Tag Archives: national

Winter Dawn, Panamint Mountains

Winter Dawn, Panamint Mountains
In dawn light, the Panamint Mountains rise from Death Valley to snow-covered Telescope Piak.

Winter Dawn, Panamint Mountains. © Copyright 2023 G Dan Mitchell.

In dawn light, the Panamint Mountains rise from Death Valley to snow-covered Telescope Piak.

At the current time many road (and the locations they access) in Death Valley National Park are closed as a result of earlier flooding and washouts. Before I went there this past week I was aware of some closures, but when I arrived I discovered that some of my planned destinations were unavailable. I changed plans, improvised, and still found plenty to see and do in the park, and my list of planned locations remains for my next visit.

If plans had not changed, I would not likely have come back with this photograph. I often make relatively last-minute decisions about where to photograph based on light and sky conditions, and when I noticed that the air was clearer than usual — important given the vast distances in this park — I headed to a location with a view of the first morning light on the Panamint Mountains and their snow-capped summit of Telescope Peak. To give some idea of the distances, the highest peak is perhaps roughly twenty-five miles from my camera position.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Holly in the Sun

Holly in the Sun
A desert holly plant in sunlight, growing in a Death Valley National Park canyon.

Holly in the Sun. © Copyright 2023 G Dan Mitchell.

A desert holly plant in sunlight, growing in a Death Valley National Park canyon.

Last week I made my first visit of the year to Death Valley National Park. I like to photograph there during the winter and again at the very beginning of spring. Despite the reputation of the place, it can be quite cold there in January, and I experienced a few windy and chilly moments. I made this photograph near the furthest point in a pleasant wander up a lovely wash that I happened into more or less by accident. I was near a ridge and the slanting afternoon light was still just catching the branches of this desert holly plant.

The circumstances of this afternoon’s walk were a reminder about one of the best ways to encounter the wild. I had gone out to scout a location for the next day’s dawn photography, and from my selected location I saw a small canyon dropping away. I almost didn’t enter it, but finally decide to walk “just a few feet” in to investigate. I did, and soon came to a junction with a much larger wash, and I couldn’t resist exploring. I started up, eventually going 15 minutes past my turn-around time, and finally ending up in a narrow, constricted, dark… and altogether fascinating little stretch of canyon that I need to explore again.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Conifers and Hardwoods, Autumn

Conifers and Hardwoods, Autumn
A mixed stand of conifers and colorful autumn hardwood trees, New England.

Conifers and Hardwoods, Autumn. © Copyright 2022 G Dan Mitchell.

A mixed stand of conifers and colorful autumn hardwood trees, New England.

Near the spot where I made this photograph, a carpet of wildly colorful hardwood trees was draped across valleys and ridges. It was quite a sight, but it was also very difficult to photograph it. One of the challenges of photographing in this part of New England comes from the very forest that produces those colors. The darned trees grow so close together and come right up to the edge of roadways, making it very difficult if not impossible to make photographs of longer views from many locations. That was definitely the situation here — lots of colorful trees, but lots of things standing between me and those trees.

It eventually occurred to me to use the blockages as part of the photograph. in this case there were conifer trees growing nearby and among the hardwoods, and once I thought about how I liked the effect of the muted green conifers against the riotous hardwood colors it seemed to make sense to juxtapose the two types of trees in this photograph. If nothing else, this photograph serves as a record of those qualities.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Birch Trunks, Fall Foliage

Birch Trunks, Fall Foliage
White birch tree trunks emerge from a sea of fall color, New England.

Birch Trunks, Fall Foliage. © Copyright 2022 G Dan Mitchell.

White birch tree trunks emerge from a sea of fall color, New England.

For this California photographer, the autumn. Eastern Sierra aspens are some of the most interesting trees. Their leaves can certainly be colorful — often yellow/gold, but also ranging through orange and red. But their white or near-white trunks set them apart. They are fascinating no matter what the leaves are doing — spring. green, autumn color, or winter bare. I take it that there are aspens in New England, though their presence is overwhelmed by the other trees that we don’t see in California. As I photographed in the Northeast it seemed to me that that birch trees are more or less the aspen surrogates there, and they often provide similarly interesting trunk structures.

It is easy to be overwhelmed by the sheer mass of Northeastern fall color, to the point that it sometimes is difficult to make a photograph of the subject. I know that may sound strange — those colors are exciting, so why not just point the camera at them and make pictures? That’s exactly the problem. It is easy for the colors to be the whole show, so I look for other things that can tie them together in some sort of form. Tree trunks can often do this. A few trunks slicing, twisting, or slanting through a scene can give it direction and flow that is hard to achieve in a photograph of just the colorful leaves.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.