A back-country creek cascades across granite in afternoon light reflected from nearby rock faces, Yosemite National Park, California.
In places where a fast-moving stream drops rapidly down a glaciated granite slope (such places are found in various locations in the Yosemite high country) and the late afternoon sunlight reflects on the far side of the stream, the water can pick up the golden color of the reflected light. In this photograph I found a standing wave in the middle of turbulent section of water, and I positioned myself so that the reflected light was directly opposite my location.
Last light of the day over the Panamint Range casts its glow on Badwater Basin salt flats and clouds.
In what may be the last gasp of my obvious attempt to extract as many photographs as possible from this late March evening in Badwater Basin, here is yet another. This one was photographed well after the sun had set, and I had turned my camera away from the expansive view north into Death Valley and to the east towards the Panamint Range and Telescope Peak over which I saw this wing-shaped cloud. While there was a thin band of relatively bright sky above the Panamint Range, everything else was heading quickly toward twilight. (The longer exposures listed in the “technical data” below will confirm the light levels.)
I’ve previously mentioned the subjective issue of how to handle the very blue tone of the “white” salt formations here. The salt is, no doubt, really white – but after the sun dips below the Panamint Range the only light is that of the very blue sky, and the salt picks this up. If you think about it you can see it on the scene, but when you look at the photographs later it is absolutely clear. I’ve been thinking for several weeks about how I’d handle this one, and I decided over a week ago that I’d “go for the blue” with this rendition.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Late light illuminates dusk clouds above the salt flats of Badwater Basin, Death Valley National Park, California.
First, my disclaimer: I really am getting very near the end of the photographs of Badwater Basin shot on this late March evening. Really, I am. I’ve posted a number already, but I don’t see how there could be possibly be more than two additional images at this point. :-)
To recap, for anyone who didn’t catch the earlier posts, I visited this spot near Badwater Basin on an evening that turned out to have a wonderful combination of somewhat unusual salt flat conditions and interesting evening clouds. The “unusual conditions” were due to recent heavy rains in Death Valley that had flooded this section of the the salt flats a few weeks earlier. The flooding had subsided – at this point there was some water below the salt crust but the surface was mostly dry – but the character of the salt “polygons” had been “reset to zero” by the water. What had been very jagged and worn and cracked material had been flattened and smoothed. While the joints between the sections of the salt are clearly still visible, they were almost flush with the surface of the flat at this time.
On top of this somewhat rare condition, I was very fortunate to be there on an evening when there were clouds and, in addition, the cloud conditions evolved beautifully as the evening progressed. I saw this possibility earlier in the afternoon, which was one reason that I chose to shoot here, but you can never really know for sure what will happen… until it happens. The clouds started out thicker than what is seen in this photograph but as the day came to an end they began to thin and separate – enough that the colorful light from the evening sun began to light the clouds during the last moments of the day.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Colorful dusk clouds against darkening sky above the salt flats of Badwater Basin and the distant ridges of the Amargosa and Panamint mountain ranges.
This was one of the final photographs I made in fading light on this evening. (I made another series a few minutes later when the sky and clouds and salt flats were all various stages of blue – I may ultimately post that image here as well.) The very last light was catching the clouds above Badwater and the central portions of Death Valley, and the color was already fading quickly in the darker area to the east over the Amargosa Range.
As I have mentioned before, the very wide dynamic range between the shaded surface of the salt flats and the bright bit of sunlit cloud and sky at the far left necessitated the use of two exposures which were then combined in post. (Even after this light finally faded I was not yet finished for the day. An hour or so later I was doing night photography under the light of the rising full moon at Zabriskie Point.)
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Technical Data:
Canon EOS 5D Mark II
Canon EF 17-40mm f/4 L USM at 17mm
ISO 100, f/16, composite of two exposures in the 1/2 to 1/4 second range.
keywords: badwater, basin, salt, flat, polygon, pattern, white, texture, panorama, evening, sunset, twilight, dusk, dark, sky, color, orange, pink, blue, amargosa, panamint, mountain, range, ridge, horizon, death valley, national, park, california, usa, north america, landscape, travel, scenic, nature, stock
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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