Tag Archives: new york

Tasty Hand-Pulled Noodles

Tasty Hand-Pulled Noodles
Man in vest and helmet emerges from Tasty Hand-Pulled Noodles, Inc.

Tasty Hand-Pulled Noodles. © Copyright 2017 G Dan Mitchell – all rights reserved.

Man in vest and helmet emerges from Tasty Hand-Pulled Noodles, Inc.

This is another quite street photography photograph made in Manhattan, almost certainly along the edges of its Chinatown district. On the scale from instant and intuitive to slow and methodical, this photograph fits in the former category. I think I recall stopping for no longer than a few seconds to photograph this place, and timing a couple of the exposures to include this fellow coming out through the door. Once he was out of the picture my interest waned and we moved on.

Of course the name of the business caught my attention — not just “Noodles” or that word plus someone’s name, but “Tasty, hand-pulled noodles, Inc.”, and on a shop that wasn’t, well, very pretentious. The fellow coming out the door was wearing one of those bright orange reflective vests and a bicycle helmet. I saw no bicycle nearby, but perhaps he was a messenger. Not clear from the photograph, unless you notice how much clothing he is wearing, is that he was apparently out on a bicycle on a day when the temperature barely reached twenty degrees and the wind was blowing strongly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Crossing Lexington

Crossing Lexington
A man crosses Lexington on a winter afternoon in New York City

Crossing Lexington. © Copyright 2018 G Dan Mitchell – all rights reserved.

A man crosses Lexington on a winter afternoon in New York City

I made this photograph on one of the coldest in a string of very cold winter days in New York City between Christmas and New Year’s Day. On such days we still were out walking around Manhattan quite a bit, but we also sought out shelter and warmer activities. On this day the plan was to visit an exhibit at the Guggenheim. We took the subway up there and arrived late enough that we had to join a line waiting, we presumed, for folks in the already-crowded building to leave so that we could enter. After fifteen or twenty minutes in the line, standing in freezing wind, we realized that the line was not moving at all, and we bailed out for a nearby restaurant where we could warm up.

After lunch we ended up on Lexington, where there was plenty to see and photograph. Many of my photographs on this afternoon took advantage of winter sunlight obliquely slanting across buildings and windows and reflecting onto the sidewalk and street. However, the light for this photograph was different — a sort of soft glow filtering down from the strip of sky above the street. This is a busy place, but during a momentary break in the pedestrian and vehicle traffic this solitary man slowly crossed the street in front of me.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Brick Wall, Balcony Shadows

Brick Wall, Balcony Shadows
Shadows from metal balconies slant across brick wall

Brick Wall, Balcony Shadows. © Copyright 2018 G Dan Mitchell – all rights reserved.

Shadows from metal balconies slant across brick wall

I don’t think I can up with a comprehensive list of all of the variations on urban and street subjects, but there are a lot of them. You can, of course, focus on photographing people — whether street portraits, with our without the subject’s cooperation, or anything up to groups and crowds. You can treat the urban environment as its own sort of landscape, looking for form and color and light in the familiar ways. You can think of it as a way of simply making a record of transitory things that will soon be changed or bone. It can focus on architecture. And the list goes on.

I think of this as a sort of street landscape. This New York wall, at this time of day and during this season, transforms into something that I can’t imagine the builders understood when they constructed it. My bet is that they were making a practical brick wall, with practical windows, a simple pair of balconies (probably designed to save money), and fire escapes. But, as was apparent when I walked past in December, becomes a canvas for a wild conjunction of shapes and textures and shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Scrim, Bars, Shadows

Scrim, Bars, Shadows
Winter tree branches cast soft shadows on scrim window covering

Scrim, Bars, Shadows. © Copyright 2017 G Dan Mitchell – all rights reserved.

Winter tree branches cast soft shadows on scrim window covering

I was tempted to write little or nothing about this photograph and just let it stand as is. But that would break with my tradition of posting something about every photograph! (Apologies to those of you who aren’t fans of the writing! ;-) The subject is the conjunction of a shadow and the bars of a window.

The photograph illustrates, perhaps, the usefulness of bringing a camera along even in situations where photography isn’t your main goal. We were in New York for a week in late December, and on this freezing cold winter day we did what so many do on such days — we headed for the warmth of a museum, in this case the Metropolitan Museum. Our primary goal was to see the large David Hockney show, but there were other things to see as well. At one point, while considering what to do next, we ended up in a familiar gallery off in the distant reaches of this large and confusing museum. At one end of the room was a stairwell. Southwest facing windows were covered with a sort of scrim that muted the direct light, and winter-bare tree branches cast shadows on it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.