Tag Archives: national

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dunes, Mountains, Sand Storm

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Dunes, Mountains, Sand Storm
A sand storm blows a cloud of dust into desert mountains at sunset

Dunes, Mountains, Sand Storm. © Copyright 2019 G Dan Mitchell – all rights reserved.

A sand storm blows a cloud of dust into desert mountains at sunset.

This early-April afternoon and evening produced remarkable conditions in Death Valley. I had seen the advance warnings of high winds and sand storms so I was already thinking of the potential conditions beforehand, but late in the day I noted that dust clouds were already visible far to the north. But the wind-driven sand and dust wasn’t the only interesting element — a weather front was also moving through, stacking up spectacular clouds, some of which were managing to drop some rain.

We did a big loop northward along the eastern slopes of the valley, climbing a ways into the Amargosa Range before coming back down to the valley, where the winds continued and dust and sand were blowing everywhere. We stopped in the thick of it, and I thought about a technique I often use in these conditions: photographing with a long lens from inside the vehicle. But that presented two problems: opening a window even a crack quickly let in piles of sand, and the subjects I was interested were in all directions. So I got out, cowering in the leeward side of the vehicle, and photographed as the sand blew, clouds to the west began to thin, and sunset light struck the mountains to my east.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Central California, Photographs: Nature, Photographs: Southern California

Wildflowers, Hills, And Fence

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Wildflowers, Hills, And Fence
A fence runs across wildflower-covered hills in the Temblor Range

Wildflowers, Hills, And Fence. © Copyright 2019 G Dan Mitchell – all rights reserved.

A fence runs across wildflower-covered hills in the Temblor Range.

With this photograph I am getting very close to the end of this year’s spring landscapes — but you never can tell. Overall this was a very good spring, at least for those of us in California who look forward to the late winter green and the wildflower displays that follow. Our wet season is almost entirely in the winter — California has been described as a summer desert — and we pay a lot of attention to how each winter plays out. This is especially true in the wake of a recent five-year drought. This season started slowly, and early on we were concerned that we might have another dry year. But the faucet came on full force early in 2019, and it has continued raining until very recently.

This photograph is an example of what can happen when the weather gods cooperate and the rains come. This area of California hills looks dry and brown most of the year. But in exceptionally good wet years abundant displays of wildflowers appear and may literally carpet the hills and pastures. I made this photograph in the evening, as the last light (indirect though it may have been) was producing a softer effect in these hills along the edge of the San Andreas fault.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Sequoia-Kings Canyon, Photographs: Sierra Nevada

Lakeshore, Evening

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Lakeshore, Evening
A few sunset clouds reflected in the quiet surface of a backcountry Sierra Nevada lake.

Lakeshore, Evening. © Copyright 2019 G Dan Mitchell – all rights reserved.

A few sunset clouds reflected in the quiet surface of a backcountry Sierra Nevada lake.

Periodically I find myself going back to my archives and looking through older photographs, typically images that I made years ago and sort of left behind as I went on to work on newer things. These reviews often have a couple of wonderful consequences. Often I rediscover a photograph that I had originally neglected, perhaps because it worked in a different way than what I originally imagined or possibly because I wasn’t patient enough at the time. The distance provided by a few years of time often allows me to see the image in ways I missed at first. In addition, these older photograph bring back wonderful memories — of the subjects, for sure, but also of the trips themselves and the people I traveled with.

I made this photograph on a long southern Sierra backcountry trip with a group of long-time backcountry buddies — folks I have backpacked with many times over the years. On this trip we were down to our core group of four, and we traveled into one of the highest, alpine regions of the range, into the upper Kern River drainage of Sequoia National Park. Those who know this region won’t be surprised to hear that we had to cross several very high passes, that we were out for over a week, and that we got into places where we saw very few other visitors. I made the photograph on a lovely, lazy evening, near a lake we ended up at almost by accident — a place that turned out to be utterly scenic, extremely quiet, and almost devoid of visible signs of humans.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Central California, Photographs: Nature

Sunrise, Fog And Mist, Spring HIlls

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Sunrise, Fog And Mist, Spring HIlls, Carrizo Plain National Monument
“Sunrise, Fog And Mist, Spring HIlls” — Dawn fog and mist over green springtime California hills

I return to this theme frequently, but the annual spring transformation of California’s grasslands is a remarkable thing. It is also something that many visitors to the state miss. Many people come during the supposedly prime vacation season, probably between about Memorial Day in late May and Labor Day in early September. If they travel around the state much they are often impressed by how dry the place looks. They are correct — much of California is essentially arid during the warmer months, and the grasslands turn brown or, more poetically, “golden.”

However, in this regard our seasons are reversed by comparison to the snowier parts of the country, where winter is the colorless season. Our winter is the time of the Great Greening, or what I refer to as the Impossibly Green season. Shortly after winter (or late-autumn) rains arrive grasses emerge and grow straight through the winter. The intensity of the color of the green hills can become quite remarkable by late March and April. I made this photograph in a place that would strike most visitors as being a desert during most of the year. But on this morning all was green, with patches of wildflowers, and fog and mist floating above the beautiful hills at dawn.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.