Tag Archives: orange

Mono Lake, Dissipating Storm

Mono Lake, Dissipating Storm
“Mono Lake, Dissipating Storm” — An evening thunderstorm dissipates above Mono Lake on an autumn evening.

It is well understood that some of the most interesting landscape photography light comes at the edges of the day, around sunrise or sunset. When things work out just right, Sierra Nevada weather conditions amplify this light. During the summer months afternoon thunderstorms are not uncommon, and they often break up around sunset, allowing light from the west to dramatically illuminate and color the clouds.

I had been photographing in mixed light during the afternoon — sometimes it was clear, but at other times is was overcast. As the day moved toward sunset, I was passing along the west shore of Mono Lake as clouds dissipated and that western light turned the thinning storm clouds into a fiery cloudscape above the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Aspen Transitions

Aspen Transitions
“Aspen Transitions” — A small stand of old aspen snags surrounded by young trees transitioning to autumn colors, Eastern Sierra Nevada.

Photographers sometimes debate the “best” moment to photograph autumn aspen color. Some say it is when the first trees start to show golden color. Others prefer the stage where every color from green through yellow, orange, and red is visible. Then the green leaves fall and only the wild autumn color remains. But there’s also something compelling about the post-peak stage when leaves have fallen and stark white trunks are more visible. This photograph is from the “every color”stage. You can follow the “aspen color rainbow” from the closest green trees to intensely colorful trees farther up the valley.

This color range is not the only “transition” in this photograph. Aspens do not last forever — old trees die and new ones quickly spring up. I’ve gone back to burned groves months after a fire to see new shoots already emerging from the roots of the burned trees. Look closely at this photograph and you’ll see a row of old aspen snags near the front of the scene. Perhaps they were burned in a fire years ago, but now they are almost obscured by the colorful new trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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New Hampshire Hills, Autumn

New Hampshire Hills, Autumn
“New Hampshire Hills, Autumn” — An autumn view across hazy New England hills in New Hampshire.

If I recall correctly, this was our first morning out and about on the Kancamagus Parkway, that popular fall color route in New Hampshire. We had driven over it late previous day when we arrived to check into a hotel, but there had been little time to stop and photograph. So the next morning we got up early and headed back up into the hills to start photography.

This is perhaps not the most colorful New England autumn photograph. In fact, I think it might be a bit more like my California landscape photographs in some ways. The colors are there, but they are muted by the early morning atmosphere and light. The photograph looks across a series of ridges and into the far distance where morning clouds have not yet lifted.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Carpet of Color

Carpet of Color
“Carpet of Color” — A nearly unbroken carpet of colorful autumn trees in New Hampshire.

As I have shared New England fall color photographs you may nave noticed that I often contrast that spectacle with my more familiar western aspen groves. One of the main reasons I made this photograph was practical — I wanted to illustrate just how significant that difference is. Aspens in California tend to cluster in relatively small and separate groves. Even the larger groves are typically surrounded by conifers, scrub, or open terrain. In autumn, the effect is often to produce small areas of color set off against areas with little or no fall color.

This photograph illustrates the difference in New England. I made it near a high point on New Hampshire’s “Kancamagus Scenic Byway, ” among the most popular places for viewing East Coast autumn color. You are looking down at a hardwood forest full of different trees of different colors. And the trees shown here are a tiny fraction of the forest that was spread out before me, rising from valleys toward the high ridges — with almost everywhere the same wild blanket of colors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.