Tag Archives: northern

Pacific Surf, Morning Fog

Pacific Surf, Morning Fog
Light fog hugs the shoreline near a far Northern California beach

Pacific Surf, Morning Fog. © Copyright 2018 G Dan Mitchell – all rights reserved.

Light fog hugs the shoreline near a far Northern California beach

The redwoods aren’t quite the whole story in this far northwest corner of California. There is this ocean… and a rather remarkable coast. There are other things, too — lots of bucolic farmland, quaint little towns and more. While the redwoods were my main “target” on this visit, I did stop to photograph a few other things, too.

On my way north I had come to this beach just before sunset, but since it had been a very long day and I wasn’t “seeing it” as I passed by, I just kept going. But, as I often do, I filed the location away in my memory as being one with some potential. On my third morning I started down the coast towards Fort Bragg, and after stopping briefly at some redwoods I came down the hill to this beach again, where I saw one of my favorite shoreline conditions, thin fog, partially thrown up by ocean spray and hugging the coast.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Redwood and Rhododendron

Redwood and Rhododendron
A curving rhodendron with a few spring blooms in dense North Coast redwood forest

Redwood and Rhododendron. © Copyright 2018 G Dan Mitchell – all rights reserved.

A curving rhododendron with a few spring blooms in dense North Coast redwood forest

I mentioned earlier that this was probably my first “serious” trip to photograph the redwood forests in the Redwood National and State Parks are of far-northern California. When I travel to a new location like this I tend to do only enough research to point me in the right direction. For example, I checked maps and I figured out that there are four main parks, and I looked up a hike or two. But I did not, and I generally do not, do extensive research and planning. For me a big part of the adventure is the discovery part, where I poke around, use my instincts, make mistakes, and take interesting turns… and see what develops. There is a method to my madness — I think this helps me more quickly develop a person orientation to the place.

So on this morning I headed to the closest park, Jedediah Smith State Park. I found what looked like it might be a road through the park. It was. Sort of. It turned into gravel and then came to a locked gate just past the park entrance. So I backed up, retreated, and tried going around the park to the other side. Eventually I found a nice hike of a few miles to a big grove of old-growth trees, but first I came across this beautiful little spot where there were a few rhododendrons just beginning to bloom.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Evening, Wildfire Smoke, Tomales Bay

Evening, Wildfire Smoke, Tomales Bay
Wildfire smoke from northern California wildfires colors the evening sky at upper Tomales Bay

Evening, Wildfire Smoke, Tomales Bay. Near Point Reyes National Seashore, California. October 15, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Wildfire smoke from northern California wildfires colors the evening sky at upper Tomales Bay

In what is perhaps an example of astonishingly bad timing, we were in the region just north of San Francisco for the past few days — near the areas afflicted by the terrible wildfires that have taken lives, destroyed property, and burned over huge swathes of wild land and agricultural areas. The scope of the damage is virtually unprecedented in California, and the events are not yet over as I write this. We were in Petaluma on Friday and most of Saturday, where Patty was to participate in a long-planned wedding of one of her former oboe students. The fires were close enough to Petaluma that breathing masks were provided to those attending the wedding, and at times ash fell from the sky like very light snow flurries.

On Saturday we moved closer to Point Reyes National Seashore. Our original plan had been to spend a couple of days photographing there, but the conditions were not conducive to photography for the most part. We visited the Seashore on Sunday, but the smoke and the naturally brown October conditions, combined with a complete lack of moody for or other clouds left us a bit uninspired. We found a few things to photograph, but we finally decided to just drive north up that coast a ways. We got just past Jenner, where the smoke become even thicker — and we turned around. The smoke was not the only evidence of the fires. Signs were up everywhere — restaurants and similar places — with announcements of fund-raisers, requests for donation, notes from people looking for a place to stay. It was also clear the folks from inland had headed out toward the ocean to try to escape the fires. We left Jenner and headed back toward our lodgings in the Point Reyes area, and just at sunset we arrived at upper Tomales Bay. It was quiet and still as we stopped at a high point from which we could look out over the bay and north toward its mouth. It was still smokey, but here the smoke merely softened the features of the landscape and added color to the sky and the reflecting water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Low Tide, Drakes Estero

Patterns emerge and reflect the sky at low tide on a foggy morning at Drakes Estero
Patterns emerge and reflect the sky at low tide on a foggy morning at Drakes Estero

Low Tide, Drakes Estero. Point Reyes National Seashore, California. July 23, 2017© Copyright 2017 G Dan Mitchell – all rights reserved.

Patterns emerge and reflect the sky at low tide on a foggy morning at Drakes Estero

Although I have been visiting the Point Reyes National Seashore, just north of San Francisco, for quite a few years, it has sometimes been a challenging place for me to photograph. Perhaps it is because, with some exceptions, it generally doesn’t feature the same sorts of iconic and spectacular Pacific coast subjects found in places such as the Big Sir coast. instead there are coastal lowlands with most-treeless bluffs, thick and impenetrable forests further inland, and grand vistas across low-lying landscapes. But given enough time and patience and persistence, I think ti begins to be possible to discover a way of seeing almost any landscape, and I’m starting to understand how to see this place.

I knew it that there would be fog on this visit, and my plan/hope was that I could get there at the right time to place myself along the boundary between sun and fog, where interesting things often happen with the light. I decided to take a rather long hike (about 13 miles roundtrip) to a location that I have long wanted to visit, and I arrived at the trailhead just as the fog was beginning to thin there. After dropping through forest I arrived and crossed one arm of Drakes Estero as the tide was at its low point, revealing mud flats along the shoreline. The trail climbed again and I came around another high headland to see a more expansive view toward the fog over the ocean to the west. The low tide revealed remarkable patterns in the estero, and the shallow water reflected the deep blue sky and the thinning fog clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.