Tag Archives: morning

Forest, Granite Ridges

Forest, Granite Ridges
Morning light and thin forest along granite ridges, Yosemite National Park

Forest, Granite Ridges. Yosemite National Park, California. July 16, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning light and thin forest along granite ridges, Yosemite National Park

This is to be a summer of travel, and a great deal of it will take me a long ways from my Sierra Nevada mountains — to other wonderful places, but not places that are wild and natural. (At least not until September, when my visits to the Sierra will recommence.) So I managed to get up into the Yosemite high country for four days in mid-July to do some photography… and breathing!

On the last morning, before returning to break camp, I headed out early to look for subjects in morning light. In fact, I had been watching this particular area and had in mind to photograph these trees, growing on an old glaciated granite ridge, against the background of more distant, haze-muted, ridges. Once I got there it was a bonus to notice the diagonal shadows of the distant trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Tufa, Sky, Passing Birds

Tufa, Sky, Passing Birds
A small flock of birds flies above tufa towers and the vast expanse of Mono Lake beneath summer morning sky

Tufa, Sky, Passing Birds. Mono Lake, California. July 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A small flock of birds flies above tufa towers and the vast expanse of Mono Lake beneath summer morning sky

It is easy to think of the tufa towers and being the iconic features of Mono Lake, and arguably they perhaps are. They are certainly the destination for many visitors to the lake, and I have often been to them before dawn to photograph the first light striking their forms. A small group of the towers are included in this photograph, too, though I don’t feel that they are necessarily the predominant feature here.

When I think of Mono Lake, other things come to mind before the tufas. One of the first associations is the immense space encompassed by the lake itself, the larger basin that contains it, and the huge expanse of sky overhead. Very close to that are two related non-visual associations — a great stillness (interrupted only perhaps by a few birds) and a profound silence. For me, this is a place to approach quietly and without hurry.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wetlands, Morning Fog

Wetlands, Morning Fog
Morning fog clears from Sacramento Valley wetlands on a winter morning

Wetlands, Morning Fog. Sacramento Valley, California. January 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning fog clears from Sacramento Valley wetlands on a winter morning

I love these winter mornings out in California’s Great Central Valley — cold, damp, perhaps foggy or perhaps clear, with the sights and sounds of migratory birds all around. This was my first visit to this wildlife refuge up in the Sacramento Valley, and I was in exploration mode on this visit, trying to get my bearings and begin to understand the rhythms of the place. It was a mostly clear morning, with high clouds from Pacific Ocean weather above and pockets of tule fog below.

It is easy to imagine that the wildlife refuges are wild places, someone along the lines of small wilderness areas. But the truth is more complex, at least at the refuges I’m familiar with. They are actually managed landscapes, with water levels carefully controlled to support various kinds of wildlife and even the growth of plants managed for their benefit. Those beautiful foreground curves of stubble in the water are the result of management — over the course of the season such grassy areas are cut down to ensure an optimum balance of open water and tall grasses. Beyond the water lies another peninsula lined with trees, with fog beyond and that winter sky high above it all.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Morning, Mountains, Desert Canyons

Morning, Mountains, Desert Canyons
Cloud-filled sky at first light above desert mountains and canyon, Death Valley National Park

Morning, Mountains, Desert Canyons. Death Valley National Park, California. March 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Cloud-filled sky at first light above desert mountains and canyon, Death Valley National Park

As I post this photograph on the summer solstice, this location is perhaps not a place you would want to be right now. I understand that temperatures in Death Valley National Park have been in the 120 degree range already this summer. But back on this March morning the scene was a lot different — clouds from a passing Pacific weather front obscured the dawn light, and there was a pleasantly cool wind at this location high in the Panamint range as the morning light arrived.

This view looks down through one of the many gigantic canyons of the Panamint Range, a sight that reminds us of just how important the flow of water has been in the creation of this remarkable landscape. In the middle distance the salt flats of Death Valley are visible at the base of the Black Mountains, and above that the demarcations between mountains and clouds and sky and light are hard to see, and the terrain of the rugged Death Valley landscape almost merges with the ephemeral terrain of this sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.