Tag Archives: north

Slot Canyon Narrows

Slot Canyon Narrows
“Slot Canyon Narrows” — A very narrow and deep section of a Utah slot canyon.

This is the sort of slot canyon “narrows” that most of us imagine when we think of these places. You can literally touch both walls while walking though, and in places the space was just wide enough for me to pass. (I had to be careful to not bump my tripod-mounted camera as I walked through.) In person, such narrow and deep canyons are darker than we render them in photographs, but the light is very soft and beautiful.

I am sort of embarrassed — yet in a way also sort of proud — that I arrived at this place more or less by accident, and not by the usual direct route. I was out “poking around” in this area, and on a hunch I started hiking down an open canyon which soon narrowed into a slot canyon. Eventually I arrived at a junction in the canyon, where this very narrow slot intersected the main canyon.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Sandstone Cliff Detail

Sandstone Cliff Detail
“Sandstone Cliff Detail” — A section of a sandstone cliff face featuring fracturing, strata, exfoliation, and water markings.

The textures, forms, colors, and patterns found in Utah sandstone walls amaze me. They can be so complex that I sometimes imagine that I see things like writing or images, but patterns formed naturally over the millennia. Here we can see layering at more than one angle, marks left by dripping and flowing water, the effects of exfoliation, and more.

This bit of wall might usually not get a lot of attention. If I recall correctly (it has been a decade) I found it in an odd corner of a canyon at Capitol Reef — not in a particularly iconic location within the park. Because it was later in the day the high canyon walls blocked the direct sunlight, allowing the softer light to fill that shadows a bit and reveal more details.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Lakeside Meadow, Boulders, and Trees

Lakeside Meadow, Bourlders, and Trees
“Lakeside Meadow, Boulders, and Trees” — Before the sun arrives, a scene at the shore of a subalpine Sierra Nevada lake with meadow, boulders, and trees.

The Sierra Nevada is a place of diverse terrain — rugged alpine ridges and summits, gentle meadows, both dense and open forests, streams and rivers, and more. But my favorite places are mostly like this one, where the last trees are about to give way to barren alpine country, and where meadows, running water, and lakes are plentiful.

This scene is typical of that region. It is along the shoreline of a moderate-sized lake at just over 10,000′ of elevation. Away from the meadow and the lake, forests of good-sized lodgepole pines grow, but here in the open it is all about the light, meadows, rocks, sparse trees, and water.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Autumn Aspens Leaves and Trunks

Autumn Aspens Leaves and Trunks
“Autumn Aspens Leaves and Trunks” — Yellow leaves and white bark on autumn aspen trees, Sierra Nevada.

I have noted before that many Sierra Nevada aspen trees do not quite correspond to our classic expectations — rather than tall, straight trees we often see shorter, broken and bent aspens. I think this may be a consequence of things like very rocky terrain, lower precipitation, and steep slopes. But the classic trees with straight trunks and tall canopies do exist.

My decision to photograph in this spot was, to some extent, a practical one. Late in the day very strong winds developed. (And they would continue on into the next two days, as well.) Unless you like motion blur — and it has its place — wind and aspen leaf photography don’t mix well. Not only are the leaves (and branches and trunks!) in constant motion, but the wind strips leaves from the trees So I headed to this relatively sheltered spot with bigger trees, found some compositions, and waited for breaks in the gale to make a few photographs.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.