Tag Archives: pond

Winter Wetlands, Morning

Winter Wetlands, Morning
Flooded Sacramento Valley wetlands in the early morning

Winter Wetlands, Morning. Sacramento Valley, California. January 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Flooded Sacramento Valley wetlands in the early morning

While I tell myself that I go to places like this to photograph birds, the truth is that little spots like this one may be more my target. Imagine waking many hours before dawn, and against your instincts starting to move quickly and efficiently to arise, make breakfast, fix lunch, brew coffee, and load a car. Then drive many hours in the dark, radio playing, as the invisible landscape slides past and the world consists mostly of what I see in the headlight beams. Getting close to my destination the sky begins to glow a bit, but I’m still driving, in the world of a noisy car and freeway speeds.

Finally I leave the freeway and drive a relatively short distance to my Central Valley destination. My first stop is still all business — arriving, I park and change into cold weather clothing and set up camera and lenses and get back in the car. I start out on some gravel road around the area I’ve chosen to photograph, though the sun has yet to rise, and I’m focused on finding birds to photograph. A bit later I finally begin to slow down, and with the car windows rolled down in the cold morning air I stop and turn the motor off and sit next to a place like this one and everything is finally still.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Geese, Morning

Geese, Morning
A huge flock of geese settled in under San Joaquin Valley dawn sky

Geese, Morning. San Joaquin Valley, California. January 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A huge flock of geese settled in under San Joaquin Valley dawn sky

Arriving near here before dawn on New Year’s Day 2016, our little group was a bit surprised to hear very few birds. Typically they are the first thing we notice when we get out of our vehicles — many thousands of birds raucously greeting the dawn. But on this morning there were almost no bird sounds at all. There was a rumor of geese nearby along a country road, so some of us headed that direction, and we did find a modest sized group of birds there. It wasn’t an astonishing number, but it least there were some.

Settling in to wait for dawn and perhaps more birds, things were fairly quiet. But before long more geese began to fly in, arriving in groups from the south and settling in on the ponds. In this place that can often be extremely foggy, the fog was thinner on this morning, and the hazy dawn light filtered through to shine on the water and silhouette the trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Tree, Wetlands, Morning Fog

Tree, Wetlands, Morning Fog
Thin dawn fog floats around the base of a solitary autumn tree in San Joaquin Valley wetlands

Merry Christmas 2015!

Tree, Wetlands, Morning Fog. San Joaquin Valley, California. December 17, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Thin dawn fog floats around the base of a solitary autumn tree in San Joaquin Valley wetlands

This landscape is ostensibly about the migratory birds at this time of year, from late fall through the winter months. These ponds, which are just fields during the hot Central Valley summer, typically fill with shallow water and become the winter home for uncounted numbers of geese, sandhill cranes, ibises, and more. It was, in fact, the birds that first brought me out here in the winter, and they still call me back every year.

But there is much more to this landscape than photographs of birds. In fact, my strongest sensory associations with the place are not about the visual appearance of the wildlife for the most part, but are instead about a host of other things. And this simple photograph, for me at least, evokes the sensory recall of those other elements. To a person who may not have been here at this time of year, many things familiar to me cannot be contained in the photograph. The sound of the birds, continuous and often raucous, is central — and it is the thing that most immediately gets my attention when I visit. The fog is a big part of the experience — not just its ability to mute the details of the landscape, but also the sensations of cold and damp and what it does to the quality of light, especially at dawn. In addition, this is one of those California places allow me to extend the color season for three months or more. It begins in September in highest reaches of the Sierra, works its way down (as aspens change) to the high desert (with cottonwoods), then the Sierra foothills, then to the coastal hills, and finally to the lowlands where, as in this photograph, “fall” color remains until nearly the new year.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Evening Trees

Evening Trees
Evening trees reflected in the surface of San Joaquin Valley wetlands

Evening Trees. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening trees reflected in the surface of San Joaquin Valley wetlands

The primary attraction for me in these San Joaquin Valley wetlands is, or so I tell myself, the hordes of migratory birds that arrive here in the late fall and over-winter — geese, ibises, sandhill cranes, along with egrets and herons and more. They draw me to the Valley, just a couple of miles away from my home over the coast range, throughout the late fall through winter period. But once I get there I think I am as interested in the landscape as in the wildlife.

We had just about finished a full day of photographing (mostly) the migratory birds. Late in the day I always start to think about what my final subject will be, and then I try to extend my shooting time as late into the failing light as possible. I might continue to photograph birds in deep dusk, raising ISO and lowering shutter speed and working with the resulting motion blur. On this late-fall evening I went in a different direction, and I put the camera on the tripod and finished up with some blue-hour landscape photographs of the wetlands, the trees, and the evening clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.