Tag Archives: pond

Pond and Peaks, Evening

Pond and Peaks, Evening
“Pond and Peaks, Evening” — Eveing light on a subalpine pond beneath Sierra Nevada crest peaks.

This seems like a classic Sierra Nevada backcountry scene — a lovely subalpine lake (or in this case pond), soft and warm evening light, a bit of meadow, a forest, boulders, and the highest peaks looming beyond, still holding a bit of snow from the past winter. There is hardly anything finer than to find a comfortable rock, lean back, and simply watch such a scene as day transitions to night.

Truth be told, while I do certainly get to experience these scenes — as I did on this late-July backpack trip earlier this summer — I almost never sit back and just watch at this time of day. While I deeply appreciate all of the sensations evoked by a scene like this one, something familiar to me from decades in these mountains, the camera calls… and you are far more likely to find me out exploring with my camera than sitting back against that comfortable rock!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Tioga Crest, Evening

Tioga Crest, Evening
“Tioga Crest, Evening” — Tioga Crest in sunset light, reflected in a small pond.

This ridge lies a bit east of the actual Sierra Nevada Crest, just outside of Yosemite National Park’s eastern boundary. The peaks along the park boundary are magnificent examples of the rugged, rocky landscape that characterizes the highest parts of the range. But the ridge in this photograph is different. Despite being over 11,000′ high, on its western side it looks like… a really big hill, with little of the rocky, rugged alpine quality that we expect from these high mountains.

After my early backcountry dinner (as usual, eaten from the bag into which I had poured the cup of boiling water), I headed out for my evening photography. As the last sunlight left the lake where we camped I looked to distant high points where that warm light still shone. Here I lined up the peak with its reflection in a small pond only steps from my campsite.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Morning Alpenglow, Sierra Crest

Morning Alpenglow, Sierra Crest
“Morning Alpenglow, Sierra Crest” — Before sunrise, alpenglow subtly colors peaks of the Sierra Crest on the Yosemite boundary.

We usually think of “alpenglow” as an evening thing, probably because that’s when almost everyone who visits the mountains sees this post-sunset soft and colorful light on the highest peaks. But it is just as much a feature of the early morning, though you’ll have to rise early to see it!

Before dawn I walked the short distance from my tent to this nearby pond. I had scouted it the previous evening and was sure that it was a good place to photograph the reflection of the morning light on the Sierra Crest. The direct sunlight had not yet arrived, as sunrise was still a few minutes away, but the highest peaks were turning softly pink.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Blue Hour: Lake and Fog

Blue Hour: Lake and Fog
“Blue Hour: Lake and Fog” — Dusk fog rises from the surface of a subalpine lake reflecting a Sierra crest peak.

I had thought that I was done photographing for the evening when I passed this little lake and saw the fog rising in dusk light. The light was fading fast, so I quickly got out my tripod and set up for some relatively long exposures — this one was 15 seconds. The conditions arose after an afternoon and evening of rain ended and the skies began to clear, allowing fog to appear here and at every other similar body of water.

Photographs in these conditions — essentially twilight — test our understanding of what it means for a photograph to be “realistic.” The truth is that our eyes don’t see like this in extremely low light — so what you get here is a sort of “what the camera saw” image. (The eyes also do not interpolate drifting fog over a 15 second period!)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)