Tag Archives: person

Weathered Street Art

Weathered Street Art
“Weathered Street Art” — The weathered and worn figure of a man, on a wall in Montpellier, France.

There is a fine line when photographing things like this between appropriation of someone else’s creative work and making the image because the placement and weathering themselves provide independent visual interest. In short, I’m not big on simply photographing what other people create, but I do seek out and photograph things like this bit of weathered street art found on a wall in Montpelllier, France.

I suspect that it has or had some meaning or message that isn’t apparent to me — either because I lack the cultural context to see it or because it has been weathered to the point where it is no longer apparent. For me, that weathering itself is part of the attraction. In this case, the bits that remain suggest something like a genie emerging from a bottle.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Woman in Red

Woman in Red, Paris
“Woman in Red” — A woman in red pauses to look at a shop window in Paris.

I thought of calling this “Paris Style” or similar, but to be honest, in many ways Paris style isn’t all that much different from what we see in other cities… and that title might just be falling for a common stereotype. (Note the red beret, for example.) Nonetheless, this rather stylish woman caught my attention, in her striking red outfit.

It was a very cold day in Paris, and we were out for a lengthy walk back in early December. I think that I made the photograph in or close to Le Marais, the well-known central Paris district with the narrow old streets — in contrast to typically more modern streets elsewhere.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Woman and Delicatessen

Woman and Delicatessen, Paris
“Woman and Delicatessen” — A woman walks past the Marianne delicatessen, Paris.

This photograph comes from one of our long walks during our early-December visit to Paris. We have been to Paris before, but always in the summer. The winter (technically, very late fall) visit felt quite different. There are still tourists — like us! — but in far lower numbers. But the biggest difference is that instead of the usual pleasant to hot summer weather… it was cold and gray the whole time.

As with several of the other recent Paris photographs, this one falls into the “quick grab” category, in which I work very fast before an opportunity disappears. Here it was partly the woman walking toward my camera position — I managed to get two frames including her before she was gone. I’m also fascinated by a few other things, including the prevalence of the color red in this scene, along with the extensive plant life above the canvas overhang.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Passing Cyclist, Le Marais

Passing Cyclist, Le Marais
“Passing Cyclist, Le Marais” — A bicycle rider quickly passes at a cross street in Le Marais, Paris.

I often ponder the similarities and differences among the various genres of photography I pursue. (If you follow me you have seen everything from landscapes to night photography to street photography to travel and more.) The connection between landscape and street photography especially interests me, partly because many people think of them as being utterly different. I think that there are some similarities. For example, I often think about the street landscape first, and then wait and watch for someone to animate it.

That was the case here. I was interested in the wall at the end of this narrow street, and the way that its view is bounded by the darker walls on either side. I knew that I could photograph people as they passed by. One tricky part of this is that I had no idea who was about to enter the scene or from which direction. So I had to be ready to react quickly. (This necessarily results in some less than remarkable photographs, too. I won’t share those!) The time was even shorter as this woman sped past on her bicycle.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)