Tag Archives: panels

Consonance and Dissonance

Consonance and Dissonance
Structural elements at the High Line Park, Manhattan

Consonance and Dissonance. © Copyright 2023 G Dan Mitchell.

Structural elements at the High Line Park, Manhattan

Taking a cue from the music-related title of this photograph, I suspect you may have noticed that my photographs cover a wide range of subjects. When people ask me “what I photograph,” probably expecting a short answer like “landscapes” or “portraits” or “street,” there can be an awkward moment while I consider how to answer. I don’t photograph just one thing… any more than a composer would choose to write only, say, minuets. There is more than one thing to express, so more than one approach is necessary. If anything, my photographs are about… how I see the world photographically.

I won’t try to explain the entire “consonance and dissonance” connection here, except to point out that these terms have multiple meanings. One basic idea is that something is consonant in music if it “sounds nice” and “dissonant” if it doesn’t. But a more interesting idea relates to something that seems static and “settled” (consonance) versus something that seems restless and striving (dissonance). Taken one step further, the tension created by dissonance often propels us toward consonance… and consonance can resolve that tension.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Extension, Contemporary Jewish Museum

Extension, Contemporary Jewish Museum
Extension, Contemporary Jewish Museum

Extension, Contemporary Jewish Museum. San Francisco, California. July 14. 2010. © Copyright 2010 G Dan Mitchell – all rights reserved.

The blue cube-like metal-clad “extension” section of San Francisco’s Contemporary Jewish Museum, with downtown buildings in the background.

This metal structure is the so-called “extension” section of the Jewish Contemporary Museum in downtown San Francisco, located not far from Yerba Buena Center and the Metreon. On my frequent “walking photography” trips to San Francisco I often end up wandering through this area, and this building always intrigues me. The museum is build largely around an old (over 100 years) power plant building, but this metal-clad structure “extends” the underlying building.

The structure itself seems somewhat cube-like when viewed from close by, but is actually part of a larger structure that travels across the room of the power plant building. From up close it towers and leans back over the viewer. The surrounding area is also interesting with a large open space, and old Catholic church, and very tall downtown buildings nearby.

I’ve been working on figuring out how to photograph this building for a while now. The angles are tricky, the working space is limited, the light is complicated. I’m still not convinced that I have it, so this is one of my “thinking out loud” photographs which may turn out to be practice for other photographs that I eventually make here.

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Raccoons and Brick Wall, Mare Island

Raccoons and Brick Wall, Mare Island

Raccoons and Brick Wall, Mare Island. Mare Island Naval Ship Yard, Vallejo, California. August 30, 2009. © Copyright G Dan Mitchell – all rights reserved.

A group of nocturnal raccoons emerges from beneath a brick wall with boarded up windows and doors at Mare Island Naval Shipyard, Vallejo, California.

I’ll have to admit that wildlife photography was more or less the furthest thing from my mind when I was shooting this scene of an artificially lit weathered brick wall in the core of the historic Mare Island Naval Ship Yard near the end of August. The thing that interested me in this shot was the shape of the pipe attached to the outer wall of this building against the bricks, along with the way it snaked between various windows and doors. So I set up the tripod and made a couple exposures. While making the second one I suddenly thought I saw something move – which seemed completely unexpected. Although it was much darker that it appears in this shot, I eventually saw a furry shape emerging from a gap between the sidewalk and the building… and then another…and another. Eventually there may have been as many as a half dozen raccoons in this little cluster of critters.

It may be hard to see them in this reduced size version of the photograph, but they are the small fuzzy area near the lower right below the valve on the wall. On the full size image it is possible to make out a few paws and the vague outline of their faces.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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