Tag Archives: new york

Photographs: New York City, Photographs: Urban/Street

Master of All I Survey

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Master of All I Survey
A man sits on a bench next to a pile of garbage bags, Midtown Manhattan.

Master of All I Survey. © Copyright 2022 G Dan Mitchell.

A man sits on a bench next to a pile of garbage bags, Midtown Manhattan.

It seems like there is always someone doing something interesting, unusual, compelling, typical, or in some other way worthy of attention in Manhattan. I’m not sure if that reflects on the character of the place or if it is simply a statistical matter — there are so many people there that you are bound to encounter, for better or worse, pretty much everything on the human spectrum. It is even possible to find isolated people, not part of any of the crowds that we associate with the place.

I saw this fellow while walking near the UN Plaza. It was morning — on a Sunday, if I recall correctly — and the area was relatively quiet. There wasn’t much of anything going on along this street, but there he sat, alone and not engaged in any particular discernible activity. In front of him was one of the characteristic morning piles of plastic trash bags, a common feature of this city.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

Reflection Deception

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Reflection Deception
The glass surface of a New York building reflects and distorts its surroundings.

Reflection Deception. © Copyright 2022 G Dan Mitchell.

The glass surface of a New York building reflects and distorts its surroundings.

Scenes like this are, of course, common in big urban centers that are filled with tall, modern buildings. This one comes from Manhattan. One striking difference between many new buildings and those from a much earlier era is that today the surfaces are often nearly 100% windows and, as such, the buildings are extremely reflective. A few years ago it occurred to me how odd it is that what we see when we look at these buildings today is mostly not the buildings at all. The building is essentially invisible beyond the slender outlines of frames between windows. The “surface” we see is composed of other things — sky, clouds, other buildings — that are distorted by the qualities of the reflective surface. (I have an idea for a photo project: Remove all of the reflective surfaces from images of these buildings, leaving only the minimal structural elements that are actually visible.)

These buildings are one reason that I often refer to these places and photographs of them as “urban landscapes. There is a continuum in landscape photography. At one end lies subjects that are entirely “natural” — or at least seem to be so. Somewhere in between we enter the realm of historic landscape paintings, in which it was common to include the human presence. Continue along that trajectory far enough, and it is possible to see cities as being just a different sort of landscape, and that way of seeing leads to different ways of photographing them.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Urban/Street

Crosswalk People

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Crosswalk People
Pedestrians enter a crosswalk in Manhattan.

Crosswalk People. © Copyright 2022 G Dan Mitchell.

Pedestrians enter a crosswalk in Manhattan.

The thought process behind a photograph like this one is hard to explain, perhaps partly because such photographs are often made instantaneously and with virtually no time for careful thought or planning. They happen almost purely instinctively when I see something in the scene that I react to, but without time to ponder what that “something” is. In fact, there’s a pretty good chance that I made this photograph without even raising the camera to my eyes, or at least without time to really look. If I had waited… the moment would have been gone. I think I’m attracted initially to something in the patterns in the scene, though in retrospect I think the image is a bit more complicated to parse.

Most photography — even landscape photography, despite what some will claim — often involves split-second intuitive decisions about subjects and scenes that are completely ephemeral. It is a matter of “make the exposure now or don’t make it at all.” One thing I like about street photography is that it requires me to make these judgments quickly, and I think that hones my ability to see subjects and compositions — even when they are standing still!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

Beneath the Parkway

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Beneath the Parkway
Support structures under the Henry Hudson Parkway, Manhattan.

Beneath the Parkway. © Copyright 2022 G Dan Mitchell.

Support structures under the Henry Hudson Parkway, Manhattan.

While things in New York City are not as grim as they were during the height of the pandemic, nor as bad as when we visited during the Omicron surge last winter, things are not yet completely back to normal. A lot better, yes. But when we visited in August the effects were still clear. People were back in the streets, but the crowds weren’t nearly as dense as before. And we still hesitated to go to some of the more crowded places that we enjoyed previously. So, on this afternoon we found ourselves killing time between a couple of planned events, so we took a walk over to and along a section of the Hudson River shoreline.

In this location sidewalks, paths, and stairs can take you down from the city itself of a riverside walkway and park, so we headed on down to join the others out for a walk, a run, or a bike ride. As the path descended it approached the base of this old structure that supports the parkway running along the waterfront. In a world of modern, sweeping and curving reinforced concrete structures, it is fun and interesting to come across older steel structures like this one.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.