Tag Archives: pond

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Morning Reflections, Unnamed Lake

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Morning Reflections, Unnamed Lake
Morning Reflections, Unnamed Lake

Morning Reflections, Unnamed Lake. Yosemite National Park, California. July 29, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

The still early morning surface of an unnamed subalpine lake reflects the boulders and trees along its rocky shoreline, Yosemite National Park.

This is yet another of those little places in Yosemite that is both surprisingly accessible and surprisingly neglected. Since keeping it that way may be a good thing, I’ll refrain from locating it more specifically than to say that it is along the Tioga Pass Road through the park.

I have photographed here before, and I am intrigued by the good-sized granite boulders along the shoreline and out into the water of this shallow lake surrounded by forest. Because of the surrounding terrain, morning light does not reach down to th lake right away, so I was able to shoot in this soft and indirect light and include both some details in the shadows of the forest and their beautifully blurred reflections in the still surface of the water.

The photograph includes one indication of what an unusual year this has been in the high country. The horizontal white area beyond the shoreline trees at the left side of the frame is a melting snow bank. Normally that might not be a big deal, but this photograph was made near the very end of July. It is a very unusual year when we can still find snow at this elevation near the beginning of August!

G Dan Mitchell Photography
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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Mount Gibbs, Frozen Pond, Morning

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Mount Gibbs, Frozen Pond, Morning
Mount Gibbs, Frozen Pond, Morning

Mount Gibbs, Frozen Pond, Morning. Yosemite National Park, California. June 19, 2011. © Copyright G Dan Mitchell – all rights reserved.

Dawn light on the snow-capped summit of Mount Gibbs above a frozen pond, Yosemite National Park.

This small pond is perhaps familiar to visitors to Tuolumne Meadows and Tioga Pass, though more likely with a different appearance. Here, early on a cold morning on the day after Tioga Pass opened for the season, the pond is still mostly frozen and it is surrounded by deep snow banks. The summit of Mount Gibbs is just touched by the first morning light as it passes through clouds over the Sierra crest.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Alpenglow, Mammoth Peak

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Alpenglow, Mammoth Peak
Alpenglow, Mammoth Peak

Alpenglow, Mammoth Peak. Yosemite National Park, California. July 22, 2010. © Copyright G Dan Mitchell – all rights reserved.

Alpenglow lights the face of Mammoth Peak beyond a small tarn near the summit of Tioga Pass, Yosemite National Park.

This was very close to the last exposure I made on this productive late-July day last year. After photographing for a few hours in the vicinity of Tioga Pass, I ended up right at the pass as the day came to an end. Braving hordes of mosquitos – comes with the territory! – I worked the area around the pass itself, building compositions out of juxtapositions of the water in the small meltwater ponds, shoreline meadow and boulders, grasses growing along the edge of the water, the surrounding pine forests, and the more distant peaks of Kuna Crest. In this photograph, what is very nearly the very last direct light of the day is bathing the slopes of Mammoth Peak, which still had a fair amount of snow on its flanks even in late July.

This scene posed a few technical challenges. First, there is obviously a great distance between the foreground granite boulder and the very distance mountain. I wanted the foreground to be in optimal sharpness, so I used a relatively small aperture to maintain sufficient sharpness on the far ridge. There was also a fairly large dynamic range in the scene, ranging from soft but direct light on the snow fields of the peak to the dark areas within the forest on the other side of the pond. I wasn’t certain that I’d be able to handle the full dynamic range in one exposure, so I made three – one longer exposure to get a bit more light from the shadows and another shorter one on the dark side to avoid blowing out the brighter areas of the sky. In post, I discovered that there was enough detail in the shadows that I could get everything I needed from a single exposure, though I had to do some work with curves to get create an image the conforms more closely to the way I saw the scene at the time.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Mammoth Peak Reflected in Tioga Tarn

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Mammoth Peak Reflected in Tioga Tarn
Mammoth Peak Reflected in Tioga Tarn

Mammoth Peak Reflected in Tioga Tarn. Yosemite National Park, California. July 22, 2010. © Copyright G Dan Mitchell – all rights reserved.

Mammoth Peak in sunset light, reflected in the still surface of Tioga Tarn, Tioga Pass, Yosemite National Park.

This view of Mammoth Peak on Kuna Crest in the Yosemite High Country from the Tioga Tarns at the top of Tioga Pass is a classic Sierra Nevada scene. The foreground tarns are lush green in the early summer after the snow melts out and fall into shadow early in the evening as the sun drops behind the ridge between this area and Gaylor Lakes. Mammoth Peak, however, has an almost unobstructed line of sight to the west, so this peak continues to hold the sunset light until the last possible minute. (Don’t let the peaceful appearance of the scene fool you – I was being devoured by clouds of mosquitos as I made these exposures.)

In order to deal with the extremely large dynamic range between the Mammoth Peak snow fields in direct sun and the very dark shadows of the nearby forest I resorted to exposure blending and a few other post-processing techniques. With exposure blending, I make two exposures, one optimized for the brightest areas of the scene and the second a slightly longer exposure to capture a bit more of the shadow detail. In post I began with the darker frame, since that presented Mammoth Peak the way I remembered it. Then I placed to other exposure beneath it and used a mask layer to reveal some of the lighter areas from the lower layer.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.