Tag Archives: north

Ship Yard Buildings, Crane

Ship Yard Buildings, Crane,Mare Island Naval Ship Yard.
“Ship Yard Buildings, Crane” — Weathered ship yard buildings illuminated by saturated colors of artificial lighting

I recently had a chance to return to this ship yard facility near Vallejo, California to work on night photography. This is the place where I first tried that genre approximately fifteen years ago. It was more or less on a whim — I read that someone was inviting photographers to come up to Mare Island, in conjunction with the annual Flyway Festival, and find out about night photography. I knew almost nothing about it, but decided to give it a try. Since that time I’ve been hooked. I’ve returned to photograph here often during the intervening decade and a half, and my night photography expanded from that beginning to incorporate other subjects and places. (Recently I have focused on night street photography done with small handheld cameras.)

This photograph is an example of several things that intrigue me about photographing at night. Scenes that might seem mundane in daylight are transformed at night. Not only do many distractions simply disappear, but the light itself, especially in areas with varied artificial illumination, transforms these subjects. In many places LED lights have replaced the wild mix of tungsten, fluorescent, sodium vapor, and other sources today — an unfortunate development in the visual sense, as LED light is more or less like daylight. But in places like this one, the colors of the light become intense. Here the intense green of a large work light predominates. Another appeal of night photography is that it lets me make photographs of things that my eyes cannot see. In the ambient lighting I could only barely see the details of this scene. But with a long exposure there is enough light to reveal hidden features, a pure example of “seeing what the camera sees.”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Forest, Meadow, New Snow

Granite, Snow, And Clouds
Overnight snow coats forest trees, Yosemite National Park

Forest, Meadow, New Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Clouds sweep across granite faces as winter snow falls above Yosemite Valley

This morning followed a light overnight snowfall in Yosemite Valley, and the temperature was cold enough that the snow did not melt. The thin coating of snow remained on the trees, even as the first sun arrived, peaking over the top of the cliffs along the south side of the Valley.

In the foreground are trees growing on the Valley floor, near the edge of a large, open meadow, including both conifers and deciduous trees. The further up the Valley walls we look the more snow remains, and backlit trees with snowy branches wind their way upwards toward granite cliffs. Further in the distance those cliffs appear, snow dusted and blue in the cold shadow light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Trees and New Snow

Trees and New Snow
Trees with new snow in sun and shadow at the base of a Yosemite Valley cliff

Trees and New Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Trees with new snow in sun and shadow at the base of a Yosemite Valley cliff

During this weeklong late-February visit to Yosemite National Park (thanks to an artist-in-residency from Yosemite Renaissance) the weather was quite cold, even for the Sierra Nevada in winter, and there was light snow at times throughout the period. In many ways, this is almost idea for photography in Yosemite Valley — although the snow and cold complicate the process of making photographs, they also have some beneficial effects. Obviously, the snow changes the appearance of the landscape in many ways, and the cold weather tends to reduce the number of people who are out and about.

It had snowed a few inches in the Valley since the previous afternoon. (The storm was varied, and I work up to considerably more snow than that where I was staying, outside the Valley.) Because of the unusual cold — it barely got out of the teens — the snow stayed “dry” and didn’t immediately melt out of the trees. In the photograph you can see a bit of snow in the meadow on the Valley floor, but there was more up higher, and the trees ascending the further slope all were fringed with it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Red-Wing Blackbird

Red-Wing Blackbird
A red-wing blackbird perched among wetland plants

Red-Wing Blackbird. © Copyright 2018 G Dan Mitchell – all rights reserved.

A red-wing blackbird perched among grasses

The red-wing blackbird (and the similar tri-color blackbird) are among those birds that are found all over the place here in California. I’ve encountered them in agricultural areas and on trails in coastal hills parks, in huge groups or as solitary individuals. They often perch, and they aren’t too hard to photograph with a long lens, though their very dark feathers can provide some exposure challenges. When they take to the air they often move quickly and can be hard to track.

The red patches are not always visible. In fact, when I first saw this individual I did not see them. But the bird seemed content to remain in one spot for a while, so I settled in with the bird in the viewfinder and waited. Typically the first thing I’ll do is to try to grab an initial photograph that is at least usable. But they I wait and watch for something beyond that, something that might show the animal in a special way. As I watched this bird, all of a sudden it puffed out its feathers and exposed those brilliant red patches for a few seconds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.