Tag Archives: photography

Waiting For Transit

Waiting For Transit
People await their ride at a San Francisco light rail station.

Waiting For Transit. © Copyright 2021 G Dan Mitchell – all rights reserved.

People await their ride at a San Francisco light rail station.

Perhaps you already knew that I made this photograph a few years ago — it is in San Francisco, it is at a transit stop… and no one is wearing a mask! You wouldn’t find that combination today. (That’s one reason that the San Francisco Bay Area has among the lowest infection rates in the country, but I digress…) I made the photograph on one of my photography days in San Francisco, which tend to follow a familiar pattern: Up well before dawn, catch a train to the City, arrive around sunrise, spend the morning wandering on foot and photography, then take the train back home my mid-afternoon. San Francisco is a very walkable city, and you can cover a lot of ground there on foot.

Recently I had the pleasure of giving a talk on street photography to a somewhat surprising group, the photography section of the San Diego Chapter of the Sierra Club. That’s not your typical topic for this group, and I was aware that there might be some skeptics. My premise is that doing street photography (and other kinds of not-nature photography) can make you a better photographer, and that the benefits can accrue to your nature photography, too. I can’t recreate the entire talk here, but this photograph embodies a few key ideas. First, it takes advantage of a very local photographic opportunity, so I can photograph even when I can’t travel to lovely, far away, natural places. Second, it treats the street as a kind of urban landscape, occupied by “human wildlife.” In fact, I often construct photographs like this one by first finding the “landscape” and then waiting for passers-by to populate it. Third (and final for now) photographing these local subjects is good “practice” that keeps my ability to see photographically tuned up.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Twilight Moon

Twilight Moon
Twilight moon over a Yosemite backcountry lake.

Twilight Moon. © Copyright 2021 G Dan Mitchell – all rights reserved.

Twilight moon over a Yosemite backcountry lake.

The last few hours of daylight and the first hour or so after sunset are prime times for landscape photography. (The same is true for the comparable hours around sunrise.) I am often surprised to find myself alone at this time of day, even when I’m photographing near large campgrounds. In the morning everyone is still zipped in their sleeping bags, and in the evening I suppose they are busy eating dinner. I occasionally want to head back into those campgrounds and tell people! But then I remember how much I enjoy the solitude at these extraordinary moments.

This photograph was made in the company of a group of folks, photographers all, who understand. We are out of our tents in pre-sunrise darkness, and we return to camp to attend to our needs for food and coffee hours later. We head out again in the late afternoon, and the last of us stumbles back into camp well after dark, navigating by the light of a headlamp. On this evening I had followed that pattern, doing a wide solo loop around this lake and photographing as the golden hour light came on, then continuing right through to the dusk hours when only a bit of the fading sunset color remained.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Tower, Night Sky

Tower, Night Sky
A tower against night sky at the historic Mare Island Naval Ship Yard.

Tower, Night Sky. © Copyright 2013 G Dan Mitchell – all rights reserved.

A tower against night sky at the historic Mare Island Naval Ship Yard.

This is not the first nor the only photograph I’ve made of this structure. It comes from the historic Mare Island Naval Ship Yard in the San Francisco Bay Area, the place where I did my first serious night photography almost two decades ago. (It happened on more or less a lark when I saw an announcement of a free event, showed up, and became hooked.) This structure is one half of a pair of gigantic overhead tracks that I believe originally supported some sort of lift mechanism that moved heavy mechanical systems (probably engines) to ships that were under construction. The buildings were originally various shops connected to the shipbuilding work, though today, years after the facility was decommissioned, many of them have been taken over for other purposes.

The relationship between night photographs and objective reality is a complex thing. I think of it as revealing “what the camera sees” more than as capturing what we see at night. In truth, in places like this and in lightning like this… we can’t really see much at all. But by extending the exposure times we can make images out of what is largely unseen. (A close examination of this photograph will reveal star trails made as the earth rotated beneath the night sky over the course of a several minute exposure.) In the end, many decisions about such images — luminosity, color, and more — must be subjective, since there really is no objective reality that corresponds to what the camera sees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Doorway, Dark Street

Doorway, Dark Street
“Doorway, Dark Street” Light from inside a darkened building escapes through a door, casing a pattern on a dark industrial street.

This photograph comes from a San Francisco Bay Area location where I’ve been doing night photography for over 15 years. It is a place with striking visual icons including huge ship yard cranes, old buildings, and (until its removal a few years ago) a gigantic “smoke stack” towering above a power plant. Over the years I became less interested in re-photographing those things, and I began to spend more time searching out subjects that I had overlooked, scenes that are quieter and more contemplative than those icons.

I “discovered” this photograph during my pandemic-era return to old photographs that I had not looked at for years. This one exemplifies several things I’ve observed about the process of reviewing photographs shortly after making them. I usually have a few images in mind that I know will be promising, and I begin with those. As I work on the archive I invariably discover that others are more worthy than I initially expected, and this process of uncovering unexpectedly interesting photographs continues… until I am distracted by the next project, at which point I often move on and leave some interesting work behind. In this case, the “moving on” process was hastened a bit because one of my favorite night photographs came from this same evening, and I think that made me feel like I was done with that night’s work. But I wasn’t.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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