Tag Archives: Mountain

Shoreline Trees, Morning Light

Shoreline Trees, Morning Light
Morning light on shoreline trees at a backcountry Yosemite National Park lake.

Shoreline Trees, Morning Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning light on shoreline trees at a backcountry Yosemite National Park lake.

Our group spent the better part of a week camped near this northern Yosemite Lake, exploring it, its two companion lakes, and the surrounding high country. We camped in the forest a ways back from this lake, but it was only a minute away and thus became a daily subject for photography, especially in the morning when the light come over the ridges to our east and backlight the shoreline trees.

This subject, in this light, presented a pair of interesting challenges of the sort that you only learn to appreciate after doing landscape photography in such places. The first came from shooting toward the light from the edge of the lake. Photographers know the issues with flare that can result from light hitting the lens directly — but multiply that times two when the light comes from above and from the reflections from the lake’s surface. The gyrations necessary to block both often prove interesting. The second challenge was… mosquitos! Not just that the fiends, biting little devils annoyed us constantly, but also that their blurry forms tend to appear in photographs when viewed closely. You don’t know the meaning of fun until you’ve cloned a few hundred of them out of a photograph!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Cathedral Peak, Autumn Sunset

Cathedral Peak, Autumn Sunset
Cathedral Peak in early autumn sunset light.

Cathedral Peak, Autumn Sunset. © Copyright 2021 G Dan Mitchell – all rights reserved.

Cathedral Peak in early autumn sunset light.

Everyone needs a photograph of Cathedral Peak at sunset, right? Although I’ve been to this place quite a few times — in a wide range of circumstances — I haven’t photographed the peak all that much. Perhaps it is because I haven’t often climbed up these slopes above the lake at this time of day. But on this visit some years ago, I did find myself in the right spot at the right time as a result of doing a bit of late-afternoon exploration.

The peak presents lots of opportunities for beautiful late-day light essentially at the end of the Cathedral range, leaving lower terrain open to the west and allowing the evening sun to shine directly on the mountain. Because the bowl is higher than surrounding terrain, gaining a it of elevation reveals lots of distant peaks, too, and the lake can reflect the mountain’s colors. Because this visit was late in the season — just a few days before the end of September — the meadows are golden-brown, too.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Peak, Lake, and Boulders, Sunset

Peak, Lake, and Boulders, Sunset
The last light of the day touches the top of Sheep Peak in the McCabe Lakes Basin, Yosemite National Park.

Peak, Lake, and Boulders, Sunset. © Copyright 2021 G Dan Mitchell – all rights reserved.

The last light of the day touches the top of a peak in the northern backcountry of Yosemite National Park.

This is not a new photograph — rather, it is a reconsideration of one that I made almost a decade ago and recently looked it with new eyes. The location is in the northern backcountry of Yosemite National Park, in a somewhat remote area characterized by high ridges, rocky terrains, and some lovely lakes. I was there with a group of friends and photographers for a few glorious days during which we took our time and explored the surrounding terrain.

We were camped at a lower lake among forest trees, in a location that gave us shelter but also access to tons of higher, more alpine terrain. Often we headed off individually to photograph, but on this late afternoon we all headed to the same place, ascending a slope at the upper end of “our” lake to arrive at the next lake up the valley. Sequences of lakes like this are common in many backcountry areas, and I enjoy the individual personalities of the lakes as they are affected by terrain and elevation. This lake was surrounded by alpine meadows, very small and sparse trees, lots of talus, and towering peaks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Spring Flow

Spring Flow
“Spring Flow” — Rushing spring water and reflections, Merced River.

For a place made of stone, the Sierra Nevada can be a surprising transitory subject. Summer is brief, and wildflowers bloom and are soon gone. Color comes to aspens in the fall and is gone weeks later. Spring is the time of rushing water in the Sierra, from the high country to the lowlands. The water rises as the snow melts, creeks and rivers fill to their banks, and waterfalls appear. I photographed this minor torrent along the Merced River as it passes through Yosemite Valley.

Every landscape photographer I know has tried his or her hand at photographing the moving water this way. No matter what other marvelous landscape features are around, eventually we come back to the water and try to do something with the ever-changing colors and shapes of water. This is that “what the camera sees” sorts of photography, since our eyes cannot see the river this way, and these shapes and colors change too quickly without the camera to grab and hold them.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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