“Manly Lake, First Light” — Early morning light on the Panamint Range reflected in Manly Lake, Death Valley.
Death Valley National Park is so large that it is often hard to fathom the its scale. Lake Manly, the temporary body of water occupying a section of the Valley near Badwater, is small by comparison to the valley as a whole. The mountains in this photograph are many tens of miles away. (A couple of roads reach that ridge, and it would take 1 1/2 or 2 hours of driving to reach their high points from the shore of Lake Manly.)
In the daytime most of this desert landscape is not particularly colorful. In fact, in flat light and haze it can sometimes seem almost monochromatic. But early in the morning and then again in the evening, the sunrise and sunset light paint the scenes with vivid colors that contrast with the hazy blues of the shadows.
“At the Edge of Lake Manly, Sunrise” — Solitary figure at the edge of Lake Manly and the reflection of a desert mountain sunrise.
Most of my landscape photographs include little or no evidence of human presence. But sometimes including a human figure can transform a photograph. (I suggest obscuring the figure with the tip of your finger to see how much it changes things.) The person obviously provides a focal point, but also invites viewers to imagine themselves in the scene.
I did not set out to include people in my photographs of Lake Manly. In fact, I positioned myself at the very edge to the lake so that I could include uninterrupted reflections. But this person walked out on a small peninsula that was barely above the water level. At first I was mildly irritated… but I soon realized that this simply gave me a different sort of photographic opportunity.
“Death Valley, Mountains, Morning Haze” — Morning haze over Death VAlley and desert mountains..
This view is from the Panamint Mountains of Death Valley. We were fortunate that it was accessible at all. The initial access road reopened days before our arrival after being closed for most of the year… and a storm closed it again on the day we left the park. The dark foreground mountain is part of the range from which I made the photograph. In the middle ground we see the still-shadowed floor of the valley with the Amargosa River passing through salt flats. Beyond that are several more desert mountain ranges disappearing into distant haze.
Some of the most spectacular sites in Death Valley National Park lie far from the familiar tourist hot spots. Reaching them may require hiking or long droves on rough desert roads. (This is a very big park!) And seeing these places at the best time often means traveling to them in predawn darkness or returning late at night. To arrive at this location we started driving a couple of hours before sunrise, and the last part of the drive was on a narrow gravel road.
“River Walk” — Pedestrians on the Chicago River Walk on a cold November morning.
This scene caught my attention as we crossed the bridge on Michigan Ave, heading toward Chicago’s “Magnificent Mile.” Here the river bends slightly before heading deeper into downtown Chicago near “The Loop.” Nearby tall buildings reflected the morning sun into the scenery from different directions. It was early enough that only a small number of people were out walking along the river.
Until this morning we had spent most of our visit inside The Loop, located south of the Chicago River. Now we joined the throngs of people (not visible in the photo, obviously) heading south on Michigan Avenue to the “Magnificent Mile,” where a nighttime holiday parade would take place later on.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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