Tag Archives: path

Canyon Narrows

Canyon Narrows
Soft light in the narrows of a Death Valley National Park canyon.

Canyon Narrows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Soft light in the narrows of a Death Valley National Park canyon.

Canyons are (almost) all about the light. OK, the textures and forms are pretty striking, too, as is the quiet. But the light is really special. In the narrowest sections — such as the “narrows” in this photograph — direct sunlight doesn’t penetrate to the bottom of the canyon much or sometimes at all. The typical ideas about best times for landscape photography can be upended, as the best light often comes to these places when the sun is high enough to shine directly on upper walls and then bounce its way down into the depths of the canyon.

I have recently shared some other photographs from this canyon, made on a recent trip when I camped nearby and was able to enter the canyon more than once and at various times of the day. The other photographs are all in color, and they tend to highlight the subtle (and sometimes not-so-subtle!) contrasts between warm and cool-colored light. I had to chuckle inwardly a few days ago when a friend suggested that I try monochrome with this subject. I’ve been a black and white photographer since, well, the first time I picked up a camera, and I often think that my visual home is monochrome. So it shouldn’t be a surprise that I would want to find a way to produce a photograph of this place in black and white, too.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Path Through the Narrows

Path Through the Narrows
The route through the narrows of a desert canyon twists and turns past rock walls.

Path Through the Narrows. © Copyright 2021 G Dan Mitchell – all rights reserved.

The route through the narrows of a desert canyon twists and turns past rock walls.

This is another photograph from my time exploring canyons on my recent Death Valley visit. The pandemic shutdown period — even though things were beginning to let up a bit — seemed like a good time to visit areas in the park that are less accessible and where I was more likely to find myself in splendid solitude. A barely saw anyone during my visit to this area, and I was the only person there when I stayed overnight.

Canyons have wildly diverse “personalities” and, like some humans, those personalities are subject to change. This canyon, like some others in this park, alternates between open sections with shallow-angle canyon “walls” and more constricted “narrows.” I made this photograph near the entrance to one of the narrows. At this time of day there was quite a bit of light filtering down from far above, bouncing back and forth between the eroded canyon walls and filling the scene with soft light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Entering the Narrows

Entering the Narrows
The path up a desert canyon enters shaded narrows, Death Valley National Park.

Entering the Narrows. © Copyright 2021 G Dan Mitchell – all rights reserved.

The path through a desert canyon enters shaded narrows, Death Valley National Park.

Most of the time I approach places like this by passing across some sort of alluvial fan, then following a wash that narrows as its walls rise. When I think of these approaches, heat, direct and intense sunlight, dryness, and the sound of boots crunching on rocks come to mind, along with a sense of exposure to these elements. The terrain feels like it is mostly about loose materials — compacted soil, conglomerates, cracked faces, and the water-transported rocks all around.

That all changes when entering narrows like these. The open sky may constrict to a narrow channel far above or it may disappear entirely. The walls, having been scrubbed by moving water and gravel, are smooth and curved. The light becomes soft and often quite blue, coming entirely from the blue sky itself, reflected among the faces as it descends into the canyon. It becomes quiet and my own crunching footsteps are likely the only sound. The expansive world of light and sky on the alluvial fans and washes contracts, contained between the close walls and the next bend in the canyon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Light in the Narrows

Light in the Narrows
Light filtering down from far above lights the curving path through desert canyon narrows.

Light in the Narrows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Light filtering down from far above lights the curving path through desert canyon narrows.

Since the start of the pandemic lockdown, the number of days I’ve been able to spend in my favorite landscape locations has been extremely limited. The last time I was able to go to Death Valley — a place I have photographed every year for decades — was in early 2020. Now that I’ve completed my vaccinations it seemed safe and responsible to travel out into that backcountry for a few days of photography, mostly in the places the tourists don’t go. Fortunately, in this park it is possible to put yourself in fairly isolated locations where, for example, you might not encounter another person for 24 hours.

One night I camped alone at the end of a road that dead-ends in the lower reaches of a canyon. This gave me time to explore the canyon twice — first in late-afternoon light and again the next morning when the light came from the opposite direction. Most canyon walking (often more accurately described as wash-walking) in Death Valley is done out in the open, frequently in intense sunlight. But at the right times fo day in the right canyons one can escape that light and enjoy the soft glow of light from above reflected between the canyon walls.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.