Tag Archives: reeds

Autumn Sunrise, Wetlands

Autumn Sunrise, Wetlands
Autumn sunrise over California Central Valley wetlands.

Autumn Sunrise, Wetlands. © Copyright 2023 G Dan Mitchell.

The sun rises over California Central Valley wetlands.

There is a seasonal pattern to my photography. One of my favorite subjects from late fall through winter is the return of migratory birds to California. This year’s first outing was near the end of November, when I spent a day in the Central Valley. This photograph isn’t just (almost) my first photograph of the day, but it is also the seasons first photo of this subject. As I expected, the number of birds was lower than it will be later in the season, but the stillness and quiet of the place at sunrise was no less profound.

If you passed by here during one of those oppressively hot Central Valley summer days, you might never imagine that it could be a beautiful place in the right season and at the ideal time of the day. But the transformations of season and time of day can do amazing things, and the annual arrival of the birds amplifies that here. It didn’t hurt that I was listening to the sound of sandhill cranes passing overhead as I photographed.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Winter Pond, Birds and Fog

Winter Pond, Birds and Fog
Thick tule fog obscures the view of a winter pond, a small island, and birds in flight.

Winter Pond, Birds and Fog. © Copyright 2023 G Dan Mitchell.

Thick tule fog obscures the view of a winter pond, a small island, and birds in flight.

From time to time I make the point that there is always an element of serendipity in nature photography — no matter how much we calculate and plan, in the end there are always things that we cannot control. This photograph is a fine example. I “knew” there would be no fog when I traveled to this location last week. And when I arrived there was none — the sky was almost completely clear in the hours after sunrise. Then, to my astonishment, tule fog spontaneously developed, and within a half hour the area was socked in.

But that’s not the only unanticipated good luck in this photograph. The active flock of red-winged blackbirds just happened to show up on a small island of reeds where I was, at just the right distance to let the fog mute their forms but not render them invisible. They remained just long enough for me to make a few exposures before they departed.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Winter Trees, Levee Road, Fog

Tule fog softens the light on a Central Valley levee road winding among winter trees.

Winter Trees, Levee Road, Fog. © Copyright 2022 G Dan Mitchell – all rights reserved.

Tule fog softens the light on a Central Valley levee road winding among winter trees.

My usual inclination when photographing a place like this is to focus on the natural and to exclude the signs of the human presence. It is perhaps ironic that I embrace the human world in my street photography but often obscure it in my other work. I think this comes from the desire to imagine a “natural” work without, well, us. There are fine reasons to do this, but there are also some reasons to not imagine that we are not part of the natural world. (This subject likely deserves and article, a book, a small library — not a two-paragraph post!)

During the winter months I often photograph in California’s Central Valley, attracted by the tule fog and by the migratory birds. And I mostly photograph these subjects as examples of nature. But the Central Valley is anything but a natural wilderness! It is crisscrossed by roads large and small, increasingly filled by towns and cities, and dominated by the agriculture industry. The good news is that those things are interesting photographic subjects, too. This road more or less winds along a levee at the edge of a large pond. I paused here to look back and the way I had come, photographing the road winding through a gentle landscape of tule fog and winter trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Night Heron in Brush

Night Heron in Brush
A black-crowned night heron perched in brush in morning light.

Night Heron in Brush. © Copyright 2022 G Dan Mitchell – all rights reserved.

A black-crowned night heron perched in brush in morning light.

In locations where there are many birds (in my cases, mostly big groups of geese and cranes) the night herons tend to lurk quietly in the background, and it would very easy to completely overlook them. They are much smaller than the lonely but attention-grabbing great blue herons. They are quiet. They tend to sit still among the plants for long periods of time. They keep their distance. I wasn’t even aware of them the first few times I went out to see the winter birds of California’s section of the Pacific Flyway.

But once I realized where to look, they were easy to spot. In good light their white breasts stand out against the darker vegetation in which they hide themselves. While I regard them as mostly stationary birds — at least where I run into them — occasionally I have seen them become more active, including on New Year’s Day when groups of them began to fly to and fro above the brush in the morning sun.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.