks, Wave, Horizon
Shoreline rocks, an incoming wave, and the Pacific Ocean horizon on a gray morning

Rocks, Wave, Horizon. Coastal California. May 13, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Shoreline rocks, an incoming wave, and the Pacific Ocean horizon on a gray morning

I knew I wanted to photograph today, but the conditions in the Bay Area were perhaps less than inspiring, at least for the subjects I had initially thought to explore. It was a gray morning all up and down the coast and the high fog extended well inland, producing lots and lots of flat light. I stalled for a bit and then, after reading a weather forecast offering the hope of some breaks my late morning, I headed over the hills to the coast and began to work my way north from the Santa Cruz area. Some days the photographs just seem to appear almost of their own accord, but this was not going to be one of those days.

There are several ways to deal with this eventuality. One is, of course, to give up and go home — and, in truth, sometimes that is the most reasonable choice. There will always be another day with better conditions. A second option is to continue to look, holding out hope that something special will eventually happen. (I can tell plenty of stories of unpromising conditions that offered up astounding light surprises.) A third is to look for some completely different subject. For a moment today I thought about doing some urban photography. A fourth — and this may be the best in the long run — is to try to “see” the conditions as they are and find some way to photograph them, perhaps even going with the gray, so to speak. So that is what this photograph is — a very simple and quiet image that perhaps reflects the nature of this day.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Cliffs, Ocean, Fog

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Cliffs, Ocean, Fog
Cliffs, Ocean, Fog

Cliffs, Ocean, Fog. Big Sur Coast, California. May 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Rugged cliffs drop into Pacific Ocean surf along the foggy Big Sur coastline

In some ways, cliffs like these are a “dime a dozen” along the California coast — and isn’t that wonderful!? From the north to the south, with the exception of places where the land drops right down to the ocean, spectacular headlands are almost the rule. If you don’t see them where you are at the moment, a reasonable drive north or south should find some.

This set of headland bluffs, dropping abruptly to the edge of the great Pacific Ocean, is located on the upper Big Sur coast along the Pacific Coast Highway south of Monterey. I’m fortunate to live a short drive away, and this time I had headed down that direction in the morning, initially planning to visit a particular spot but spontaneously modifying my plans when I saw the combination of surf and fog forming along the cliffs. Since I know this spot well, I only stopped briefly, but I knew I wanted a photograph of this morning-shadowed terrain marching off to the south.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Couple on Bench

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Couple on Bench
A couple sitting on a bench outside the San Francisco Museum of Modern Art

Couple on Bench. San Francisco, California. May 6. 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A couple sitting on a bench outside the San Francisco Museum of Modern Art

A couple of years ago, the San Francisco Museum of Modern Art (SFMOMA) closed for work on a major expansion and remodeling project. We have been members for some time, and I recall squeezing in one last visit before the long closure — viewing favorite works and making photographs inside the place. The big news is that the remodel is virtually finished now, and the museum officially reopens very soon, on May 14. But an opening like this doesn’t take place all at once. There is a sort of run-up to the actual event that brings people into the new facility over a period of time. As members, it was our turn (along with thousands of others) to get a preview this week.

I may have more to say about the museum in the future, but for now I’ll just say that I like it a lot — both the work exhibited (not that we saw all of it in one day!) and the building itself. There are a number of wonderful touches — many visual connections to the surrounding city (where the previous facility felt more walled off from San Francisco), lots of light, a brilliant system of stairways and spaces along the eastern side, and more. Oddly, almost none of that is in this first photograph I made at the new SFMOMA, which depicts an almost deserted new entrance and seems to show more of the surrounding city environment than the museum itself. More to come eventually…

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.