Tag Archives: photography

D4 Industrial Brownhoist

D4 Industrial Brownhoist
“D4 Industrial Brownhoist” —A massive ship yard crane at night, Mare Island Naval Ship Yard

Among the iconic structures at the historic Mare Island Naval Ship Yard, these huge, movable hoists are possibly the most visible and the best know. Seen from across the water in the town of Vallejo, they tower above the rest of the island, and they have strange forms that suggest something alive. There are a number of them surrounding the dry dock areas, where they were used in the manufacture of military ships. Today they are used to dismantle some of the same sorts of vessels.

During the dozen or so years that I’ve been photographing Mare Island at night, the hoists have always been behind security fences, and it wasn’t possible for me to get very close to them without hopping fences. (Most of us who photograph here eschew such illegal activities, and the result has been mostly very good relationship with the island and its residents.) So when I finally walked over towards the waterfront near the end of this evening’s shoot, I was very surprised to find that this hoist had been moved, rolled out on its tracks to a location where I could walk right up to it. After years of photographing them straight on from a distance, I was glad to have the opportunity to photograph this one from almost directly below, highlighting its immense height and bulk.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Steps and Concrete Walls, Night

Steps and Concrete Walls, Night
A stairway in the dark, Mare Island Naval Ship Yard

Steps and Concrete Walls, Night. Mare Island Naval Ship Yard, Vallejo, California. November 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A stairway in the dark, Mare Island Naval Ship Yard

I made this photograph recently, on a night photography visit to the Mare Island Naval Ship Yard with my friends from the Nocturnes, the San Francisco Bay Area night photography group. We assembled for an “alumni” event, so almost all of us were veterans of night photography at this location. Many of us have photographed here for a decade or more.

Instead of beginning with the usual subjects, I needed out into the night with the goal of avoiding them, at least at first, and instead looking in unlikely places that I had not previously photographed. I spent more time that I would have expected in the area of this staircase. I first happened on it almost by chance. I was photographing this building from some distance away, and as I worked on that photograph I began to notice the potentials of some of the concrete structures near the front of the building. I wandered over there, slowly considered the possibilities, and was first drawn to this stairway. It took be a bit of work to finally arrive at this composition — my first thought was to use a vertical composition.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Exit, Yellow Doors, Blue Windows

Exit, Yellow Doors, Blue Windows
Exit sign above doors to outside area illuminated by dusk light

Exit, Yellow Doors, Blue Windows. Mare Island Naval Ship Yard, Vallejo, California. November 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Exit sign above doors to outside area illuminated by dusk light

After meeting up with my fellow night photographers (associated with The Nocturnes, the long-standing San Francisco night photography community) to share photographs and pizza, we all got ready to head out into the night as darkness came on. After the social time I began to get myself into the rather different frame of mind necessary to photographing this subject. Before I even left the building I began to look around inside, and I decided to walk slowly into some corners of this facility that I had not looked at before. As I did I found myself in a bit of a dead-end spot where this door, lit by indoor artificial lighting, let to the developing twilight on the other side.

I associate a number of things with photographing at night. Of course, subjects often take on a very different appearance at night, and rather prosaic subjects can acquire a feeling of mystery. In practical terms, I’m absolutely fascinated by this world that is illuminated by lighting that is far more varied than what we typically see in daylight. Rather that more or less one kind of lighting, there could be many — the blues of twilight, the daylight-like color balance of moonlight, the wild colors of artificial light from tungsten, sodium vapor, fluorescent and other kinds of light. But beyond all of that, I associate the sense of profound stillness and quite with this kind of photography, where I frequently stand alone in dark and quiet places for many minutes as I wait for exposures to complete.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Chinatown Street Scene

Chinatown Street Scene
Tourists on the sidewalk in front of a brightly lit souvenir shop in San Francisco’s Chinatown district

Chinatown Street Scene. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Tourists on the sidewalk in front of a brightly lit souvenir shop in San Francisco’s Chinatown district

Another evening in San Francisco, another photograph of people walking along the sidewalk in front of a Chinatown shop. These are becoming something of a theme, or so it seems. I’m not exactly certain where I made this one, but I feel like it might not have been along the main tourist area of Grant Street — but I’m prepared to be wrong.

My approach is to look for good light first and to then find a composition and people to fill it. Some interesting elements, like the stairway at the right, are nice, too. I’m always looking for spots where light spills onto the sidewalk, offering the potential to illuminate passers-by when they enter the scene. It is even better if street lights or the lights of another shop provide just a bit of front light to fill in the shadows. Aside from the way that all of the people managed to position themselves across the frame, I think I owe the woman to choose to wear the red dress on this evening.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.