Tag Archives: monochrome

Morning, Tuolumne Meadows, Mount Dana

Morning, Tuolumne Meadows, Mount Dana
Lembert Dome and Mount Dana rise above Tuolumne Meadows on a cloudy summer morning

Morning, Tuolumne Meadows, Mount Dana. Yosemite National Park, California. July 13, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Lembert Dome and Mount Dana rise above Tuolumne Meadows on a cloudy summer morning

This is yet another of the stopped-on-my-way-somewhere-else photographs, often made unexpectedly as I encounter something I wasn’t really looking for and get distracted — though another way to put it is that I quickly fall into a different mode of seeing when I photograph, and I begin to recognize the potential in subjects that I might otherwise not have noticed. In this case I was headed towards a specific location that I had planned to visit this morning, with a rather specific subject in mind. I set out and, as almost always, my “photographer’s brain” engages and I start seeing potential photographs everywhere. There is a tricky balance sometimes between stopping for the thing I see right here and sticking to a plan to photograph that other thing that I want to see. (This is an old question in photography with the extreme answers ranging from “never pass up a subject in front of you for one that you might see elsewhere” to “make a plan and stick to it if you want to get the photograph you have in mind.” The truth is complex, situational, and depends as much on good fortune and good guesses perhaps as much as on any rational considerations.)

In any case, I skipped past a few opportunities/distractions but ended up stopping for this one. This is a fairly well-known view in this part of the Sierra, though not everyone sees it right at sunrise. I’ve often stopped to admire the scene and on occasion photograph it, usually with some beautiful haze partially obscuring distant details and perhaps making closer details clearer by contrast. Since I am familiar with the view and had a good idea of what I wanted the photograph to look like, stopping for a few minutes was sufficient to make the photograph… and I was back on the road to my original destination.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Market Street

Market Street
A scene along San Francisco’s Market Street

Market Street. San Francisco, California. August 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A scene along San Francisco’s Market Street

Here is another San Francisco street photography image, this one from the “act quick and grab before it is gone” school of photography. When I’m lucky I may spot a scene like this and find that the human (and other transitory) element is unusually static, and I can take a bit of time to compose and wait for other elements to appear in the scene. On the other hand, often it is a matter of making that photograph almost instantaneously before the person moves, the street is again filled with cars, or any of many other elements change.

In this case I was initially thinking about the figures on the far side of the street and the interesting beam of light reflected down onto the street from the windows of tall buildings. As I walked I turned to my left and saw the person in black leaning against the structure and I had just enough time to make one exposure before he moved. As to what such a photograph might tell us or might mean, I prefer to leave that to your imagination. What is the person actually doing? Why is he leaning on the wall? What, if any, compositional relationships to you see between him and the trash receptacle and the angled light?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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From the Valley to the Crest

From Valley to Crest
Afternoon light and haze, clearing storm clouds, eastern Sierra Nevada

From Valley to Crest. Eastern Sierra Nevada, California. August 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Afternoon light and haze, clearing storm clouds, eastern Sierra Nevada

In early August I was (of course!) once again in the Sierra for several days. This time the main event was to be a short backpacking trip with long-time back-country friends — a “taking it easy” trip to a beautiful group of lakes in the Rock Creek drainage. Our plan was to meet on at the trailhead or on the trail, to do the short hike to a central lake, set up a base camp, and relax and explore for a few days.

I decided to head up early, partly to have a bit of time to adapt the elevation, but also to do a bit of photography. (My backpacking partners were more “normal” people — not “abnormal” photograph-obsessed folks like me!) Arriving in the Yosemite high country at noon on a Friday in August, I did not spend much time at all trying to find a campsite there, instead heading straight over the crest and down to a less crowded spot. With camp set up, it was time to go make some photographs. Taking advantage of my east side location, I decided to head south a short distance along US 395, where I could find beautiful vistas of high desert terrain rising to the crest of the Sierra Nevada, augmented on this day by dissipating storm clouds and a bit of haze from early season wildfires.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Fog, Water, Light

Fog, Water, Light
A beam of light on water below fog, Pacific Ocean

Fog, Water, Light. Pacific Ocean Coast, California. July 212, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A beam of light on water below fog, Pacific Ocean

Living very close to the Pacific coast of California for nearly my entire life, the ocean has always “been there” — just on the other side of coastal mountains, hardly more than a half hour away, bringing cooling evening breezes on hot summer days, and producing periodic morning fog where I live. On one hand I am more familiar with this landscape than most people, but in recent years I began to feel that I know much less about it than I should. These photographs made with the camera pointing straight out to see are something of a them of mine, not as frequent as photographs of mountains perhaps, but important nonetheless. They might include fog or winter swell or clearing storm clouds or simply the brilliant light on the water from the western sun. To me they are all a bit mysterious.

We had spent a couple of days along the Big Sur coast photographing (and eating!). The main part of the visit was over, but we had a full day to get home, and home was only about an hour and a half away. So we took our time and followed the coast almost all the way north to San Francisco before turning inland. During much of the drive we were in the sun, but north of Santa Cruz the fog began to appear, and eventually we arrived at that point where the offshore fog bank was substantial enough to form a virtual wall against the light. We stopped and I photographed as the eastern edge of the fog picked up a bit of light and the sun broke through a few clearings to illuminate the surface of the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.