Tag Archives: plants

Porch and Door, Night

Porch and Door, Night
The porch and entrance to an urban residence, Pasadena, California

Porch and Door, Night. Pasadena, California. January 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The porch and entrance to an urban residence, Pasadena, California

This is another photograph I made during the blue hour time just after sunset and before actual darkness, while walking around near downtown Pasadena, California. We started our walk in late afternoon sun, continued as the sunset came on and golden hour arrived, and continued walking on into and past dusk. Later on the walk we turned down a street lined with small, old residential units — homes, apartments, and so on.

Somehow this front door at the top of the cement steps reminded me of an earlier time, perhaps when I was a child. The architecture seems old enough to come from more or less that era. I also like the little unexpected things in the scene, some of which I wasn’t really aware of until later when I looked at the photograph: the hummingbird feeder, the watering can sitting on the porch, that odd slender “thing” to the left of the door, the slightly peeling paint, the faint suggestion of things inside the window at the right.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Water Plants, Reflections

Water Plants, Reflections
Water plants reflected in the surface of a wetland pond

Water Plants, Reflections. San Joaquin Valley, California. December 3, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Water plants reflected in the surface of a wetland pond

Subjects like these are almost easy to find and almost irresistible to photograph when I’m out chasing wild geese in the California Central Valley wetlands. While the birds are the main subject, or so I tell myself, there is much else to look at — the trees and grasses, the immense sky, the effects of fog and haze, and the patterns and reflections on the surface of the wetland ponds.

This was a very foggy morning, somewhat to my surprise. I always check the weather conditions before heading out here, usually in the hope that there will be at least some fog. But this time there were no indications that it would be anything but sunny and clear, at least not until my pre-departure final weather check, where I found one report of ground fog at a nearby airport. And, sure enough, once I got within a half hour of my destination the fog began to develop, and after my arrival in continued to build. So much of my morning was spent photographing in Central Valley tule fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Poison Oak

Poison Oak
A vining poison oak plant grows on the bark of a coastal tree, Point Lobos

Poison Oak. Point Lobos State Reserve, California. January 24, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A vining poison oak plant grows on the bark of a coastal tree, Point Lobos

Californians learn about poison oak at an early age. I recall that in elementary school occasionally a fellow student would come to school suffering from an awful rash from this plant. From my earliest hikes in the California hills (but not the Sierra Nevada, to the relief of many!) I learned that the plant is everywhere and, like all hikers here, I learned to quickly identify it. It is known to most by the reddish-brown colors of the leaves, but the “leaves in threes” pattern is a more certain feature since it is also dangerous during its completely green phase.

Despite the danger, the plant can be quite beautiful — though I find it difficult to photograph. The red to brown tones of the plant is summer are striking, and it can actually appear quite lush during its winter growth period. I found this growth on the side of the tree at Point Lobos last winter, and was fortunate to be able to photograph it in partial shade and on a day when the sun’s intensity was muted a bit by haze and fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Dunes, Evening

Dunes, Evening
Evening light comes to desert sand dunes, Death Valley National Park

Dunes, Evening. Death Valley National Park, California. March 27, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening light comes to desert sand dunes, Death Valley National Park

I made this photograph on the evening of our arrival in Death Valley this past March, when we spent the better part of a week photographing in this desert park. We took a slow drive into the park from Ridgecrest, stopping at Trona and then in the Panamint Valley before crossing Towne Pass and dropping into Death Valley itself. It was early enough that we decided to take a “little” side trip to some slightly remote canyons in the afternoon and go for a short hike. We returned to the Stovepipe Wells area and then headed out along the dunes in the evening.

The evening light, especially when softened a bit by clouds or else just after the sun sets, paints the dunes and the surrounding terrain in marvelous and subtle colors. Mountains that are blue-gray in daylight and dunes that are almost colorless take on the colors of the haze, the sky, and the evening light, with shades of pink and yellow and blue and purple and more. This little vignette adds the green of the lush plants growing atop this sand dune, though the dead plants at the right betray the harsh conditions that are found her much of the time.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.