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Heiliggeistkirche, Heidelberg

Heiliggeistkirche, Heidelberg
Interior of the Heiliggeistkirche, Heidelberg, Germany.

Heiliggeistkirche, Heidelberg. © Copyright 2021 G Dan Mitchell – all rights reserved.

Interior of the Heiliggeistkirche, Heidelberg, Germany.

Continuing my pandemic “virtual travels” via my old raw file archives, I’m now out of London and in Heidelberg, Germany. This town is a sort of home base for us when we travel to Europe, mainly because we have relatives who live there. We love visiting (and traveling beyond Heidelberg with) them, and on longer travels we have used Heidelberg as a place to decompress for a few days. In other words, we’re fond of the place! This photograph is the interior of the Heiliggeistkirche in the altstadt section of the town.

This photograph illustrates something I learned years ago when photographing another subject that also makes impressive use of soaring, vertical space — the redwood forests of California. My early instinct with those forests was to almost always shoot in vertical “portrait” mode to try to get everything in frame. Eventually I learned that the implication of absent height can speak as loudly as its inclusion, and I began to photograph the trees in horizontal “landscape” orientation, and sometimes even very wide panoramic views. I think that the same principle is at work here, and the fact that the vertical structures extend beyond the frame may invite the viewer to consider just how tall the space is.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Social Media and the Death of the Web (Morning Musings 9/27/14)

Dan Mitchell 1977 Website Screenshot
Dan Mitchell 1977 Website Screenshot *

How many of us have considered the ways in which popular social media services — which admittedly are hugely appealing in many ways  — are doing an effective job of killing the world wide web and undoing the early promise that it offered of direct and open access, along with visibility proportionate to quality, and critical disintermediation?

A few years back there was this astonishing, exciting, powerful, accessible thing called the world wide web, on which virtually anyone could share their story, their creative work, their business — and we saw the beginnings of the great disintermediation as boundaries were broken and the middlemen who had stood between content producers and consumers began to disappear. This was a world filled with promise. Those who produced valuable and interesting content (as differentiated from those who simply channeled it) could connect directly with a world of people who found that content compelling, and those looking for content could easily find it and follow it. Word got around, and it did so fairly directly, with little or no intermediation by those who had controlled traditional media.

Social media applications are seductive things, especially during their start-up phase, when the typical approach has involved giving away (or at least appearing to give away) a great deal of access by means of what seem like very open platforms. In fact, many who jumped onto these platforms early on did manage to leverage their initial power to their advantage. However, virtually without exception, these applications have morphed in directions that do not enable our own control over what we see and who we connect to, but which instead take control out of our hands and begin to determine for us what we will see, most often based on generating advertising revenue — a old model that takes us back to (to coin a term) nondisintermediation. Continue reading Social Media and the Death of the Web (Morning Musings 9/27/14)

Detail, AT&T Park

Detail, AT&T Park

Detail, AT&T Park. San Francisco, California. May 26, 2009. © Copyright G Dan Mitchell – all rights reserved.

Details of the construction of AT&T Park including lamps, stairs, and signage – with the San Francisco Oakland Bay Bridge in the distance.

This photograph was made near the top of the ramp to the upper deck of the SF Giants AT&T Park along the side facing the San Francisco Bay. Visible beyond the backside of the ballpark sign are the towers of the San Francisco Oakland Bay Bridge in the twilight.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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