Tag Archives: pond

Two Cranes, Morning, Marsh

Two Cranes, Morning, Marsh
Two sandhill cranes stand in a marsh in early morning sunlight

Two Cranes, Morning, Marsh. San Joaquin Valley, California. December 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two sandhill cranes stand in a marsh in early morning sunlight

This past Saturday was a full-on bird day for me. It started before dawn in the San Joaquin Valley, where I visited some wetlands areas to photograph various birds: cranes, geese, ibises, tri-color blackbirds, a solitary heron and a few egrets. Later that afternoon I wrapped up my bird photography and headed up to Oakhurst in the Sierra foothills to attend the opening reception for AVIAN: Birds in A Changing World at Gallery Five. The juried exhibit includes over 60 pieces by more than 40 artists, including a couple of my bird photographs. Afterwards I drove back to the Bay Area. Yes, it was a long day!

The conditions and the birds can vary a lot at this time of year in the San Joaquin Valley. Often it is foggy, but the skies were nearly clear when I arrived this time, with just a bit of scattered ground for a some haze. Two bird events were striking right after I arrived. First, a huge cloud of very small birds — perhaps tri-color blackbirds — rose before dawn and moved across the horizon. Second, a larger-than-usual number of sandhill cranes lifted off at dawn, and they followed unusual paths that brought them close to me. As the fly-out was getting underway I photographed these two cranes in the pond as the first light began to filter through the haze. They stood quietly for a few minutes, then suddenly took to the air and were gone.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Geese, Tule Fog, Autumn Trees

Geese, Tule Fog, Autumn Trees
Migratory snow geese and Ross’s geese in a pond on a foggy San Joaquin Valley morning

Geese, Tule Fog, Autumn Trees. San Joaquin Valley, California. December 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Migratory snow geese and Ross’s geese in a pond on a foggy San Joaquin Valley morning

Since it was December 1, it seemed like time to start my annual series of visits to California’s Great Central Valley to photograph migratory birds and the landscape of the place. (Actually, I had made one preliminary and very quick visit about a month earlier, but too early for the birds shown in this photograph.) There is a ritual about these visits which, for me, are typically one-day affairs that start very early and end rather late, with a fair amount of driving involved. Up well before dawn, I drive a couple of hours in darkness and often fog, arriving perhaps a half hour before dawn to the stirring sound of many thousands of birds, already awake at morning twilight. I photograph intensively for at least a few hours before taking, at last on most days, a midday break. By mid-afternoon I’m back at work again, photographing through the peak of the visual crescendo just before sunset and then continuing for perhaps another half hour or so until the light is gone. I pack, get into my vehicle, and retrace my two-hour drive back home. (At least the shorter daylight hours of this season allow me to get up a little bit “later” — if you consider 3:45 or 4:00 AM later — and return home in time for a late dinner.)

On this first day of December it was incredibly foggy when I arrived — so much so that it was really hard to make photographs. I usually enjoy photographing in the fog, but this was so thick that almost no sunrise light managed to color the gloom. But before long the light began to come through the fog and eventually I found a moderately large group of white geese settled in on a pond. Among them I saw Ross’s and snow geese, and beyond them there were trees with fall foliage.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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White-Faced Ibis

White-Faced Ibis
White-faced ibis wading in shallow water

White-Faced Ibis. San Joaquin Valley, California. December 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

White-faced ibis wading in shallow water

Late each fall I begin heading out into California’s Great Central Valley to photograph migratory birds and the winter (plus a bit of autumn) landscape of this place. That landscape is largely agricultural, but Americans had enough foresight in the past — and one hopes we’ll return to those roots again soon — to put aside many areas in this midst of these areas for the use of birds, largely migratory birds who spend their summers thousand of miles to the north and then magically appear in my neighborhood during the colder months. Here, under the Central Valley’s open sky (often obscured by tule fog at this time of year!) I find cranes, herons, ibises, geese, egrets, hawks, eagles, and more.

Yesterday I made my first real bird photography foray of the new season. As usual, I was up and on the road many hours before dawn, arriving at my destination a half hour before sunrise to find the place socked in by tule fog so thick that bird photography wasn’t really possible at first. I took my time, slowing down to synchronize with the less-hectic flow of time here, and a bit later in the day came upon a group of ibises feeding near the edge of a pond. The coloration of ibises used to confuse me. Guides show everything from nearly black to quite colorful, but the first time I saw these birds they looked dark and, to be honest, somewhat drab. However, as this photograph shows, in the right light their feathers can produce a wild array of color including red, blue, green, yellow and more.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Pasture, Estero, and Drakes Bay

Pasture, Estero, and Drakes Bay
Looking across pastureland and Drakes Estero toward Drakes Bay and the California coast

Pasture, Estero, and Drakes Bay. Point Reyes National Seashore, California. October 15, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Looking across pastureland and Drakes Estero toward Drakes Bay and the California coast

I have a confession to make regarding Point Reyes. Although it is, relatively speaking, “in my local neighborhood” and I’ve gone there a lot, I have yet to fully wrap my mind around the place to the extent that I feel that I have fully photographed it or fully understand its character. I do have some photographs of the place that I like quite a bit, but when I go there I often find it more difficult to photograph than places like the Sierra, the Big Sur coast, California’s deserts, and similar. I love photographing the ocean, but here the features of the coast are perhaps more subtle, tending more toward beaches and bluffs and bay than to dramatic and rocky coastline. There are hills, but many are rather short, tend to be covered almost completely in forest in many cases, and tend to lack rocky outcroppings. The light can be very interesting, but there is often a fine line between too much and too little sun.

To summarize, I’m still working to figure out my vision of the place. Our most recent visit, in the middle of October during the northern California wildfires, was provided no exceptions to the challenge. There was no fog and the sky was almost clear… except that wildfire smoke often tended to blanket the terrain, producing a sort of yellow quality to the light. Because it is October, most of the green of meadows is long gone, and instead open areas are a kind of muted brown. Yet, I still want to photograph the place, and I know I’ll eventually “get it.” We did spend some time looking for photographs in the park this time, and this lovely inlet from Drakes Estero caught my attention as we traveled out toward the location of the Point Reyes Lighthouse. After we stopped and I looked more closely, I found the old stock fence to be an interesting addition to the photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.