Tag Archives: north

Photographs: New York City, Photographs: Night, Photographs: Urban/Street

Noodle Shop

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Noodle Shop
A single nighttime diner in a Manhattan noodle shop on a dark street

Noodle Shop. New York City. July 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A single nighttime diner in a Manhattan noodle shop on a dark street

I suppose it is because I plan to be there again soon, but I’ve been going back through some earlier photographs from New York City this week, and especially focusing on photographs I made at night there last July. While staying in a busy part of the city (yeah, I know, all the parts are busy…) where there are lots of small business and lots of people I managed to get out frequently and wander with my camera. Most of the neighborhood tended to be quite crowded and busy, with lots of light. However, a few of the side streets included quieter spots where there were no crowds, especially late at night, including this street where there was only one person still eating in this noodle shop.

With photographs like this, especially when rendered in black and white, there is a lot of creative latitude when it comes to deciding how to interpret the scene. I’m generally not a big fan — with some exceptions — of allowing highlights to completely blow out, so the brightly lit areas set a sort of limit on how light I can go. I want to see at least some detail in almost all areas of the photograph, even in the deep shadows, so I often have to do some careful work during the post processing stages to get what I want from these dark area. It is tricky — too dark and all detail is lost, but too light and the shadows end up gray and the mystery is gone. In this photograph I wanted most of the image to feel very dark, with only the three brightly lit areas standing out.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: New York City, Photographs: Night, Photographs: Urban/Street

Gelato Stand, Evening

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Gelato Stand, Evening
“Gelato Stand, Evening” — People at a Little Italy gelato stand on a summer evening, Manhattan

Near the end of the year it is my custom to start going back to my raw file archives from the previous year, looking for photographs that I might have overlooked initially. Sometimes I missed them because I was working on other things that caught my attention at the time. In other cases there were simply a lot of photographs, and I moved on to other work before finishing with an earlier set of photographs. I’m starting that project now, so you are likely to see some older work mixed in with more recent photographs over the next few weeks.

We spent a week in New York City in July. (Yes, I know that smart people don’t go to New York during the hot and humid summer months. But I do. Draw your own conclusions… ;-) This time we stayed in the general area of Little Italy. That area is a bit of a tourist place, but it is also an interesting place to wander at night. There are lots of light, lots of shops, and lots of people out and about. On this evening I headed out from the hotel just after dark and did a quick loop through the neighborhood with my camera. Here a group of people lines up at a small gelato stand, while someone shops next door and nearby people sit on benches along the sidewalk.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Desert Hills, Evening Shadows

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Desert Hills, Evening Shadows
Evening light and shadows on desert hills and Death Valley salt flats

Desert Hills, Evening Shadows. Death Valley National Park, California. April 5, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening light and shadows on desert hills and Death Valley salt flats

My first visit to the park was in the late 1990s, but I’ve been a regular since then. I visit Death Valley for about a week at least once each year, and have photographed all over the park. In a way, this first surprised me a bit, since when I was younger I was not attracted to the desert at all, having been brought up on the notion of the “desert wasteland,” and having been a huge fan of the high Sierra since I was young. So even though the desert was nearby I didn’t visit before a chance encounter that came about when I was one of the adult chaperones on a trip introducing high school and middle school kids to the place. Literally from my first view of the place (after crawling out of a tent in a high place at dawn to look across the valley), I was entranced.

The photographic subjects in this national park (and similar desert locations) range from intimate to immense, and several things always draw my attention. Because of the hot and dry environment, the landscape is laid bare in ways that are uncommon in other mountains. (Unless you go above tree line, into another of my favorite worlds.) The land-forming effects of uplift, mountain-building, water (!) and wind are easy to see. And this naked landscape is often painted and colored by the light in beautiful ways. This photograph, at least as I see it, offers several contrasts: between the low hills and the flatness of their surroundings, between the shadow and light, and between the small and the large.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Mud Hills, Evening Light

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Mud Hills, Evening Light
Mud hills near the mouth of a Death Valley canyon

Mud Hills, Evening Light. Death Valley National Park, California. April 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Mud hills near the mouth of a Death Valley canyon

On this evening I had taken a “random” walk into a canyon that I hadn’t visited before. It isn’t a tremendously popular place, so I had its narrow confines almost completely to myself, even though I wasn’t all that far from some rather popular Death Valley locations. The canyon itself was not the most visually striking Death Valley location I have visited, though its narrow dimensions and solitude were notable. I reached a blockage some distance up the canyon, and since the hour was getting late I decided to reverse course and head back out for early evening light.

As is so often the case with these canyons, I emerged from the dark and narrow canyon onto a broad wash that expanded onto an alluvial fan littered with boulders, cut by water courses, and open to more distant views. Golden hour light was beginning, so there was a lot to photograph, and it took me quite a while to work my way down from here toward the trailhead. As I walked, the surrounding hills became lower and more rounded as they gradually merged with the alluvial slopes that tend to line the valley. As the light faded with the already behind hills to the west, I made a final stop to photograph these folded forms, glowing in the filtered and soft light of early evening.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.