Tag Archives: Mountain

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Eroded Ridge and Valley

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Eroded Ridge and Valley
Eroded ridge and valley in the Waterpocket Fold area, Utah

Eroded Ridge and Valley. Capitol Reef National Park, Utah. October 22, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Eroded ridge and valley in the Waterpocket Fold area, Utah

This landscape could hardly be more different from the landscape in yesterday’s photograph. The earlier photograph was of Drake’s Estero, at the Point Reyes National Seashore, made on a day that was almost entirely foggy until a brief interval of filtered sun illuminated the blue waters of the estuary, a bit of green on a peninsula, and distant sky and water. None of those things are found in this photograph.

This landscape from Capitol Reef National Park is austere, arid, and quite rugged. It has a special beauty, but it is not a beauty with soft edges, misty skies, and water. Here the land is laid bare, seeming from a distance to be devoid of plant life. (Once inside this landscape, it turns out to be a bit more alive than it might seem.) Geology and the effects of time are visible in these places with their colored layers of rock, deeply cut valleys, and rugged erosion forms. Here gullies lie below rocky ridges, and two valleys come together in a flat area laced by stream beds.

G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Redrock Country, Near Fruita

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Redrock Country, Near Fruita
Cliffs and eroded towers near Fruita, Capitol Reef National Park

Redrock Country, Near Fruita. Capitol Reef National Park, Utah. October 20, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Cliffs and eroded towers near Fruita, Capitol Reef National Park

I’m a sucker for juxtapositions of mountains and cliffs, and sunlit and shadowed surfaces. (In fact, “juxtaposition” is a word I think about a lot when making photographs.) This part of the world provides these juxtapositions with a vengeance. Everywhere in the red rock country of the Southwest there are sandstone walls, lined up, building one on top of the other, standing in front of and behind each other, layered with eroded rock and soil, standing above valleys and beyond lower ridges.

We had only a brief time to photograph on this first afternoon in Capitol Reef National Park. I had arrived in the middle of the afternoon and then busied myself with setting up a tent and a few other camp chores, plus catching up on the news with my friend Dave. By the time all of these important things had been taken care of the sun was rapidly dropping toward the horizon, so we quickly headed to a nearby area to see what sort of late-day light we could find. Literally within minutes of leaving our campground (which is just to the right of the shadowed trees visible in the lower part of the photograph) we came upon this intense and saturated late-day light, with shadows starting to stretch across the valley and the low foreground ridges.

G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sandstone Cliffs, Autumn

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Sandstone Cliffs, Autumn
Evening light on the autumn sandstone landscape of Capitol Reef National Park, Utah

Sandstone Cliffs, Autumn. Capitol Reef National Park, Utah. October 20, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Evening light on the autumn sandstone landscape of Capitol Reef National Park, Utah

I began this fall season visit to Utah in the far southwest corner of the state, making Kanab my base for the first few days. There I explored various valleys and canyons, mostly improvising an itinerary as the mood struck me. I returned there to a few places I had visited in the past and also visited a few new places. After a few days here I took a back-route up to Capitol Reef where I would meet up with my friend and fellow photographer David Hoffman.

I arrived at Capitol Reef in the afternoon, found Dave’s campsite (he had arrived earlier) and set up my tent. As I recall, we were unable to resist the lure of the nearby place selling home-made pies, and it wasn’t until late in the day that we decided to make a quick run for some sunset light. We found it quickly — the location of our campground is just out of sight to the right around the bend in the road running up this valley. Because the landscape tilts up to the west here, the sunset seems to come a bit earlier than I would expect, and we were barely in time of catch this light before the valley fell into shadow.

G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photograph Exposed, Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

A Photograph Exposed: “Shoreline Reflections, Trees and Rocks”

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(“A Photograph Exposed” is a series exploring some of my photographs in greater detail.)

Shoreline Reflections, Trees and Rocks
Black and white photograph of silhouetted trees and boulders and their reflections lining a flooded section of the shoreline of Tenaya Lake.

Shoreline Reflections, Trees and Rocks. Yosemite National Park, California. June 30, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of silhouetted trees and boulders and their reflections lining a flooded section of the shoreline of Tenaya Lake.

This photograph is a personal favorite for a bunch of reasons related to how the photograph came about, the experience of making the photograph, associations with the place, and a print that pleases me a great deal.

I maintain the no photographer’s work is wholly original. What comes closest to being truly original is the personal vision of the artist — that particular way of seeing that the photographer develops. That vision is actually unique, but it is built from experiences and exposure to a visual world that includes the ways of seeing of other photographers and painters and more. I acknowledge and am grateful to a wide range of photographers whose work informs my way of seeing the world.

Among them is Charlie Cramer, who I’m fortunate to count not only as a photographic influence, but also as a friend. Charlie’s way of seeing light appeals to me a great deal, and among the photographs of his that stick in my mind is one of some very similar trees at this exact lake. When I’m in a place where another photographer’s photograph immediately comes to mind I often feel cautious about making a photograph that might look too much like their work — and this one may be an example of “influenced by” but “not like.”

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