Tag Archives: pedestrian

11th Avenue

11th Avenue
Late-autumn street scene along 11th Avenue, Manhattan.

11th Avenue. © Copyright 2023 G Dan Mitchell.

Late-autumn street scene along 11th Avenue, Manhattan.

Many areas of older American cities take on a timeless quality when photographed in black and white. Unless you look closely — see, for example, the vehicles in this scene or some of the markings on the asphalt — it is hard to tell whether the photograph was made in the last week, last decade, or last century. A scene like this one hasn’t really changed that much in a very long time.

I made the photograph while walking along the elevated High Line Park. I have visited this “place” many times, going back to shortly after it opened. (This park is built along an old elevated railway, so it is very long and very narrow.) These days it runs from the new Whitney Museum all the way up to and partially around the Hudson Yards. The elevated rail bed provides fascinating views of the city that are hard to find anywhere else. Here I photographed from a section of the park that crosses 11th Avenue.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Two Men, Fifth Avenue

Two Men, Fifth Avenue
A pedestrian walks past a police officer standing in the sun.

Two Men, Fifth Avenue. © Copyright 2022 G Dan Mitchell.

A pedestrian walks past a police officer standing in the sun.

If you have been following along recently, you may recognize the return of a familiar character in this photograph, the police officer leaning against the sunny wall. This fellow was fascinating, though I don’t know quite what to make of what I observed. Most of the officers working this Manhattan parade were close to the crowd, moving about, and engaged. But this fellow did not move from this sunny spot while I was there. Several passers-by stopped and chatted him up, and it almost seemed like he knew them. But aside from that he mostly just leaned against the sun-warmed wall.

The other fellow was approaching from the right, and part of what originally caught my attention was the color of his jacket — which you’ll have to guess at, since it is now a monochrome photograph! Initially I thought that a photograph of just him would have been my preference, but I ended up liking the juxtaposition of his form with that of the cop. Beyond that you could probably read a whole range of stories and meanings into this one. Or not.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Waiting Man

Waiting Man
A man stands at the curb with his head bowed, San Francisco.

Waiting Man. © Copyright 2021 G Dan Mitchell – all rights reserved.

A man stands at the curb with his head bowed, San Francisco.

This photograph comes from a day spent doing street photography while walking through San Francisco… just a few short months before our world changed in early 2020 and such activities become difficult, if not impossible. I still photograph “street” a bit in the areas not far from where I live, but I haven’t been back to shoot this way in San Francisco since the “before times” — though I’m starting to imagine being able to do so once again. I did just a bit of this kind of photography when I spent a few days up there during our Open Studio event at a gallery in North Beach, though I’m still distracted by streets full of masked people.

I know that some people wonder why this “nature photographer” wanders off to photograph urban environments, and some are even perplexed by the photographs. There are lots of reasons for a landscape photographer to also be a street photographer. In some ways the genres are complementary, and doing one actually has the potential to improve the other. If nothing else, photographing street can remove the “I don’t have anything to photograph!” excuse, since there’s potentially something right outside your front door. In addition, for photographers who are often more comfortable photographing things than people, this work can be a way to stretch your boundaries.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Between the Columns

Between the Columns
A pedestrain emerges from between monumental columns along a San Francisco street.

Between the Columns. © Copyright 2019 G Dan Mitchell – all rights reserved.

A pedestrain emerges from between monumental columns along a San Francisco street.

This photograph comes from one of my (formerly) frequent long walks through urban San Francisco, which is only a one-hour train ride away from where I live. My practice has been to periodically head up there very early in the day, and then spend the morning walking through various parts of The City with my camera.

This was not one of the “postcards from Pandemic” photographs. In fact, I made it last year before anyone had an inkling of what was coming. (Remember those innocent times?) But it seems to me to have a different context given what has happened in the past few months.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.