Tag Archives: monochrome

Marsh and Sky

Marsh and Sky
Late autumn sky above a flooded marsh, Central Valley, California

Marsh and Sky. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Late autumn sky above a flooded marsh, Central Valley, California

A winter ritual begins each year about this time. In the late fall the migratory birds return to California’s Great Central Valley and a band of photographers of which I am a part also heads out to the valley. The primary draw is the birds — geese, ibises, cranes, herons, egrets, and more — which gather by the thousands in the wetlands. But the valley itself also has its attractions at this time of year. The tule fog that slows drivers and obscures the sun also makes the landscape quiet and mysterious. The flat terrain is open to the sky and the clouds of winter storms create an overhead landscape.

A few days ago I made my first trip of the season to the valley, joining a small group of friends for a day of photography. We spent the first few hours focused on the birds — mostly geese and cranes on this visit — and then paused in the late morning. It was during this midday pause that I stopped along the edge of one of the marshland ponds and made this photograph of the expansive cloud-filled sky reflected in the surface of the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Fire Escape, Shadows

Fire Escape, Shadows
Shadows from a fire escape fall across the front of a San Francisco building

Fire Escape, Shadows. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Shadows from a fire escape fall across the front of a San Francisco building

I made this photograph late in the day back in early September, on a street photography shoot with a group of like-minded folks in San Francisco. We met in the late afternoon, wandered about for a while in the beautiful late-day light, then broke for dinner before going back out to photograph after dark.

One one hand, you could probably find a similar scene in many other cities. On the other hand, it also evokes the architecture of San Francisco, where buildings are packed tightly together, often with seemingly little regard for their aesthetic appearance when viewed from the street — with the result being very utilitarian facades, often featuring metal gates, fire escapes, and sometimes a worn and weathered appearance. This street runs almost directly east-west, so late in the day the sunlight was falling across the front of the building at a low angle and casting strong shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Steps and Concrete Walls, Night

Steps and Concrete Walls, Night
“Steps and Concrete Walls, Night” — A stairway in the dark, Mare Island Naval Ship Yard

I made this photograph recently, on a night photography visit to the Mare Island Naval Ship Yard with my friends from the Nocturnes, the San Francisco Bay Area night photography group. We assembled for an “alumni” event, so almost all of us were veterans of night photography at this location. Many of us have photographed here for a decade or more.

Instead of beginning with the usual subjects, I needed out into the night with the goal of avoiding them, at least at first, and instead looking in unlikely places that I had not previously photographed. I spent more time that I would have expected in the area of this staircase. I first happened on it almost by chance. I was photographing this building from some distance away, and as I worked on that photograph I began to notice the potentials of some of the concrete structures near the front of the building. I wandered over there, slowly considered the possibilities, and was first drawn to this stairway. It took be a bit of work to finally arrive at this composition — my first thought was to use a vertical composition.


COMMENT OR QUESTION? Scroll down to the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Snag, Sky

Snag, Sky
“Snag, Sky” — An old, twisted snag against a gray and cloudy Sierra Nevada sky

Old dead snags can be some of the most compelling sights in the High Sierra. They are everywhere —on the glaciated granite slabs, high atop ridges, within the first, lying in meadows. They are the other end of the life cycle begin by small trees at the edges of meadows. Sometimes to me they seem almost closer in spirit to rocks than to other living things, and some that die in dry rocky places continue to stand for a long time before finally decaying and fading away. Because they are stripped of small branches and needles, the reveal the complex and twisting shapes of the inner tree.

I came across this snag high in an area of granite slabs above a lake where we were camped. I visited it several times, intrigued by its shape and challenged to figure out a way to photograph it that did not include the surrounding living trees. Finally I found an angle that I could photograph with a long lens, tightly cropping a section of its form against the gray of a cloudy sky. In the end I decided on a monochrome rendition, feeling that it better captures the abstract from of the trunk and branches.


Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.