Tag Archives: question

Visiting (And Photographing) Yosemite In Summer

Today I’m sharing something I wrote elsewhere in response to a question by someone who plans to visit and photograph Yosemite National Park in late August. I have changed elements of the original post, shortening the original question and editing my own response a bit. Enjoy!

[cSpring Trees, Waterfall Mist Spring Trees, Waterfall Mist

I’ve never been to Yosemite but I have a chance to visit for a week in late August. I’ve heard that’s a very busy time, but that’s the time I have available and I’d love to see it.

I’ve ordered Michael Frye’s book  but am hoping for some additional information. I’m thinking of coming in the south entrance and am wondering of this is a good approach. Also, if anyone has any lodging ideas I’d love to hear them.

Michael’s book (“The Photographers Guide to Yosemite“) is a great place to start. It will help you find some of the subjects that you probably have in mind to photograph, and it is full of Michael’s general situational knowledge and experience about the park. Michael has an intimate knowledge of the place — not just of locations, but of daily and seasonal variations and more.

You are right that this will be a very busy time in Yosemite — it is more or less peak season! This affects not only the Valley, but also high country areas such as Tuolumne Meadows. Here are some thoughts about your visit. Continue reading Visiting (And Photographing) Yosemite In Summer

Reader Question: One Lens for Landscape and Wildflowers on Hikes?

From time to time blog readers email me questions about photography subjects. When possible I like to answer them here so that I can share the answer with others who might be interested. Here is a recent question:

“If you were going on a hike to capture landscape and wildflowers, and you could only take one lens, which one and why?”

In some ways that is  a very simple question, but it other ways the answer can be quite involved. Since the question did begin with, “If you were…”, let me start out by literally saying a bit about my own photography – but reminding readers that my approach is individual and idiosyncratic and may not match up with your preferences at all.

If the goal was to cover as much ground as possible in a single lens, and accept some photographic limitations in exchange for carrying less gear, with my Canon full-frame DSLR system I would most likely use my Canon EF 24-105mm f/4 L. On full-frame, the 24mm focal length covers a pretty decent wide angle range, and 105mm is long enough for many subjects. The lens also focuses reasonably close – though not macro-close – and the image stabilization feature is useful in situations where I might want to hand-hold the camera. On a week-long backpacking trip through a high and remote section of the Sierra a few years ago, I used only this lens (and tripod, remote release, a few filters, etc) and came back with good results. To extend the usefulness of the lens for close-up flower photography I sometimes carry an extension tube, though others might just bring along a close-up “filter” or two.

There are things that I would miss with this single-lens setup. A personal preference in my shooting is to work with longer focal lengths, so for me having nothing longer than 105mm would seem like a bit of a restriction. And while this lens plus the extension tube works pretty well, it won’t be as good as a dedicated macro lens.

Another alternative that I’ve thought about but have not yet tried (since I haven’t had the gear long enough just yet) would be to use my small Fujifilm X-E1 (seen”Fujifilm X-E1: From DSLR to Mirrorless“) with the 60mm macro and perhaps the fine little 18-55mm zoom. I know that is more than one lens, but the total kit size is smaller/lighter than my full-frame DSLR. You could go with just the excellent little zoom plus a close up filter or two as an alternative. I use this particular brand/model and like it a lot, but there are alternatives from other manufacturers that also have a lot of fans.

Moving on from what I might use, let’s briefly consider some other options that might appeal to other photographers.

If you are primarily interested in the wildflowers and are a very serious photographer, you might prefer to simply carry a dedicated macro lens of whatever focal length seems best for you. This will be your best bet for close-up wildflower photography and, accepting the limitations of having only a single focal length, will produce excellent image quality for non-macro subjects as well.

Another option that would work well for a lot of people is one of the entry-level DSLRs (like the Canon t1i-t5i series or alternatives) with the “kit” lens in the 18-55mm range plus one or more close-up filters. These can produce quite decent image quality and the package is small, light, versatile, and not too costly.

