Tag Archives: old

Oh See O.C.

Oh See O.C.
“Oh See O.C.” — The O.C. McDonald sign in San Jose, California

This is not the first time I have photographed this sign. I walk a lot, and one of my routes takes me past this place, the site of a venerable light industrial business in San Jose. The accidental abstraction of the shadows from the neon light always gets my attention, and I can barely see the actual sign now that this comes to the foreground of my attention.

This place is located in an area that is rapidly changing. Years ago it was filled with small businesses and light industrial sites, the latter likely because of its proximity to a rail hub. Over time, like so many similar areas, it began to decay — there are now many abandoned buildings and closed businesses. However, this area that was formerly considered to be far enough from the city center to house less attractive businesses now feels like it is in the center of town. It is rapidly become a development site with new apartments and businesses. It won’t be long before places like “O.C. McDonald” are lost to memory.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Dubrovnik Rooftops

Dubrovnik Rooftops
“Dubrovnik Rooftops” — Tile rooftops of old Dubrovnik seen from the city walls in early evening light.

Dubrovnik is a remarkable city — very old, very beautiful, and today a sophisticated center of tourism. The age of the place becomes more obvious the further you get away from the central tourist areas. Out around the furthest fringes, on very narrow walkways, you can find places that seem almost… unspoiled.

The old city is almost completely ringed by an ancient wall — the only gap is near the small harbor. On this evening I set out to walk the perimeter of the town along the wall. I made the photograph early on my walk as the light was just beginning to take on the colors of early evening as I looked across a sea of red rooftops.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Walking Couple

Walking Couple, Montpellier
“Walking Couple” — A couple walks up a narrow, curving street in Montpellier, France.

As the end of our December visit to Montpellier approached, we took a walk through some areas that we had missed the previous days — a walk that took us to the train station, then through a sort of light industrial area, and finally back up into the old central city. Here the streets are often very narrow and lined the tall buildings — and not much light penetrates all the way to the street level.

I grabbed this shot of a couple pushing a stroller up this narrow, curving street. In addition to the usual appeal of the street designed for walking rather than driving, the way the street curved and the increased glow of light at the curve attracted my attention. The unusual pattern of the paving also directs the eye toward the curve and, in this case, the two people.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Organic Landscape

Organic Landscape, Death Valley
“Organic Landscape” — Erosion patterns in a desert landscape, Death Valley.

Believe it or not, I am getting to the end of the photographs I made on this year’s winter visit to Death Valley National Park. I go every year during the cool months, sometimes more than once. When I returned at the end ofFebruary I wasn’t sure if I had gotten many keepers, but since then I have managed to find more than a few. This is a typical situation — I often don’t immediately see the potential in image files, and it takes a while to get to know them.

This photograph includes a small section with details of a portion of Death Valley “badlands” terrain. I photographed it in the early morning, before the direct sunlight arrived. The soft light and the curving shapes remind me of forms we see in living things, hence the “organic” title.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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