Tag Archives: north

From Tufa To Mountains, Dawn

From Tufa To Mountains, Dawn
Predawn light above high desert mountains, reflecting on the surface of Mono Lake

From Tufa To Mountains, Dawn. Mono Lake, California. July 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Predawn light above high desert mountains, reflecting on the surface of Mono Lake

Mono Lake is famed for several things, among them the remarkable tufa towers found in several locations along the shoreline of this great land-locked lake east of the Sierra Nevada. And, yes, this photograph includes a few of those towers — a small group that lies far enough from the shoreline to make them less accessible and interesting to most photographers. (No, that isn’t Nessie — or a band of Nessie lookalikes — at the lower left corner.)

But tufa towers are not my primary or strongest association with this place. Mine include more ephemeral things — the sense of huge space, the expanse of the sky (accentuated by the distance and smallness of surrounding mountains), the deep quiet that is broken only by the sounds of birds and wind. In my experience, to understand those things about this place you must find a quiet place away from other people and perhaps just “be” there quietly, long enough to let its stillness begin to affect you, too. On this morning I arrived in Mono Basin before dawn, ending up at a spot that is not typically regarded as being iconic. Being early, I was in no hurry, so I set up my camera and tripod and just looked for a while before beginning to make photographs of the predawn light from beyond the eastern mountains as it reflected on the breeze-ruffled surface of the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Evening Rain, Reflection

Evening Rain, Reflection
The reflection of an evening thunderhead on the surface of Mono Lake

Evening Rain, Reflection. Mono Lake, California. July 27, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The reflection of an evening thunderhead on the surface of Mono Lake

During the past few days I was once again in the Sierra, camping just outside Yosemite’s Tioga Pass entrance and photographing in the surrounding areas. There is a lot to write about: the tremendous amount of snow still in the high country, the remarkable amounts of water everywhere, how odd it is to see all park campgrounds along Tioga Pass road still closed, the challenges of hiking in these conditions. I’ll save most of the details about those things for another post for now, except as they may relate to this photograph. After photographing elsewhere very early in the morning and then killing time in camp until about noon, I decided to hike into an east side canyon. It was a beautiful hike, though because I was alone and had not brought trekking poles, I eventually turned around soon than I had planned rather than risk solo crossings of high-water creeks. Coming back down from the hike I was surprised to see a thunderstorm brewing over the lower end of the canyon, and I quickly found a high overlook from which to watch the show. Before long the show became a bit too exciting! Heavy hail and rain developed — too much so for photography — and I high-tailed it down to Lee Vining.

As often happens, the convective action was mostly developing to the east of the Sierra crest, so I found a (not very secret!) location from which I could watch the evening light develop above Mono Lake. Multiple thunderstorms continued to develop right through the sunset, dropping rain on the high desert mountains and reflecting the evening light onto the surface of the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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North Shore, Fog

North Shore, Fog
A foggy morning along the north shore cliffs of Point Lobos

North Shore, Fog. Point Lobos State Reserve, California. July 18, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A foggy morning along the north shore cliffs of Point Lobos

In mid-July I managed to get to Point Lobos State Reserve, south of Carmel, on two occasions during the same week. It stayed foggy the entire time on the first visit, but on the second it began to clear back from the coast by mid-morning, and fog-softened light was present here as I walked along the north shore of the park. (Oddly, it was foggy inland as the area right along the coast began to clear.)

The photograph appears to show a clear view across water and into a cove where with steep rocks and tall trees at its head. In fact, my shooting position is quite covered with trees, and it was a bit of a trick to find a spot with a clear view like this. At the point at which I made the photograph the fog was still there, though it was beginning to thin a bit, and some soft light was beginning to make its way through the murk.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Two Women, Street Art Vendors

Two Women, Street Art Vendors
Two women at a street art vendor beneath an umbrella, Manhattan

Two Women, Street Art Vendors. New York City. July 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two women at a street art vendor beneath an umbrella, Manhattan

I recently gave a talk on street photography to a local camera club in the South San Francisco Bay Area. It was the first time I’ve done a talk on this subject, so I spent more time that might be typical considering how to present the subject and how to illustrate some of my ideas about it. Since I don’t like to think there is only one way (or a “right way”) to photograph street or any other subject, I decided that part of the talk would involve looking at various ways to approach street subject. These could include street landscapes, street portraiture, people in groups, and much more — and the ways to photograph could range from very fast and spontaneous to as slowly and carefully as with any other subject.

This photograph came from the fast and spontaneous approach — so much so that I later don’t even recall making the photograph! (That is unusual — I typically have some recall of every photograph, and sometimes I remember a whole lot about it.) We were on a walk in Manhattan, likely heading uptown from the Little Italy area, and I had my camera out and in hand and was in a shooting mode in which I work very quickly — see subject, make photograph. I might take no more than a second or two to contemplate a composition, instead working very instinctively. There must have been something about the almost furtive appearance of the two women and something about the art for sale.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.