Tag Archives: national

Photographer, Desert Canyon

Photographer, Desert Canyon
Photographer Patricia Emerson Mitchell at work in a Death Valley canyon

Photographer, Desert Canyon. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Photographer Patricia Emerson Mitchell at work in a Death Valley canyon

Photographer Patricia Emerson Mitchell paying attention to the small things along a narrow canyon in Death Valley National Park. On a cloudy day with dust storms out in the valley we headed up this canyon in the afternoon and found quiet conditions following this narrow canyon as it twisted and turned its way up into the mountains along the east side of the valley.

We started our hike at the top of a monumental alluvial fan build of rocks washed down from the mountains through this canyon. We dropped over the edge into the main wash and headed uphill, with the canyon walls soon closing in around us. In many places the canyon walls are almost vertical and only feet apart. These are places of deep quiet and stillness, mostly cut off from the surrounding terrain, protected from the wind, and with only a narrow band of blue sky straight overhead.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dawn Arrival

Dawn Arrival
Winter geese fly in to a Central Valley wetlands pond at dawn

Dawn Arrival. Central Valley, California. January 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Winter geese fly in to a Central Valley wetlands pond at dawn

Near the end of May I revisited some photographs from the past year, including a set that I made on an annual New Year’s Day visit to California’s Central Valley. For several years now a group of friends, photographers, artists, and more have greeted the dawn of the new year by going together before dawn to celebrate the new year and the annual spectacle of the winter bird migration into the valley. So, during the first week when the temperatures here in California rose into the nineties, I enjoyed recalling a foggy morning when they sat near freezing.

We arrived a half hour before dawn to find patchy, thinning fog. We set out trying to determine, in the half-light, where the birds might be, and soon some were spotted settling in on a nearby pond. We headed that way, and I lined up a view across the pond, past quiet foreground birds and past a row of trees toward the eastern sky, which was gradually beginning to brighten. I made this photograph as another small group of birds was flying in to join those already on the pond


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Evening Dunes and Mountains

Evening Dunes and Mountains
Evening on Death Valley sand dunes with desert mountains in the distance

Evening Dunes and Mountains. Death Valley National Park, California. March 27, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening on Death Valley sand dunes with desert mountains in the distance

It was the first evening in Death Valley this season, and we had arrived after a lazy drive in from the Ridgecrest area. Having plenty of time, we stopped at Trona Pinnacles before reaching the park and after entering we took a long side trip out on a gravel road to a couple of somewhat remote canyons. We got settled in and it was time to head out for some evening photography — and since dunes were nearby they seemed like a good first evening destination.

The sand dunes go quickly through some remarkable transitions of light and color at the end of the day. In the full sunlight the tones of the sand can seem a bit flat and washed out, but the low angle light begins to highlight the textures — large textures of the dunes themselves, plus the finer textures of small patterns of windblown sand. The the color of the light begins to warm and the contrast drops and shadows fill with a soft light. At the moment I made this photograph the sun was still above the ridge to our west, but it had passed behind high, thin clouds that momentarily muted the light even more.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

First Light, Cottonwood Mountains

First Light, Cottonwood Mountains
First dawn light descends the eastern face of the Cottonwood Mountains and touches the desert floor

First Light, Cottonwood Mountains. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

First dawn light descends the eastern face of the Cottonwood Mountains and touches the desert floor

A morning like this on the desert flats, surrounded by arid and rugged mountains, waiting for the sun to rise, is very special. We arrived in the dim, pre-dawn light and set out across the flats toward the edge of dunes, passing across scrubby desert plants and over rocky and sandy ground, listening to the steady crunching of footsteps in the silent landscape. We probably should have started a bit earlier, but we lingered a bit too long over coffee, and as we approached the edge of the dunes the sun began to move down the face of the mountains to the west.

The light on the mountains  was set off against a sky darkened by the clouds of a passing weather front, and thin clouds intermittently shadowed the dawn light. It worked its way down from the ridges to the base of the mountains and then it very quickly began to light the terrain around us, first with gently cloud filtered light and soon more intensely. We quickly stopped walking and looked around for any nearby subject that might serve as a canvas for this light — I found a few long plants nearby growing in sand and moved to position them in front of the mountains as the soft light touched them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.