“Gingihha Vendor” — A woman selling ginginha from her doorway in the Alfama, Lisbon.
One can never be sure things like ginginha are tourism constructs or actual traditions — or perhaps a bit of both. (Parallels include Portugal’s pastel de nata, San Francisco’s Sourdough bread, Belgium waffles, and more.) But I understand, both from reading about it and from seeing it, that gingihna is a traditional drink in many places in Portugal. It is a sweet, cherry liqueur that is often sold on the street, either in small shot glasses or in little chocolate cups that you simply eat when you are done. (Nice way to solve the litter problem!)
You can step up to small ginginha shops and buy one all over the place. But there also appears to be a less formal sales force operating from their front doorways. On our recent visit we saw several women set up this way to sell ginginha, including this woman sitting in her doorway in the Alfama district.
“A Trogir Street” — A person sits at outdoor tables along an empty street in Trogir, Croatia.
During the summer of 2023 we took a 10-week looping trip through parts of Europe. We concluded the trip with about a week and a half in Croatia. The first few days were spent in Dubrovnik, and then we moved on to the vicity of Trogir, not far from Split, where we joined a big group of extended family members. Being so close to historic Trogir, we spent a good amount of time there.
The old town of Trogir is picturesque enough that it is now very popular with tourists, for better or for worse. Much of the construction is of these very light colored stones — they are found in the buildings, the walls, and the streets and sidewalks. I photographed this scene while out on a little photo walk with my friend Franka M. Gabler who knows this area well.
“Woman and Cathedral Columns” — A woman walks past immense columns at the St. Pierre Cathedral, Montpellier.
Montpellier’s huge St. Pierre Cathedral (Cathédrale Saint-Pierre de Montpellier) is a historic Catholic Church in gothic style that was established almost 750 years ago. The south facade features a high exterior arch supported by these two gigantic round columns and topped with very pointed roof caps.
Such churches often seem to be found in the centers of historic districts cities like this, but in Montpellier it is a bit off to the side. When we visited there few people were walking near the cathedral, aside from a few passers-by and a couple of people entering the church. (We did not go inside since it wasn’t open for visits.) I photographed this woman walking past the base of one of the columns.
This is riveting, Dan. The difference in magnitude between the solitary figure against the column, the muted tones that still deliver depth, and the graduated vertical play of light combine to create an engaging and beautiful image.
“Weathered Street Art” — The weathered and worn figure of a man, on a wall in Montpellier, France.
There is a fine line when photographing things like this between appropriation of someone else’s creative work and making the image because the placement and weathering themselves provide independent visual interest. In short, I’m not big on simply photographing what other people create, but I do seek out and photograph things like this bit of weathered street art found on a wall in Montpelllier, France.
I suspect that it has or had some meaning or message that isn’t apparent to me — either because I lack the cultural context to see it or because it has been weathered to the point where it is no longer apparent. For me, that weathering itself is part of the attraction. In this case, the bits that remain suggest something like a genie emerging from a bottle.
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