Tag Archives: north

Clearing Storm, Pacific Coast

Clearing Storm, Pacific Coast
An autumn storm clears along the Northern California cost above Fort Bragg

Clearing Storm, Pacific Coast. North of Fort Bragg, California. November 19, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

An autumn storm clears along the Northern California cost above Fort Bragg

On this November day, the light along the Pacific coast north of Fort Bragg, California was mostly spectacular and in a constant state of change. In rained, occasionally hard and more than once taking us by surprise, there was fog, the sun appeared, clouds were dark one moment and luminously bright the next.

We paused at this overlook, where the meeting of land and water is less steep. The nearly level coastal bluffs run along the water at the base of low coastal mountains, and the underwater slope is also apparently not very steep, judging from the distance from the shoreline that the waves begin to rise and break. The atmosphere was semi-opaque, filled with a combination of fog and light rain, and the glow of light on clouds was diffused and soft. To the west, sun broke through the clouds and lit the water brilliantly in patterns that curved toward the horizon. The waves broke against the seaward side of the huge sea stack — more of an island, really — that stood in front of us just off from the shoreline.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Leaf and Sand

Leaf and Sand
An autumn leaf in the sand of a California north coast beach

Leaf and Sand. Northern California Coast. November 19, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

An autumn leaf in the sand of a California north coast beach

In many ways the spectacular and rugged Pacific ocean coastline of Northern California is a landscape of huge scale, from the ocean itself to the long views of rocky cliffs, shoreline bluffs, coastal mountain ranges, sea stacks, clouds and fog. I love this country and many of my photographs of this landscape focus on these very things.

But sometimes I do look down at my feet as well. On this afternoon we had stopped at a beach where the road dropped down to nearly the water level and the wintry ocean was wild with the energy of a passing storm, producing surf and swells so large that it seemed that we looked up at them. I wandered out toward the waterline and began to photograph the surf and some sea stacks that stood in the path of the waves. As I turned to walk down the beach I happened to look down and see this autumn leaf, stuck in the sand near the high water mark, with the faintly visible paths of water that had detoured around the leaf on its way back into the ocean.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Still Water, Clouds

Still Water, Clouds
A few scattered clouds are reflected in the surface of Mono Lake on a windless day

Still Water, Clouds. Mono Lake, California. September 16, 2016. © Copyright 2013 G Dan Mitchell – all rights reserved.

A few scattered clouds are reflected in the surface of Mono Lake on a windless day

As I have returned to Mono Lake over the years, my orientation to the place has changed. (I guess that is a sort of general theme with me, now that I think of it — repeated visits to a familiar place over long periods of time are rewarded with a continually evolving knowledge of the place.) First it is just a very big lake. They one usually discovers tufa towers, followed perhaps by birds. My concept of the place has now come to center on quiet immensity, with open sky above, perhaps interrupted by the sounds of birds.

Mono Lake is often a windy place, but at times, especially early in the day, the winds can die down or even stop, and the stillness becomes palpable. On this day I traveled out to a shoreline area I had not visited before, and one that is not particularly popular or well-known. I parked and walked down a slope towards the water, where I found its surface almost still and reflecting the shapes of a few clouds to the north.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Tree Trunks, Autumn Leaves

Tree Trunks, Autumn Leaves
Against a background of Yosemite Valley granite cliffs, tall tree trunks tower above autumn color

Tree Trunks, Autumn Leaves. Yosemite Valley, California. October 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Against a background of Yosemite Valley granite cliffs, tall tree trunks tower above autumn color

It isn’t unusual for me to try both a portrait (vertical) and landscape (horizontal) version of a photograph when both are possible. If for no other reason, sometimes a client may wish to license an image in a specific orientation, and I hate to say, “Uh, no” when asked if the other one is available! But in other cases, the subject really works both ways, and I feel like this is one such subject. A few days ago I shared a landscape orientation photograph of this subject. In some ways that wider-than-tall approach to trees can do a better job of suggesting the height of something by perhaps creating a subliminal impression that the subject is so tall that it doesn’t fit the frame — and the viewer gets to imagine what is “up there.” On the other hand, the portrait orientation can actually present the strong verticals with fewer distractions.

This photograph, and others in the series, were made near a popular and iconic Yosemite Valley location where I had stopped for a moment. Nearby, and in the opposition direction from that icon, there is a lovely bit of dry grass meadow dotted with small oak trees, and my object was to go photograph there. One thing led to the next and I soon found myself in a small clearing next to these tall trucks that had recently been burned a bit in a management fire.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.