Tag Archives: national

Petroglyphs, Panamint Range, Death Valley

Petroglyphs, Panamint Range, Death Valley
Petroglyphs, Panamint Range, Death Valley

Petroglyphs, Panamint Range. Death Valley National Park, California. March 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

Petroglyphs of bighorn sheep in the Panamint Range of Death Valley National Park.

If you keep your eyes open, think about your surroundings, and know where to look, eventually you will come across the signs of much earlier residents of Death Valley. From my basic knowledge, I understand that there is evidence that a series of native American cultures resided in and around the Valley for at least the past 11,000 years, a period over which the climate changed from one that was originally much wetter to the hotter, drier climate that we know today. Because many of these people apparently had to migrate locally to find food sources at different times of the year it seems that evidence of their presence can be found in a wide variety of locations.

I recall the first time I found an artifact of one of these cultures. It was on my first visit to Death Valley back in the 1990s. At one point I wandered away from a place where I was camped and walked out across a section of a very large gravel wash, where I found a comfortable rock to sit on and enjoy the view. As I sat there I happened to look down and notice an unusual rock. I picked it up and realized that someone had formed it into a shape that could be used for carving or cutting, and I later read that it was a sort of knife. As I held it, surprised by finding any human signs in such a place, I began to wonder about the life of the person who made it and used it – a life I could barely imagine. A few minutes later I returned the object to where I had found it and walked back to camp.

For me, an encounter with rock art such as these petroglyphs provokes a lot of deep thoughts about time and culture and the lives of people who seem about as far removed from my experience as I can imagine. I try to imagine myself in their lives, but know that I fail.

Of course, I won’t say more about where such things are located than what is on this page. If you know where this example is located, let’s keep it a secret, OK?

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

From the Panamints to the Sierra, Evening

From the Panamints to the Sierra, Evening
From the Panamints to the Sierra, Evening

From the Panamints to the Sierra, Evening. Death Valley National Park, California. March 30, 2011. © Copyright G Dan Mitchell – all rights reserved.

The Sierra Nevada in evening light as seen from Aguereberry Point in Death Valley National Park’s Panamint Range.

I made this photograph from Aguereberry Point shortly before sunset. Aguereberry Point is a lonely prominence over 6000′ above Death Valley, high in the Panamint Mountain range, a place of astonishing panoramic views – and often some significant winds. As I drove the gravel road to the point late in the afternoon I saw three or four other vehicles heading the other direction, but when I arrived at the point a bit more than an hour before sunset no one else was there.

Having photographed here a few times previously, I am becoming more familiar with the challenges and the opportunities of shooting here. One of the challenges – as is the case in many spots in Death Valley – is that certain subjects seem to be “photographable” at very specific times and only for short intervals. One of the most interesting views from Aguereberry is southeast down into Trail Canyon and on to the lower slopes of Wildrose Peak beyond. This is wild, rugged, austere terrain. However, because it lies on the east side of this range the light changes quickly from a washed out blast of daytime sun to sudden deep shadows as the sun drops behind the higher ridges of the Panamints. (Trail Canyon is not seen in this photograph.)

Another challenge is that, impressive and overwhelming as the scale of this grand scene is, it can be difficult to pull interesting compositions out of it. I tend to work with longer lenses here, both to isolate smaller areas out of the huge landscape and to compress distance. In this photograph, the silhouetted crest of the highest part of the Sierra Nevada range is on the horizon, with the intervening ridges of the Panamint Range and others probably including the Inyo Mountains and the ridge just west of Panamint Valley.

And, since I tend towards those large and long lenses… wind is an issue! And on top of Aguereberry Point there is nothing to stop the often strong winds of Death Valley. On this evening the winds were howling, so I found a spot below some rocks where it was a bit less windy and then spent a lot time waiting for momentary lulls in the wind when I could make photographs.

G Dan Mitchell Photography | Flickr | Twitter | Facebook | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Zabriskie Point Gully, Morning Light

Zabriskie Point Gully, Morning Light
Zabriskie Point Gully, Morning Light

Zabriskie Point Gully, Morning Light. Death Valley National Park, California. February 20, 2011. © Copyright G Dan Mitchell – all rights reserved.

Morning sun back-lights the dense pattern of folds in a small gully at Zabriskie Point, Death Valley National Park, California.

In some ways I think this is one of the more subtle and complex of the various photographs I have made that isolate small sections of the Zabriskie Point landscape, especially the eroded patterns of the small gullies below the main viewing area. This photograph, like many in this series, was made after the normal “dawn light” time period, and at this time the sun is higher in the sky. It begins to back-light the tops of the furrows and gullies and the brighter light reflects down into the lower portions of the gully. There are a tremendous number of overlapping ridges and the color variations are quite large, though subtle at the same time. Some areas have a very blue cast, being in shadow and lit almost completely by the open blue sky. Others take on warmer tones, especially if they are illuminated by light reflected from the warm-tones earth. An area of thin clouds was floating above the scene and its shadow slightly softened and muted the light that otherwise might have been quite stark.

G Dan Mitchell Photography | Flickr | Twitter | Facebook | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Flock of Snow Geese, Winter Sky

Flock of Snow Geese, Winter Sky
Flock of Snow Geese, Winter Sky

Flock of Snow Geese, Winter Sky. Merced National Wildlife Reserve, California. February 21, 2011. © Copyright G Dan Mitchell – all rights reserved.

A flock of snow geese against the partly cloudy winter sky above the Merced National Wildlife Reserve, California.

Yes, yet another in the series of photographs of migratory birds above the Merced National Wildlife Reserve made on a winter evening in February. While I missed the “fly in” (though saw it happening a ways north of my position) I did watch hundreds and hundreds of birds of all types pass overhead. Every time I would start to wonder “where are the birds?” or worry about whether I would miss the fly in, another flock would appear and traverse the sky above me.

It was my good fortune – certainly little careful planning was involved! – to be out here during a brief evening window of interesting light and sky as a storm cleared. In fact, as I drove towards the Refuge I at first thought that some of the larger clouds to the west might block the evening light or even bring a bit of rain. However, as sunset approached the clouds continued to thin and I ended up with a beautiful sky full of broken clouds that were gently illuminated as the day ended.

G Dan Mitchell Photography | Flickr | Twitter | Facebook | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.