Tag Archives: morning

Base of the Red Cliffs

Base of the Red Cliffs. Death Valley
“Base of the Red Cliffs” — Gullies, folds, strata, and morning shadows at the base of the Red Cliffs.

The title says “Red Cliffs,” but you might be thinking, “They don’t look very red to me!” In more neutral light the formations in the upper part of the photograph, and even more so the formations above the margins of the photograph, do have the familiar red rock quality — though it would be fair to say that they are as much brown as red. But in this stark early morning light, just after sunrise, the colors are warmed so much that they are more yellow or orange.

In many ways the geology of Death Valley produces a blank canvas for photographers who want to work with varied light. For the most part, Death Valley’s colors are subtle. The lighter portions of the formations in this photograph are a sort of muted tan in midday light. But as with so many other subjects here, this muted, neutral quality allows them to pick up the colors of sunrise/sunset, twilight, colorful clouds, and reflections from nearby formations.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Zabriskie to Rogers Peak

Zabriskie to Rogers Peak
“Zabriskie to Rogers Peak” — Long morning view, from formations at Zabriskie Point to distant Rogers Peak in the Panamint Mountains.

Poor Rogers Peak doesn’t get a lot of respect. Despite being just under 10,000 feet tall, offering a rather impressive view from close up, and being snow-capped in the winter… it is eclipsed by its neighbor, Telescope Peak, the highest in the park. (You can see a bit of the shoulder of Telescope Peak at the far left.) It doesn’t help that a communications complex has been installed on its summit — which seems like a bit of an inappropriate insult in a national park!

The photograph encompasses a very long view, extending from rugged hills at Zabriskie Point all the way across Death Valley to the summit of the Panamint Mountains. I estimate that this is over 20 miles as the proverbial crow flies. Such distances are common in Death Valley National Park, a huge place with an expansive landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Layers, Morning Light

Layers, Morning Light, Death Vally
“Layers, Morning Light” — Early mornign light highlights layers of gullies and ridges in the Death Valley landscape.

Yes, yet another photograph of these well-known formations in Death Valley. Hey, I don’t photograph this specific spot that often these days, so maybe I can be excused for working it to death on this one unexpected visit? This is a small section of a larger badlands landscape that lies around and below this popular sunrise location in the park.

If you are interested — and if you follow me regularly — you can get a sort of overview of how the light changes on these features in the morning by looking at the series of photographs I am posting from this visit. I started before sunrise, continued as the sun hit nearby features and cast soft light into the scene, and finished up only as the first direct light (fortunately softened a bit high thin clouds) spread across the area.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

2 responses to “Layers, Morning Light”

  1. Oscar Avatar
    Oscar

    I marvel at your dedication to capture nature and the human experience!

    1. G Dan Mitchell Avatar
      G Dan Mitchell

      Thanks!

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Desert Mountains, Morning Shadows

Desert Mountains, Morning Shadows
“Desert Mountains, Morning Shadows” — Early morning light casts long shadows across desert mountains, Death Valley.

This photograph was sort of “unintended” — I made it after I finished with my primary subject for the morning. A plan to photograph shallow water near the edge of salt flats brought me to this spot well before sunrise. The Panamint range (behind the camera position in the photograph) catches the first light, and I photographed from its arrival on the highest peak until it worked its way all the way down and across the valley floor.

This was a period of focused and continuous photography which sometimes entailed working quickly as the light changed — and refocusing a tilt/shift lens setup that I was using. Eventually the light came to my camera position, and the landscape of light and shadow that I had come for was now behind me, literally and temporally. I paused, looked up, took in the full circle of the landscape, and for the first time noticed the morning shadows stretching across these desert hills and mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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