Tag Archives: moon

San Joaquin Valley Moonrise

San Joaquin Valley Moonrise
Winter full moon rises over San Joaquin Valley utility lines

New Year’s Moonrise. © Copyright 2018 G Dan Mitchell – all rights reserved.

Winter full moon rises over California utility lines

I have to admit that one reason I made this photograph was simply because I could. Such a photograph likely could not have been made just a few years ago, and certainly not in the way I made it. The photograph is, believe it or not, handheld… using a 300mm focal length on a 100-400mm zoom lens. Because this technical capability is so wonderful, I think it is worth mentioning it in this case. The moon is relatively bright, producing about as much light as daylight on our planet. However, it does not shed much light on the landscape, yet here I was able to retain some color in the sky and even make the details of the very dark utility lines and poles visible.

The genesis of the photograph is also significant. I was not here to photograph the full moon, and I actually was unaware that it had risen. I was focused on another subject, a large flock birds assembled in twilight in front of me, when someone said, “Look over there!” I turned around and saw the moon rising through the thin clouds above the valley. I could not take time to use a tripod — I photograph the birds handheld — so I simply took a chance that I might be able to hold the camera still enough and come up with the right exposure. I grabbed a few shots, then turned my attention back to the birds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Clearing Evening Clouds

Clearing Evening Clouds
The moon above clearing evening clouds over the John Muir Wilderness

Clearing Evening Clouds. John Muir Wilderness, California. August 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The moon above clearing evening clouds over the John Muir Wilderness

We covered a lot of ground on this afternoon and evening, and this was almost the last photograph I made on this day. Earlier we had climbed above the forest surrounding the lake where we were camped, emerging into a big, open meadow with expansive views in all directions. From here we took off, individually and in small groups, to explore higher areas, walking cross-country over the glaciated granite landscape to ascend ridges and reach various lakes. I noticed that the sun was about to pass behind mountains to the west, so I descended back into the valley I had come from and worked my way back down the course of the creek that drained it.

Before long we were back in the alpine meadow areas where we had started, and I found a high spot with an open view and started making a few final photographs as sunset came to the highest peaks and the clouds thinned as they passed in front of the moon. Since the light wasn’t going to last much longer, we pushed on to the main meadow, stopped for a couple of final photographs of alpenglow on peaks across the valley, and then continued on down through forest, arriving back in camp at twilight.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Moonrise, Sierra Wave Cloud

Moonrise, Sierra Wave Cloud
A Sierra wave cloud stretches south along the Sierra Nevada crest as the moon rises.

Moonrise, Sierra Wave Cloud. Yosemite National Park, California. July 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A Sierra wave cloud stretches south along the Sierra Nevada crest as the moon rises.

Spend a bit of time — or a few decades — in and around the Sierra and you begin to be able to anticipate certain events. Nothing is a sure bet when it comes to predicting spectacular visual conditions, but some signs make it very likely that your efforts may be rewarded. The “Sierra Wave” cloud phenomenon is one such condition — common, easy to spot once you recognize the signs, and having the potential to produce very special photographic opportunities.

As on this evening, it often begins subtly. The line of clouds is produced over the crest or on its leeward side as moisture-laden air passes above the crest. The clouds can extend many miles north and south and sometimes stack up in layers. During the day they are impressive, but it is at dusk (or, rarely, at dawn) that they excel. After the last direct sunlight has risen above the highest peaks and the sun has set, brilliant red light may illuminate the clouds from the west, producing an almost unbelievable intensity of color. On this evening I saw the potential as I came over Tioga Pass from the east, and I quickly found a place to stop and watch the show develop. The moon above Kuna Crest was an added bonus!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

D4 — Do It Safe

D4 — Do It Safe
Two shipyard cranes, Mare Island Naval Ship Yard

D4 — Do It Safe. Mare Island Naval Ship Yard, Vallejo, California. March 11, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two shipyard cranes, Mare Island Naval Ship Yard

This past weekend I joined my friends from The Nocturnes, the San Francisco Bay Area night photography group for a night photographing at the historic Mare Island Naval Ship Yard. (Despite the similar names, this is a different group than Studio Nocturne SF, a group of photographers with whom I exhibit.) The location is a bit of a Mecca for night photography around here, and I’ve been photographing in this place for something like a dozen years, virtually always at night.

On this shoot I focused on a combination of some less obvious things that I’ve learned to see over many years of working this subject and some of the classic, iconic subjects at Mare Island. This photograph is in the latter category. These huge cranes, set on a system of tracks surrounding dry docks, are perhaps the most characteristic visual feature of Mare Island, especially since they tower high above the old historic buildings. My night photographs of this subject don’t exactly strive for an accurate image. To be honest, that would be an incredibly boring thing, since there is so little light that the subject is often barely visible on the scene. So my idea is to focus on “what the camera sees,” and I typically make very long exposures that collect enough of that faint light to make the subject more clearly visible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.