This begins to lead to the question of what your primary goals are in your hiking photography. Are you a very serious photographer who regularly produces large and high quality prints? Or, at the opposite end of the spectrum, are you a much more casual photographer who wants to bring back some beautiful records of your experience and share them with friends and family, perhaps mostly online? More than likely, you might have to determine where you fit between the extreme ends of this spectrum. How important is the weight/bulk of the equipment? Are you going to grab shots handheld or stop and use a tripod?

For some who are more concerned with the weight/bulk issues and perhaps not likely to make 20″ x 30″ prints, there are lots of smaller, lighter and often less expensive options that can be very good choices. These include some of the smaller and lighter mirrorless cameras such as the Fujifilm model I mentioned above (at the high end), and also some of the point and shoot cameras, many of which can produce excellent photographs.

Good luck with your choice… and with your photography!

Articles in the “reader questions” series:


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Reader Question: Yosemite in October

“Tom” recently sent me a question about visiting Yosemite in October, and I thought I would reply here where others can see the information, too.

I will be in CA in October and was planning on going up to Yosemite for a few days. Any advice you’d care to share would be greatly appreciated. :)

California’s Fall Color: A Photographer’s Guide to Autumn in the SierraBefore I answer your question below, you might be interested in my book, California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra, available from Heyday Books and from Amazon. It shares a lot of what I have learned about locating and photographing Sierra Nevada fall color, along with a large collection of my autumn photography in locations from the eastern Sierra to Yosemite Valley.

October may be my favorite time of the year to be in the Sierra in general and in Yosemite in particular. While some things that draw people to Yosemite (waterfalls, for example) are not likely to be at their best, there are many other wonderful attractions at this time of year. October is a transition month in the Sierra, with early October often having the character of late summer and late October often feeling more like early winter. Conditions can change quickly, and warm and sunny days may be followed by a day of rain or snow.

Autumn Light, Yosemite High Country
Autumn Light, Yosemite High Country

I have divided the following description geographically to separately describe Yosemite Valley, the Yosemite high country, and the east side of the Sierra Nevada range.

Yosemite Valley – The busy summer tourism season winds down in September after the Labor Day weekend, and by October the Valley is no longer quite the crowded, urbanized, noisy zoo that it can be on the worst days during the summer. (I generally steer clear of the Valley in June, July, August, and early September.) The meadows will have turned golden brown already, and real autumn colors begin to appear later in the month. While some are subtle, such as the transition of the oak tree leaves, others are quite striking, including brilliant fall colors of maples and dogwood trees. I make a habit of shooting autumn colors in The Valley every fall right around the end of October or beginning of November. (You’ll often find me there on Halloween!) Continue reading Reader Question: Yosemite in October

A Difficult Question, and Thinking About Feedback

There is a lot to say about the subject of feedback – what constitutes useful feedback, when it is and is not appropriate to offer it, when to be “direct” and when to be diplomatic, how to offer it, and so forth. I’m thinking about this today – though I think about it often – after a thought-provoking experience I had yesterday.

Yesterday I visited Charles Cramer’s beautiful solo show at the Center for Photographic Art in Carmel – for the third time! I made a point of dropping in one more time because a) this was the final day of the show, b) I’m a huge fan of Charlie’s work, c) I knew that he would be there in the afternoon, and d) it gave me a perfect excuse to photograph on the Monterey Peninsula yesterday before and after visiting the show!

Charlie asked several of us two questions – one merely difficult and the other very difficult. The former, merely difficult question was, more or less, “Which are your favorites?” This wasn’t too difficult, since there are some very specific photographs in this show that “speak” to me very powerfully. In fact, I basically responded to this question by pointing those out and trying (with varying levels of success) to say something about what makes those photographs “work” for me. But there are so many that work in so many different ways that I could really do the question justice. Some work “as photographs” alone, there are others that I probably see differently because of my affinity for the subjects, some require some time to understand, and so forth.

But the second question was the really tough one: “Which photograph(s) would you leave out of the exhibit?” Really? You are asking me, Charlie? :-)

But then I thought about this a bit more and decided to attempt an answer. I’m not going to write about which photographs I would leave out – frankly I would add more of his photographs rather than removing any – since my selections are not the point. But I do want to think out loud a bit more about the question and the value of asking it and trying to answer. Continue reading A Difficult Question, and Thinking About Feedback